Cutter’s Way

Jeff Bridges as Richard Bone

When it’s remembered at all, 1981’s Cutter’s Way is often lumped in with All the President’s Men, The Parallax View and conspiracy dramas from the 1970s. But it’s much more at home in the company of 1970s noirish murder thrillers like Chinatown, or, most obviously, Robert Altman’s The Long Goodbye. Apart from mis-categorisation its other big problem is its title. It was originally Cutter and Bone, after the two men at its centre – drunk, angry firecracker Alex Cutter (John Heard), who lost an eye, an arm and a leg in a war we assume to be Vietnam. And slinky, college-educated golden boy Richard Bone (Jeff Bridges), whose given and family names hint … Read more

Corsage

Elisabeth at a formal dinner

Empress Elisabeth of Austria (1837-1898), the focus of writer/director Marie Kreutzer’s Corsage, isn’t that big a deal outside the Germanosphere. Inside it, though, it’s a different matter. A huge number of documentaries have been made about her in Germany and Austria, going all the way back to 1921. The interest remains fervent in the 21st century. So far this decade she’s made an appearance in no less than five Austrian/German dramatisations of her life – as well as Corsage, there’s the TV series Sisi; feature Elisabeth; another TV series, The Empress; and another feature, Sisi and I (whose release date got bumped when Corsage came along). What’s the fascination? Maybe it’s that she, … Read more

La Règle du Jeu

Octave with pilot André and Christine

The usual description of Jean Renoir’s 1939 classic La Règle du Jeu (The Rules of the Game) as a swingeing/coruscating/blistering (or some such) indictment of the ruling class on the eve of the Second World War misses something – it’s a farce, and a funny one, done at breakneck speed. Sure, the swingeing etc etc stuff is there, but it’s more a background, a bass drone. Equally important is what’s going on up top. Here, the brilliance of Renoir’s direction is most obvious. The plot gathers a bunch of (mostly) highly entitled, frivolous, selfish characters and sequesters them in a chateau for the weekend, where clandestine affairs and class-warfare skirmishes are conducted below … Read more

Holy Spider

Rahimi dressed modestly for undercover work

Between August 2000 and July 2001, Iranian serial killer Saeed Hanaei murdered 16 women in the holy city of Masshad, Iran, in what he claimed was a jihad against decadence – Hanaei’s victims were either prostitutes or drug users or both. Holy Spider tells the story of the “spider killer” – he lures them to his place, where he kills them, hence the name – and the female journalist who set about tracking him down, in the face of the attitude of male journalists, male cops and male imans, who are barely capable of registering what’s going on as a crime, because it’s druggies and whores who are the victims, but even more because … Read more

The Postman Always Rings Twice

Frank and Cora

Talking of twice, there are two good reasons why reviews of the movie The Postman Always Rings Twice almost invariably mention the book’s author, James M Cain. Cain’s name has no real resonance today, but his book was Fifty Shades of Grey shade of famous in 1934 and made a celebrity of the author. As a sentient member of the public you had to have a position on the book – you’d read it, you’d read a review of it, or you’d ostentatiously decided not to read it. Love it or loathe it, it could not be ignored. The second is the opening credits to this 1946 screen version, which go very large on … Read more

Percy Vs Goliath

Percy in his field

There’s much aggro with agri-business in Percy Vs Goliath, the – surely no surprise – David and Goliath tale of a Sesketchewan farmer taking on the agri-biotech conglomerate Monsanto after the company accused him of patent infringement. It’s a true story. In 1997 a pious, frugal, hard-working 70-ish farmer was suddenly landed with a lawsuit from Monsanto, who accused him of using their Roundup-tolerant genetically modified strain of canola seed (aka rapeseed) without paying for it. The thing is: Percy Schmeiser had never bought seed in his life. Instead he was a “saver”. He’d learnt from his father the practice of keeping seed from the season’s best plants, and he from his father … Read more

The Hard Way

John Connor with rifle

1980’s The Hard Way sounds like the answer to several questions in a quiz with a special round on esoteric movie trivia. What’s the only film that Patrick McGoohan and Lee Van Cleef starred in together? What’s the only screen acting performance of the novelist Edna O’Brien? Michael Dryhurst has directed only one film – what is it called? Other interesting factoids for collectors of arcana include that the director John Boorman is The Hard Way‘s executive producer and that much of it is filmed in Wicklow, Ireland, where Boorman lived at the time. And that Henri Decaë is the cinematographer, the monster talent who did so much work with Jean-Pierre Melville. The … Read more

Salvatore: Shoemaker of Dreams

Salvatore Ferragamo and wooden shoe moulds of the famous

As solidly made as the shoes of its subject, though not as imaginative, Salvatore: Shoemaker of Dreams does exactly what it sets out to do – tell the life story of Salvatore Ferragamo, the man who puts shoes on Dietrich, Garbo, the Duchess of Windsor and Ava Gardner and built an empire based on high-end footwear. He was clearly a remarkable man. Born in a small village 90km east of Naples in 1898, Salvatore was the 11th of 14 children and the second of his parents’ children to have that name – an older brother had died. He wanted to make shoes from almost as soon as he could remember but his parents … Read more

El Cochecito

Lucas, the wheelchair and Anselmo

There aren’t many films called El Cochecito. That’s the Spanish title. In English it goes by the title The Wheelchair. There aren’t many films with that title either. A wheelchair is not aspirational, it’s not something people covet. (As for The Little Coach, which the film sometimes flies by, no one even knows what that is.) But the main character in El Cochecito really does aspire to own one, which makes him an unusual character. But then this is a very unusual film. Rather than confinement, the wheelchair seems to Anselmo Proharán to offer freedom, escape. He’s a retired man, a somebody back in the day, a widower who now lives with his … Read more

The Girl and the Spider

Lisa and Mara

Not much happens in The Girl and the Spider (Das Mädchen und die Spinne) but that doesn’t mean nothing’s going on. Superficially the story of one young woman moving out of the apartment she’s been sharing with another, beneath the surface it’s a roiling stew of emotion, lust, jealousy, neediness and isolation. There’s are Bergmanesque developments, things said and unsaid, as we track Mara (Henriette Confurius) and Lisa (Liliane Amuat) through one day, a night and into the next day while around them wheel Lisa’s mother, a handyman and his helper, a neighbour or two, other young women from downstairs and next door, first in the apartment Lisa is moving into, and then … Read more