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Unsettling, spooky, nasty, demonic and icky, Bring Her Back is a modern horror classic demonstrating brothers Danny and Michael Philippou’s encyclopaedic knowledge of the genre, spun their own way. Their feature debut, 2022’s Talk to Me, was no flash in the pan. It takes a while to work out what’s going on but the brothers … Read more
“Major picture-making at its worst,” was the New York Times verdict on Nora Prentiss in 1947. Yes, but… It’s also a prime example of the sort of 1940s movie seemingly designed to put women back in their box once war was over. And for that reason alone it deserves a look. It’s a classic “rogue female” … Read more
Extraction is late-era Bruce Willis so it comes prejudged. Which, it must be said, is entirely Willis’s own fault. He didn’t have to sign on for so many sub-par actioners. Surely someone somewhere was offering him a decent gig at a decent screw? Maybe not. It also, on account of subsequent developments in Willis’s health, … Read more
Overshadowed by both the Jean Epstein silent 1928 version and Roger Corman’s one from 1960, 1948’s The Fall of the House of Usher isn’t exactly a good film but it is a hellishly interesting one. Directed by Ivan Barnett, it was shot mostly at GIB Studios in Hastings on the south coast of England, a … Read more
There are big Steven Soderbergh movies and small Steven Soderbergh movies. Presence is the latest of the small ones, stacking up alongside Let Them All Talk and Unsane as another fascinating experiment in Soderbergian minimalism. Between starry, big-budget affairs like Oceans 11 or Contagion, in his smaller movies this master of technique sets himself film-making … Read more
Imagine calling a film Christmas Holiday and then filling it with desperation, prositution, twisted mother love and murder. They knew how to have fun in 1944. Ignore all the opening flimflam about a lieutenant being dumped by his girl on Christmas Eve, the day before his wedding. The film only really takes wing once we … Read more
Symmetrics. Opulence. Screwball comedy pacing. Whimsy. Deadpan. A nostalgic evocation of old Hollywood. The Phoenician Scheme must be a Wes Anderson movie and if nothing else it finally does with Bill Murray what should have been done long ago. It casts him as God. Wes Anderson. By now about 50 per cent of his potential … Read more
Did you know that Billy Wilder had a brother and that his name was Billy too? In fact W Lee Wilder had more of a claim on “Billy” than Billy did, being two years older than his more famous sibling and having actually been baptised William. Billy’s birth name was Samuel. W Lee Wilder also … Read more
Horror films are often about old age without being explicit about it. Think of all those shuffling zombies. The Rule of Jenny Pen cuts right to the chase to tell a story about nasty goings-on in a care home, where tangential horror occurs but the care home itself is the real concern of co-writer/director James … Read more
Operation Cross Eagles is the only film Richard Conte ever directed. Great at playing bad guys and constipated good guys, in Conte’s one and only go calling the shots he never quite works out what he’s meant to do with the camera and the film is a bit of a mess. That said, it is … Read more
In Crumb Catcher a doorstep salesman makes his big pitch in a revenge-of-the-nerd thriller with a comic edge, served straight-up with no messing about. Bloody and funny, it’s not bad for a debut at all, though director Chris Skotchdopole did co-write the story with Larry Fessenden (who’s also a producer), one of the stalwarts of … Read more
Pupi Avati isn’t one of the big names of giallo and yet The House of Laughing Windows (La casa dalle finestre che ridono) easily stands alongside or even ahead of the best of Argento, Bava and Fulci. It’s a triumph not of concept or style, though it has both of those, but of a thousand … Read more
