Steve

Four Sided Triangle

by
Lena and Bill at the beach

Four Sided Triangle is a British B movie from 1953. That’s two if not three knocks against it straight away. Look it up in the books and you’ll see it generally doesn’t get very good reviews. And yet it’s a really interesting film from all sorts of approaches. It’s a kind of tweedy Frankenstein story, set in the bucolic English countryside, and introduced by a decent chap, a local doctor (James Hayter) who with rounded vowel sounds and in a voice like warm gravel recounts the story of two boys and a girl. Perhaps Robin and Bill were rivals for Lena’s affection even as kids, the flashback structure tells us, before Dr Harvey … Read more

The Parenting

by
Rohan and Josh looking scared

Brian Cox apparently gets a bit sick of being asked in interviews about Succession and playing Logan Roy, which might explain his presence in The Parenting, a film unafraid to do jokes about projectile vomiting alongside a whole slew (spew?) of gags revived from the era of gross-out comedy. Look, this says, I’m an actor, now doing something completely different, alright, because that’s what acting is. Craig Johnson is the director and Kent Sublette the writer, but it’s the Farrelly or Wayans brothers who really preside over this movie – comedy done with a wink and a how-low-can-you-go chuckle. It’s a Meet the Parents set-up. Rohan (Nik Dodani) and Josh (Brandon Flynn) are … Read more

Claire’s Knee

by
Béatrice Romand as Laura

In many ways the perfect French movie, French-movie cliché even, 1970’s Claire’s Knee (Le genou de Claire) is one of Éric Rohmer’s most celebrated works and is a good place to start if you want to dig into his back catalogue. One of the key voices of the French New Wave, Rohmer regularly banged out films from the mid 1950s until, in 2007, old age forced him to step back. Unlike other old dogs of the New Wave (Godard springs to mind), right to the end Rohmer’s newest offerings were still consistently putting bums on seats. It’s the perfect and cliched – archetypal, if you prefer – French film because it has the elements … Read more

Grand Theft Hamlet

by
A green alien on stage in Hamlet

Though the title almost does all the explaining you’ll ever need, to spell it out in a full sentence Grand Theft Hamlet is an attempt to stage the Shakespeare play Hamlet inside the online version of Grand Theft Auto. The background. It’s the third Covid lockdown in the UK and husband and wife Sam Crane, a theatre director, and Pinny Grylls, a documentary maker, are suddenly workless and at home cooling their heels. He’s a bit of a console jockey. She isn’t. Inspired by a comment from their kids about a YouTube gamer going by Dream (31.9 million subscribers as I type) who’s been staging performances inside Minecraft, they wonder if they can … Read more

The Vampires Night Orgy

by
Helga Liné as the vampire countess

There is no sign of an orgy in The Vampires Night Orgy, that snippet of trivia on the IMDb does not lie. Nor is there very much in the way of vampires. Which leaves the Night bit of the title with quite a bit to do. This horror movie, no surprise, from Spain was made in 1973, when sex, horror and arthouse cohabited in a lot of European movies. It’s hideously dubbed, as was also often the case, and it was originally served up in two forms: the tame one for domestic consumption and the “nude export version”, which is the one you are likely to find, especially if it’s flying by its … Read more

The Girl with the Needle

by
Karoline and Dagmar

Imagine reading Oliver Twist and suddenly Jack the Ripper turns up in it. The Girl with the Needle (Pigen med nålen in the original Danish) is a bit like that. A bracingly miserablist trek through the life of one of the urban poor in post-First World War Denmark, its Dickensian traipse from one grim situation to the next is interrupted towards the end with the dawning realisation that its heroine, poor benighted Karoline, has somehow wandered into the orbit of Dagmar Overby, Denmark’s most prolific serial killer. The film never tells us that the Dagmar on screen is Overby but the woman portrayed is presented as a serial murderer of infant children, which … Read more

100 Years of… Lady Windermere’s Fan

by
Irene Rich as Mrs Erlynne

Mary Pickford once described the director Ernst Lubitsch as a “director of doors”. In Lady Windermere’s Fan, an adaptation of Oscar Wilde’s play, you can see what she means. She meant it dismissively, though the door, and what’s behind it – or not – is key to Lubitsch’s work generally, and specifically here. This is a story all about secrets – as Wilde’s so often were – a tale of mistaken identity with ironic distance between what the people on the screen imagine themselves to be and how the audience sees them. To thumbnail-sketch a delicately intertwined plot, it centres on Lady Windermere, who is in love with her husband but being pressed … Read more

A Complete Unknown

by
Timothée Chalamet as Bob Dylan walking the nighttime streets

James Mangold gave Johnny Cash Walk the Line. Now he gives Bob Dylan A Complete Unknown, a biopic and instruction manual on how to do this sort of thing. If you’re being picky, it doesn’t say much that hasn’t already been said about Dylan. And its criticisms are ones Dylan has made about himself. But if you’re happy to watch as Mangold and a brilliant cast burnish the legend, this is the film for you. It tracks Dylan from being “a complete unknown” in New York in 1961, where he visits his idol, folk superstar Woody Guthrie in his hospital bed, before being taken under the wing of fellow folkie Pete Seeger. And … Read more

D.O.A.

by
Frank with gun in hand

The opening scene of D.O.A. is so punchy and dramatic that it has to be up there on any best-ever list. A man walks into a police station, finds the homicide department and announces that there’s been a murder. “Who was murdered,” asks the homicide captain. “I was,” Frank Bigelow replies. The film ends on a humdinger, too, which in the circumstances is almost unnecessarily generous. In between, in flashback, we get the back story to that odd opening remark, one that doesn’t seem to have surprised the cops at all. Fate often deals bad cards to the leading characters in film noir. It’s particularly undeserved here, a tale of a small guy … Read more

The End

by
Mother (Tilda Swinton) and Son (George MacKay)

Here’s a pitch. A film about an oligarch family living in a bunker for 25 years… done as a musical! The End is Joshua Oppenheimer’s follow-up to his two documentaries about the genocidal regime in Indonesia, and should at least win awards for audacious change of direction. Oppenheimer’s The Act of Killing and The Look of Silence both marked him out as a special talent, but those were both now ten-plus years ago and in the decade since he’s directed a couple of episodes of TV and nothing else. The End is both a return to film-making as well as a shift into fiction. According to the man himself, what he wanted to do … Read more