Love and Basketball

Sanaa Lathan and Omar Epps

The sports movie meets the romance in a boy-meets-girl drama featuring two affluent black kids. Omar Epps and Sanaa Lathan play the basketball-playing next-door neighbours as grown-ups, the film having followed them from before puberty, through it and out into the world of professional sport and beyond. On the romance side it’s a “will-they-won’t-they” plot, in the sports arena it’s unusually focused on the daily decision-making and strategising of operating as a sports professional, where a career could be measured in months. On both sides it packs in most of the positive role models a body could need, carefully avoiding stereotyping (except that he’s hung), because that’s a bad thing. This film works … Read more

U-571

Erik Palladino, Matthew McConaughey, U-571

 The standard submarine drama – depth charges, beep-beep sonar, bursting bulkheads, “secure that hatch” dialogue – gets an efficient workthrough by director Jonathan Mostow, who did a lot with very little in 1997’s “who stole my wife” thriller Breakdown. He’s got a good cast here too – Matthew McConaughey putting in one of his brattish turns as the “I’m ready for command” lieutenant, Bill Paxton as his “No, you’re not” commander, an underused Harvey Keitel and Jon Bon Jovi, continuing his hopeful advance into movies – but it’s the presence of the Enigma coding machine that is the film’s USP. By which I mean it’s the presence of the Enigma machine that is the … Read more

The New Eve

Karin Viard and Pierre-Loup Rajot

You might be tempted re-translate a title like that (in its original French: La Nouvelle Eve) as “Women Today, Huh”, and watch the film as a portrait of, well, you follow my drift. Played by Karin Viard, our heroine Camille is a neurotic ball of angst, a woman on a quest for happiness, and hang the cost to others. The film opens with Camille at a party of almost comical anything-goesness, but even she pushes it too far – finally throwing up on her host’s bed after having done all the drugs and all the genders in a night of excess. After that, for Camille it’s a series of pffts to the niceties … Read more

Stag

Stag

So, anyway, the guys are having a surprise blow-up dolly, drinks, strip-o-gram sort of stag night for their best buddy (John Stockwell), when something goes horribly wrong and things start to unravel badly. That’s the first 25 mins or so, the “interesting” bit, of this otherwise predictable drama whose most notable feature is its cast – Ben Gazzara and Mario Van Peebles in the same film? Strange. Kevin Dillon, William McNamara? Plus a couple of people you might not know (John Henson, Taylor Dane). They certainly don’t feel like a “brothers to the death” stag group of old buddies. But that’s because the cast has been hired for its ability to suggest a … Read more

Girls’ Night

Brenda Blethyn and Julie Walters in Girls' Night

Brenda Blethyn and Julie Walters seem too often to be in women’s weepy territory and are in it again in this slice of gritty Northern life – The Full Monty by way of Shirley Valentine. It’s written by Kay Mellor, who’s almost cornered the market in female northern empowerment on British TV with scripts for Band of Gold and Just Us. The two ladies play factory girls Dawn and Jackie – Dawn (Blethyn) is the mopey victim-type, Jackie (Walters) is her spunky sister-in-law – who take a pause from fetching and carrying (Dawn) and shagging (Jackie) and head off to Las Vegas for a fling when they discover that Dawn has a terminal disease. … Read more

The Rainmaker

Danny DeVito and Matt Damon in The Rainmaker

A half-hearted, second-rate vehicle designed to help carry Matt Damon to stardom, in which he takes his shirt off to play a principled rookie lawyer taking on a big bad medical insurance company. It’s written by John Grisham and while it’s in legal territory Grisham’s thrusting plot dynamics carry it forward. But that wouldn’t have suited the film’s agenda, which is more about Mr D’s career progression than telling a decent story. So as well as legal drama we have rather a lot of sub-plot in which Damon does the amorous hokey-cokey with the winsome Claire Danes, a client worth bending his professional ethics for. Other ornaments in this enjoyably decorated firmament include … Read more

Le Bossu

Daniel Auteuil and Marie Gillain in Le Bossu

Daniel Auteuil, Jean Reno, Gerard Depardieu. Where are the barrel-chested Brit equivalents to these beefy action men of the French cinema? But then, Brits are all gay, aren’t we? Take this fine, roistering spectacle, a dashingly charming entertainment in which Auteuil plays a D’Artagnan-like figure, all flashing swords and teeth. The story has been made into a film five times before, and is in the tradition of the Count of Monte Cristo – revenge is its beating heart – as it follows 18th century swordsman the Chevalier de Lagardère (Auteuil) through long patient years, disguise as a hunchback, political intrigue, love from an unexpected quarter, until he finally faces down the dastardly Gonzague (played … Read more

Sir Henry at Rawlinson End

Vivian Stanshall

“The star was an alcoholic, the writer was an alcoholic, the producer was an alcoholic and the director was an alcoholic.” I cribbed that line from David Cairns’s loving write-up about this film. It’s a quote from Neil Innes, the musician who worked with Vivian Stanshall in the cult 1960s comedy outfit The Bonzo Dog Doo-Dah Band. Innes was talking about this film, Stanshall’s elegy to an England whose class-defined distinguishing features were being sandpapered away by social-democratic change. The concept first saw light of day on the Bonzos’ album Let’s Make Up and Be Friendly, then made its way on to BBC DJ John Peel’s radio shows in the 1970s. Essentially a … Read more

Warrior King

Tony Jaa, Warrior King

Thai martial arts phenomenon Tony Jaa continues his advance into the West with this lively actioner from Prachya Pinkaew, director of the breakthrough Ong-Bak. Originally titled Tom Yung Goong, and also known as The Protector, it’s a two-parter starting off in Thailand, where the atmospherics include shots of young Khan (Jaa) going to school on the back of an elephant and the politics include remarks which westerners might find mildly perplexing (no, we’re not loved the world over), much as you got in Ong-Bak. As for action, the kicking starts about 20 minutes in plus there’s a sequence reminiscent of the speedboat chase in Live and Let Die (ie preposterous yet thrilling). The … Read more

The Fast and the Furious: Tokyo Drift

Lucas Black

Is there an actor more forgettable than Paul Walker? Don’t write in, I know he’s not in this second follow-up. Instead Lucas Black has been drafted in to show Mr Walker that he’s not the sine qua non of the franchise. And though he’s marginally less handsome than Walker, Black has the edge when it comes to charisma and he’s got a swagger that goes all the way back to The Wild One. Black is, of course, playing a hot-rodding rebel born to burn rubber in the illegal street-racing face-offs around which F&F is built. Except this time the action includes learning how to drift a car round the bends. And this time … Read more