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The opening scene of D.O.A. is so punchy and dramatic that it has to be up there on any best-ever list. A man walks into a police station, finds the homicide department and announces that there’s been a murder. “Who was murdered,” asks the homicide captain. “I was,” Frank Bigelow replies. The film ends on … Read more
Here’s a pitch. A film about an oligarch family living in a bunker for 25 years… done as a musical! The End is Joshua Oppenheimer’s follow-up to his two documentaries about the genocidal regime in Indonesia, and should at least win awards for audacious change of direction. Oppenheimer’s The Act of Killing and The Look of … Read more
So here I am coincidentally writing about Champion on the day the death of the remarkable George Foreman is announced. A gent and a plugger, who came back after 20 years away to win the world boxing title for the second time, Foreman was everything the focus of Champion is not. The film made a … Read more
Can you believe there are still people out there who don’t know that all-conquering smash musical Wicked is the origin story of the Wicked Witch of the West in The Wizard of Oz. I know this because I met one of them just the other night. Relief: he did know what The Wizard of Oz … Read more
Directed by Sam Fuller, Dead Pigeon on Beethoven Street (Tote Taube in der Beethovenstraße) is something of an outlier, both for Fuller and for the German TV show Tatort. Tatort, still running after more than 50 years, translates as Crime Scene, and is a Sunday-night landmark on the German TV landscape. It offers feature-length policiers … Read more
A fable, a thriller, a subdued comedy and a cryptic love story, Anora is also the winner of five Oscars and confirmed the arrival of Sean Baker at the top of the film-making tree. This appeared to have started with his breakthrough, 2015’s Tangerine – the one shot on an iPhone – but in fact … Read more
If film noir is about men in the thrall of women being tossed about by cruel fate, Criss Cross is prime noir. Made in 1949, in black and white, and starring Burt Lancaster in his first, noirish iteration, it’s directed by Robert Siodmak, a dab hand at punchy, pitiless drama. The story is told in … Read more
There are issues in Memory, and memory itself has something to do with what’s going on. But it’s the small things rather than the big ones that give the film its grip and punch. The many social-realist auteurs pushing our faces into the raw meat of life could learn a lot from Michel Franco’s remarkable … Read more
Which witch? That seems to be the question behind Don’t Torture a Duckling (Non Sevizia un Paperino in the original Italian), the film that made Lucio Fulci something of a name in his home country – the sex, the gore. It’s essentially a police procedural and sets off in a very familiar direction. A child … Read more
Teenagers save the world in Y2K, a larky take on the events that didn’t play out as one millennium clicked over into another and planes didn’t fall out of the sky, entire networks of computers didn’t crash and hospitals and traffic systems didn’t grind to a halt. That’s either because of the massive amount of … Read more
Stunt casting gave Paper Moon an extra publicity push when it came out in 1973. Ryan O’Neal and his nine-year-old daughter Tatum were the headline-grabbing coupling, and the PR machine was glowing white hot by the time of the 1974 Academy Awards, when Tatum won the Oscar for Best Supporting Actress. This propelled the movie … Read more
Like a few episodes of a gentle family sitcom bolted together and the joins sanded flat, All Happy Families is an Everybody Loves Raymond-style journey with a couple of issues thrown in to indicate grown-up-ness. It’s well acted, slightly sentimental, a little nostalgic for simpler times and is just the sort of vehicle you might … Read more
