Review

The Fallen Sparrow

by
Maureen O'Hara and John Garfield

“In a world at war many sparrows must fall.” A poignant line slightly out of keeping with the hard-boiled characters populating this atypical noir. Unusually on the money politically and psychologically, The Fallen Sparrow is a story about a volunteer fighter in the Spanish Civil War who returns to New York only to find it full of Nazi sympathisers. John Garfield’s decent American John “Kit” McKittrick has been fighting the good fight abroad and is now ready to fight it at home too, even though he’s weighed down with a hefty amount of PTSD after being tortured in Spain. Kit never saw the Nazi who directed Franco’s torturers, he explains early on, but … Read more

Ghost Trail

by
A watchful Hamid

Watching the struggles of Syrian refugees in Western Europe isn’t everyone’s idea of fun, so how about a spy thriller instead? That seems to be the idea behind Ghost Trail, which manages to have it both ways – the miseries of a life in exile and the thrill of the chase as its hero chases down his quarry. It’s quite John Le Carré in many respects, with the focus on a Syrian refugee who is part of a network tracking down the people who tortured and killed back in the home country. In Zoom calls with his mother, who is in the Bekaa refugee camp in Beirut, Hamid pretends that he’s in Berlin, … Read more

Ebony & Ivory

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Stevie and Paul hug

If you enjoyed The Greasy Strangler and wondered whether writer/director Jim Hosking had anything else in his locker, Ebony & Ivory has your name on it. Imagining Paul McCartney and Stevie Wonder meeting on the remote Mull of Kintyre in Scotland sometime in 1981, it’s not aiming for documentary realism – the two musicians met in Montserrat in the Caribbean, for one – and is the sort of whimsy that seems aimed at stoners. And yet there is a kernel of something weird but true going on here. The British Wool Marketing Board feature in the closing credits, that’s how all over the place this film is, leading to theorising (if only on my … Read more

Clash by Night

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Marilyn Monroe and Barbara Stanwyck face to face

Marilyn Monroe as a fishwife?! 1952’s Clash by Night has some fun incidentals like Monroe, making much of a small role. But the real action is with Barbara Stanwyck, as a goodtime girl who’s worn out her welcome after ten years in the big city and is now back in the coastal town where she grew up to wreak havoc among the menfolk. It’s another tough-nut role for Stanwyck, who plays a woman who decisively knows what she doesn’t want but isn’t quite sure what she does want. Should Mae, for instance, go with her head and marry dull and dependable Jerry (Paul Douglas)? Or have a fling with bad boy Earl (Robert … Read more

One Battle After Another

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Bob (Leonardo DiCaprio) aims a rifle

If the characters from Dr Strangelove somehow escaped and eventually found themselves in a Tarantino movie, it might look like One Battle After Another. A 1970s-vibing, magpie-thieving, funny and relentlessly entertaining ride, director Paul Thomas Anderson’s movie is basically one gloriously extended chase with added spiritual input from Hitchcock, the Coens and Paul Greengrass (plus QT). It’s funnier than your average Anderson movie – There Will Be Blood wasn’t notably full of jokes – and happier than usual to paddle in genre waters. The story is based on Pynchon’s novel Vineland, with much diluting by Anderson, and follows a gang of direct action radicals, the French 75, whose campaign of bombing banks and migrant … Read more

The Earrings of Madame de…

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The general and his wife in all their finery

Light-hearted, ironic, passionate, frivolous, lush, beautifully made and full of little jokes, The Earrings of Madame de… is the sort of self-consciously filmic film that film-makers love but audiences are less enthusiastic about. It was a favourite of Kubrick. Douglas Sirk described it as perfect. When it got its Criterion Collection release Paul Thomas Anderson did the spoken introduction. New York Observer critic Andrew Yarris referred to it as the Greatest Film of All Time. Even if you don’t rate it quite so highly, it’s undeniably exquisitely made. This was director Max Ophüls back in Europe after a sojourn in Hollywood, and he’s definitely off the leash. His final four European films – La … Read more

2073

by
Samantha Morton as Ghost

The year is 2073 and in a post-apocalyptic world a survivor of a climate catastrophe ekes out a meagre existence in New SanFrancisco, a colony of survivors in a world divided into the billionaire class and the rest. Cities are shattered, settlements are flooded. Unlucky non-billionaires like Ghost (Samantha Morton) scurry about in the wreckage, like something out of I Am Legend. Living in the shoe section of an old department store, she makes daily forays into the dangerous outside world to scavenge canned goods while trying to avoid being pounced on by gangs of marauding law enforcement officers. How did we get here? In cracked voiceover, the otherwise mute Ghost explains as … Read more

The Mother and the Whore

by
Alexandre

If the supposedly highly autobiographical The Mother and the Whore (La maman et la putain) is anything to go by, its writer/director Jean Eustache was a cock, a pseud and the sort of blowhard who could dish it out but not take it. A flattering portrait it is not but what’s usually considered Eustache’s best work (the Cahiers du Cinéma called it the best movie of the 1970s) is at least bracingly honest. Or maybe not – Eustache might have been even more appalling than the smug, self-centred creature he is portrayed as here, in the astonishing performance by Jean-Pierre Léaud, on screen for every minute of three hours 35 minutes of running … Read more

The Naked Gun

by
Drebin Jr with Beth's many hands all over him

Manslaughter mispronounced as “man’s laughter” – by a cop! I laughed, so shoot me with a service pistol. The Naked Gun, back after nearly 30 years and with Liam Neeson now playing Frank Drebin Jr, son of the cop originally played by Leslie Nielsen, is funny. Not, perhaps, as funny as the original, but it made me chortle a few times, groan quite a few more, plus there was a reference to that beaver joke originally cranked out by Nielsen and Priscilla Presley in one of the earlier films. Can any more be necessary? A plot, for instance? No, it’s entirely unnecessary, and the writers – Akiva Schaffer (who directs), Doug Mand and … Read more

The Valley of the Bees

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The "mother", Ondrej and Armin eating together

František Vláčil’s The Valley of the Bees (Údolí včel) got a fairly cool reception when it came out in 1968, even though his previous film, Marketa Lazarová, had been a success. Maybe they followed too hard on each other – Bees came only four months after Lazarová. Maybe the same 13th-century setting failed to hit the spot second time around – that itch had already been scratched. Maybe it was just too subtle, and its allegory whooshed over audience’s heads. Zeal is what it’s about, religious zeal in this telling, though the political allegory is clear, in its story about a young man who tries to escape a severe religious order and return … Read more