Desperate

Anne and Steve look at each other

Anthony Mann called Desperate his first proper movie, the one where he got to do what he wanted to do. Mann, now so famous for his westerns, had previously proved himself a master of film noir, as Desperate proves. This was the first of seven he’d crank out in 1947 and 1948. It’s a good work rate, but then these were made hot and fast. If it was me I’d have put director George Diskant’s name on the movie as its star. His cinematography is majestic. He was known for deep focus and his mastery of contrast – plenty of both here. But things being how they are it’s Steve Brodie’s name at … Read more

The Blue Gardenia

Norah on the phone

A young woman whose soldier boyfriend has just dumped her goes out for a drink with a known “wolf”. Drunk and vulnerable, she then heads back to his place, where, he tells her, there’s a party going down, only to discover that the party consists of just her and him. The next morning the very handsy Harry Prebble (Raymond Burr) is dead, beaten to death with a poker. Did sweet Norah (Anne Baxter) do it? Of course she didn’t – we know how these things go. But for the rest of this underwhelming thriller’s 85-minute running time we watch and wait for energetic journalist Casey Mayo and lacklustre cop Sam Haynes to arrive … Read more

Raw Deal

Joe with gun, and Ann and Pat on a staircase

Everyone gets a raw deal in Raw Deal, a taut and dark film noir from 1948, directed by Anthony Mann, lit by the great John Alton and so often overlooked when Greatest Noir lists are being compiled. Its characters all come with a tragic flaw which writers John Higgins and Leopold Atlas are eventually going to prise wide open but it’s the additional wallop of sheer bad luck that makes this unusual – that and the voiceover by one of its female characters, Pat Regan, played by Claire Trevor. Pat is in love with Joe (Dennis O’Keefe) but Joe is in prison doing a stretch as the fall guy for bigshot criminal Rick Coyle … Read more

Sleep, My Love

Claudette Colbert, shocked

The 1948 thriller Sleep, My Love has a Chandler-esque title reminiscent of Farewell, My Lovely, and opens in strong Freudian style with a train in the night screaming towards the camera. It’s a solid piece of work directed by Douglas Sirk with style and pace but he can’t do much with Leo Rosten’s too-familiar story. Also screaming is wealthy New Yorker Alison Courtland (Claudette Colbert), who wakes up on a train bound for Boston with no idea how she got there. In her bag is her husband’s gun. He (Don Ameche), meanwhile, is back in New York nursing a bullet wound and filling in Detective Strake (Raymond Burr) on details about his missing … Read more