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What is that little asterisk doing at the end of Thunderbolts*? Yes, that one there. By the end of the Marvel Cinematic Universe’s 36th adventure all has been revealed. Or maybe not. Thunderbolts is both a sequel and an origin story tonally harking back to the MCU when Joss Whedon had a hand in it. … Read more
“One of the unsung masters of Hungarian cinema,” says the press blurb about Zoltán Huszárik, director of Szindbád. Full disclosure: I’d never heard of him before a review copy of the Blu-ray boxset fell onto my doormat. It contains Huszárik’s entire collected output, two films and a handful of shorts. Hungary is quite a source … Read more
Billy Bryk and Finn Wolfhard met as actors on the Ghostbusters: Afterlife shoot, realised they had similar tastes and decided to write a movie together. Hell of a Summer is the result. It’s an “everyone dies” slasher set at a summer camp where counsellors have assembled before the kids arrive to have some bongs’n’beers before … Read more
Carl Theodor Dreyer’s Vampyr was the first psychological vampire movie, or so some of the books say. Cut to FW Murnau in the wings asking forlornly, “So what was Nosferatu?” made ten whole years earlier in 1922. How about Vampyr being the great Dreyer’s first sound movie? There is no doubt about that, even though … Read more
So this is how it ended. The 2005 TV movie Walker, Texas Ranger: Trial by Fire was meant to be a reboot for Chuck Norris and co. Instead poor ratings turned it into a swansong for Norris’s most famous character, the taciturn tough-but-fair cop who over an eight-year run on TV (1993-2001) had always had … Read more
1932’s Wooden Crosses (Les croix de bois) is more death, less glory than your average drama about the First World War. That might explain why it doesn’t always make it onto the “best of” lists, where The Big Parade, 1917, All Quiet on the Western Front, Paths of Glory and Westfront usually jostle for a … Read more
The Shrouds looks like the filmic equivalent of David Bowie’s final album, Dark Star, a requiem revisiting old ideas in an up-to-the-minute way. David Cronenberg has not announced that he is dying. But aren’t we all? All the time? It’s the sort of thing Cronenberg has been saying, with a macabre chuckle, since he first … Read more
Twentieth Century-Fox didn’t do much in the way of noir. Betty Grable wasn’t much of a one for straight roles. So 1941’s I Wake Up Screaming is unusual for two reasons, not to mention a title making no sense at all. It’s a whodunit about people who are off their turf, so those deviations from … Read more
What is the price of living an OK life? Best Wishes to All offers a bleak answer to a question few ever really ask. Whether it’s also a funny answer depends on how much grim you can tolerate. Takashi Shimizu, director of Ju On: The Grudge, is its producer, which might give you an inkling … Read more
Sweet Smell of Success flopped at the box office on its debut in 1957, much as its producer, Burt Lancaster, feared it might. A dirty-underbelly-of-showbiz tale, like Sunset Blvd. and In a Lonely Place, it’s been redeemed by posterity, which often marks it as one of the finest noirs ever made, even though it doesn’t … Read more
A useful live-action remake of the 1937 animated Disney classic? Or a naked attempt at IP protection and extension? Snow White joins Beauty and the Beast, Cinderella, The Jungle Book, Dumbo and The Lion King in the “bit of both” category. It is in other words a decent-enough run-through of an existing story, in a … Read more
There’s not much wrong with Yolanda and the Thief that a lot more dancing wouldn’t fix. It’s a 1945 Fred Astaire musical, and the first in a run of Technicolor movies that would prove director Vincente Minnelli to be a master of colour and motion. Though it was a flop, there’s absolutely nothing wrong with … Read more
