Review

The Crimson Kimono

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Sugar performs shortly before dying

The posters are much more direct about what’s going on in The Crimson Kimono than the film itself is. Over a picture of a couple in a clinch they klaxon – “YES, this is a beautiful American girl in the arms of a Japanese boy!”. YES, this is a movie about a transracial relationship! Columbia boss Harry Cohn wasn’t convinced that American audiences would be interested, or happy about, a story about such shenanigans but greenlit the film anyway, undoubtedly influenced by writer/director Sam Fuller’s ability to turn out profitable films quickly and cheaply – this was his second of three in 1959. Perhaps Cohn’s doubts also influenced Fuller’s decision to open his film … Read more

Spider-Man: Across the Spider-Verse

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Close up of Miles Morales

More of the same, that’s what Spider-Man: Across the Spider-Verse delivers. The follow-up to Into the Spider-Verse is another blistering, migraine- and epilepsy-inducing collision of animation styles, the sort of thing which, if it had been done in the 20th century, would have taken the entire 20th century to do. And if you like it, there’s still more to come. This is the second instalment of the tripartite series and it ends with an abrupt “to be continued”, comic-book style. Beyond the Spider-Verse will complete the cycle. Quick recap. There are many parallel universes out there. And in many of these there are parallel Spider-Men too. Some look a bit like this, others … Read more

The Damned aka Götterdämmerung

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Interloper Friedrich with Baroness Sophie

Luchino Visconti’s The Damned aka Götterdämmerung is like several seasons of the TV show Dallas run together. It’s big, melodramatic and camp. There’s even a “Bobby Ewing back from the shower” moment. It’s the first of Visconti’s German trilogy – Death in Venice and Ludwig would follow in 1971 and 1973 – but is in many respects a return to the territory of 1963’s The Leopard, being the story of a great old family’s tussle with political forces beyond its control. In The Leopard it was the arrival of democracy in 19th-century Italy upending certainties. In The Damned, aka Götterdämmerung, it’s the Nazis. We’re in Germany, it’s the 1930s, Hitler is newly in … Read more

The Crown Jewels aka Kronjuvelerna

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Alicia Vikander as Fragancia

If this is the age of helicopter parenting and the Young Adult (YA) genre is its cultural manifestation, then 2011’s The Crown Jewels (Kronjuvelerna in the original Swedish) is as good an Exhibit A as you’ll find in any case for the prosecution. Life is full, absolutely full, of bear traps and kids need to know about them. People can be horrible. Open water can kill. Boyfriends can turn out gay. Mums can die. Dads can lose their legs. Rape can happen any time. Insanity lurks. Make sure you turn the gas off. The story is told in flashback, from a Swedish police interrogation room where a kindly inspector (Tomas von Brömssen) wants … Read more

The Return of the Man from U.N.C.L.E.

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Ilya Kuryakin and Napoleon Solo

The death of David McCallum a few days ago prompted a return to the show that made his name in the 1960s. Well, not the show itself, but a 1983 TV movie “return”, which looks as if it was intended to relight the fire under the series itself. It was not to be and so this remains the final hurrah for McCallum and co-star Robert Vaughn as Ilya Kuryakin and Napoleon Solo, the spy-fi buddies working for the United Network Command for Law and Enforcement. The show had been part-devised by Ian Fleming as a response to the surge of interest in all things spy after the success of James Bond and ran … Read more

Nandor Fodor and the Talking Mongoose

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Simon Pegg as Nandor Fodor

The who? The what? Nandor Fodor and the Talking Mongoose is a title asking two questions and, without further ado, here come the answers. Nandor Fodor was a real man, a Hungarian-born parapsychologist (1895-1964) and former associate of Sigmund Freud who became a leading paranormal investigator. His preferred MO was to explain poltergeists and other spiritual apparitions as having a rational (psychological) explanation. People, he generally thought, believe this stuff into existence, they’re not being deceptive. As to the Talking Mongoose, that was a famous case lofted into the public consciousness by the British tabloid newspapers, of an animal on the Isle of Man (which sits in the Irish Sea between the UK … Read more

Here We Go Round the Mulberry Bush

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Jamie has fallen off his delivery bike

A young man tries to get his oats in Here We Go Round the Mulberry Bush, a British 1968 sex comedy starring Barry Evans, directed by Clive Donner and written by Hunter Davies. In many ways it’s the suburban Alfie, which was made two years earlier. Where Michael Caine had central London, Barry Evans has Stevenage New Town; where Caine’s Alfie was a confident lothario and lone wolf, Evans’s Jamie is a virginal 18-year-old schoolboy with laddish mates. Alfie charms his women into bed, Jamie just dreams about it, vividly, in youth clubs, bus shelters and while pedalling around town on the bike he cycles as part of his job as a delivery … Read more

Barbie

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Barbie and Ken in her car

And so Barbie is born, as a live-action presence, I mean. She’s been in utero one way or another for nearly 40 years, going all the way back to the 1980s and the Cannon Group’s plans to put her on the big screen (shudder). Between there and here there have been many possible outcomes – a possible Amy Schumer Barbie, a possible screenplay by Diablo Cody, Wonder Woman director Patty Jenkins in charge. All of them sound interesting, but in the event it turns out to be Margot Robbie as Barbie and Greta Gerwig directing, with Noah Baumbach in the backroom as co-writer with Gerwig. The stories about a movie’s gestation are often ones … Read more

Obsession

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Giovanna and Gino get it on

Luchino Visconti’s first film, 1943’s Ossessione (aka Obsession) ran into trouble from the moment it was made. Too raunchy for Catholic Italy, and an abomination in the eyes of the Fascists, it hit further obstacles once James M Cain found out that Visconti had adapted his The Postman Always Rings Twice without crediting him. And once MGM released their own adaptation of the novel in 1946, even more legal obstructions were put in its way. But it did get seen, was well received and launched Visconti on his way. Superficially it’s very close to the Cain original, and MGM’s movie. A vagrant blows into an out-of-the-way roadside eatery/bar/filling station, immediately catches the eye … Read more

Biosphere

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Ray and Billy in a moment of crisis

According to Charles Darwin and every credible evolutionary scientist since, individuals do not mutate, species do. But it suits the makers of Biosphere to imagine that that’s how evolution works – the survival of the fittest obviously being the fittest individual. Let’s just say it again – it does not work that way. OK, so, parking that objection and instead accepting “individual mutation” as a metaphor being used to challenge the “a man is a man and a woman is a woman” crowd, let’s dive into this strange two-hander set in a post-apocalyptic world where everyone apart from two men are dead. Billy and Ray. Two dudes. Bro’s. We meet them jogging around … Read more