Nebraska

Bruce Dern in Nebraska

Staggering along under a weight of folksiness, much like its old-guy hero is staggering along on his beat up legs, Alexander Payne’s latest movie is sweet and wry but let’s not all get too excited. The film certainly doesn’t. Bruce Dern is the old guy, an amnesiac oldster with a “beer isn’t drinking” drink problem who reckons he’s won some obviously fake mailout sweepstake – “you could already have won a million dollars” kind of thing. With nothing else to live for, and getting under the feet of his wife (June Squibb), Woody decides he’s going to get to Nebraska any old how to pick up his winnings, even if it means walking. … Read more

Das Boot

Jürgen Prochnow in Das Boot

A movie for every day of the year – a good one 1 November Death of Jacques Piccard, 2008 On this day in 2008, Jacques Piccard, one of the pioneers of really deep deep-sea exploration, died, aged 86. The son of Auguste Piccard, a balloonist who had ascended higher than any other human in the early 1930s, Jacques initially started out working on bathyscaphes as a favour to help out his father, who had switched from high altitude to the depths. Together, between 1948 and 1955 they built three bathyscaphes. But Jacques was only a hobbyist – by day he was a professor of economics. It was only after governments started to become … Read more

Romanzo Criminale

The cast of Romanzo Criminale looking cool

Translated as “Crime Novel”, this Italian drama follows three childhood friends, Il Freddo (Kim Rossi Stuart), Libano (a brilliantly psychotic Pierfrancesco Favino) and Il Dandi (Claudio Santamaria) as they make their way from smalltime thuggery to bigtime gangsterism. Finally, a film about gangsters made by real Italians, I hear you say. And they’re real gangsters too, the Magliani outfit, who not only hoovered up the drugs business in 1970s Italy but also got involved with the terrorist Red Brigades and the execution of the president, Aldo Moro, in 1978. Moustaches, lapels, chest hair, male jewellery. Being a film kicking off in the 1970s, Romanzo Criminale staggers under their weight in its pursuit of … Read more

Bloody Kids

Peter Clark and Richard Thomas in Bloody Kids

This 1979 collaboration between two of the UK’s brighter rising talents – writer Stephen Poliakoff and director Stephen Frears – is a strange affair. Set in a slightly slipped-reality version of faded seaside Southend, it follows two 12-year-old pranksters (Peter Clark and Richard Thomas) who stage a sham knife fight – just for something to do, or so it seems at first – which ends up with one of them in hospital. What follows is a drab odyssey through all the public spaces the era offered – football ground, shopping precinct, disco, underground car park, Chinese restaurant, cop shop, hospital, caff – as Leo (Clark) is quizzed in hospital by the police, keen to know … Read more

Klown aka Klovn: The Movie

frank hvam klown e1380293942317

A lanky speccy guy is lying in bed reading when his wife crawls in beside him. “Would you like some yummy yummy?” she asks. Looking expectant, he immediately pulls back the duvet, to reveal white vest tucked into white underpants. He looks ridiculous. We laugh. And then he learns that when she said “yummy yummy” she meant chocolate cream puffs, not sex. We laugh again. The tone is set for Klown, a comedy going large on the humour of male embarrassment, male emotional autism, male sexual foolishness, male dumbness in particular. Strangely enough, this sketch-driven comedy appears to be aimed largely at men. Spun off from the taboo-skewering Danish TV series, the film … Read more

Filth

James McAvoy as the deranged cop Bruce Robertson in Filth

The last film I saw that had any Irvine Welsh involvement was The Magnificent 11, a comedy so peculiarly inept that I started to think it was deliberate, a tax write-off perhaps, or a spoof of depressing British comedies of the early 1970s, in which girls with blue eye-liner would shed an ill-fitting bra to reveal dog-eared breasts. Jon S Baird’s adaptation of Welsh’s 1998 novel is far more what we expect from the writer of Trainspotting. Welsh has been out of fashion just long enough to be due a comeback, but is this what our New Puritan age is clamouring for – the sweary, druggy, skanky story of a very naughty Edinburgh copper? … Read more

Rush

Niki Lauda and James Hunt in the pits

Is Rush – about the rivalry between 1970s Formula 1 drivers Niki Lauda and James Hunt – Ron Howard’s best film yet? After those terrible Da Vinci Code films recently, made for who knows what favour to the studio, this might not seem like much of a claim. But let’s not forget that Howard made Apollo 13, A Beautiful Mind and Frost/Nixon. If there’s one thing uniting those three films and Rush it’s that they’re all based firmly on real events. And yes, to bolster the argument, it’s necessary to forget about boxing drama Cinderella Man, Russell Crowe’s Rocky, also based on the life of a real man, but only of value to archaeologists … Read more

Black Rock

Lake Bell, Kate Bosworth and Katie Aselton in Black Rock

Three young women are chased around an island by three crazed ex-soldier guys in Katie Aselton’s boo-goes-there horror story which would slot nicely into the big book of feminist films if it weren’t for the gratuitous (oh come on) nudity. Not that there’s anything wrong with god-given nakedness. But back to the film. Directed by Aselton and co-written with her partner, Mark Duplass, Black Rock takes three old schoolfriends, Aselton, Lake Bell and Katie Bosworth, sends them off to a remote island they used to visit as kids, but not before pointing out that one of the three did something bad with another of the trio’s boyfriend some years back, and that the … Read more

Renaissance

Barthélémy Karas, as voiced by Daniel Craig, in the Anglophone version of Renaissance

Daniel Craig, Romola Garai, Ian Holm, Catherine McCormack and Jonathan Pryce? That’s quite a cast and it’s just for starters. And for a French anime-style sci-fi too, the “French” bit being the clue that the names are actually here to revoice Gallic product for Anglophone consumption. What they’re lending their voices to looks interesting though, a futuristic story about a kidnapped geneticist (Garai) who turns out to have the key to immortality. The USP of Renaissance is its look – the actors have all been motion-captured, then converted to the harshest black and white renditions of themselves. This is unusual though hardly revolutionary: as a technique it can be traced back to Walt … Read more

Cars

Lightning McQueen in Cars

Have the wheels come off at Pixar? Mawkishness now seems to have replaced energy and invention at the studio that… no hang on, this is the studio that once gave us Toy Story. Let’s not get carried away. But if Pixar have been known for anything it’s their ability to run sentiment and energy on a twin track, the result being a film with heart and drive. The plot of Cars suggests they’ve forgotten how to do this – we’re on the case of a self-centred hotshot racing car (voice: Owen Wilson) who loses his way and gets stuck in Radiator Springs, a small town where the good locals (all of whom are … Read more

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