Latest Posts
When not appearing in moneyspinning TV shows like The Wire or Game of Thrones, or the Maze Runner franchise, or in smallish roles in big-money movies like Bohemian Rhapsody, actor Aidan Gillen can often be found in small-scale features, often as their anchor. Barber doesn’t quite fit into the same category as The Good Man, … Read more
There are a lot of ways of approaching 1959’s Odds Against Tomorrow. It’s that sort of film. But let’s be boring and approach it from the usual angle and say it’s the first film noir with a black lead actor in it. It’s Harry Belafonte, whose HarBel company also produced it, and he plays one … Read more
The DC Extended Universe’s lowest-grossing movie of all time, as I write, is Blue Beetle, which is a slightly unfair way to look at it, since it was originally intended as an HBO or HBO Max or Max (or whatever it’s currently called) release, but got bumped up to theatrical as a result of musical … Read more
The posters are much more direct about what’s going on in The Crimson Kimono than the film itself is. Over a picture of a couple in a clinch they klaxon – “YES, this is a beautiful American girl in the arms of a Japanese boy!”. YES, this is a movie about a transracial relationship! Columbia boss … Read more
More of the same, that’s what Spider-Man: Across the Spider-Verse delivers. The follow-up to Into the Spider-Verse is another blistering, migraine- and epilepsy-inducing collision of animation styles, the sort of thing which, if it had been done in the 20th century, would have taken the entire 20th century to do. And if you like it, … Read more
Luchino Visconti’s The Damned aka Götterdämmerung is like several seasons of the TV show Dallas run together. It’s big, melodramatic and camp. There’s even a “Bobby Ewing back from the shower” moment. It’s the first of Visconti’s German trilogy – Death in Venice and Ludwig would follow in 1971 and 1973 – but is in … Read more
If this is the age of helicopter parenting and the Young Adult (YA) genre is its cultural manifestation, then 2011’s The Crown Jewels (Kronjuvelerna in the original Swedish) is as good an Exhibit A as you’ll find in any case for the prosecution. Life is full, absolutely full, of bear traps and kids need to … Read more
The death of David McCallum a few days ago prompted a return to the show that made his name in the 1960s. Well, not the show itself, but a 1983 TV movie “return”, which looks as if it was intended to relight the fire under the series itself. It was not to be and so … Read more
The who? The what? Nandor Fodor and the Talking Mongoose is a title asking two questions and, without further ado, here come the answers. Nandor Fodor was a real man, a Hungarian-born parapsychologist (1895-1964) and former associate of Sigmund Freud who became a leading paranormal investigator. His preferred MO was to explain poltergeists and other … Read more
A young man tries to get his oats in Here We Go Round the Mulberry Bush, a British 1968 sex comedy starring Barry Evans, directed by Clive Donner and written by Hunter Davies. In many ways it’s the suburban Alfie, which was made two years earlier. Where Michael Caine had central London, Barry Evans has … Read more
And so Barbie is born, as a live-action presence, I mean. She’s been in utero one way or another for nearly 40 years, going all the way back to the 1980s and the Cannon Group’s plans to put her on the big screen (shudder). Between there and here there have been many possible outcomes – a … Read more
Luchino Visconti’s first film, 1943’s Ossessione (aka Obsession) ran into trouble from the moment it was made. Too raunchy for Catholic Italy, and an abomination in the eyes of the Fascists, it hit further obstacles once James M Cain found out that Visconti had adapted his The Postman Always Rings Twice without crediting him. And … Read more
