Review | MovieSteve

Echo Valley

2025-10-08 by Steve

Constantly on the move, always trying new things, Sydney Sweeney’s advance on the Oscars probably won’t be helped by Echo Valley – she’s just not in it enough – but it won’t be hindered either. And she’s surrounded by the sort of actor the Academy loves. What is it though, this Echo Valley? Julianne Moore and Fiona Shaw are in it, so there’s an expectation of a certain sort of high-tone emotional drama, which is exactly what we get… at first. Moore plays the mother to an abjectly drug addicted daughter (Sweeney). Kate is at her wit’s end over Claire’s regular relapses and yet she continues to enable her daughter because she is a soft … Read more

The Decameron

2025-10-07 by Steve

“The dirtiest great book in the Western canon,” is how the New Yorker once described Boccaccio’s The Decameron. Which made it a perfect fit for Pier Paolo Pasolini when he set out on his Trilogy of Life, three films based on old texts. The Decameron came first, in 1970, followed by The Canterbury Tales (1974) and Arabian Nights (1974). All three were popular, especially with sex-starved schoolboys suddenly interested in subtitled arthouse. Whether they are arthouse at all is a question for another day – in some quarters subtitling is enough on its own to consign a movie to the outer reaches. Which is ridiculous in the case of the Trilogy of Life, … Read more

Sorry, Baby

2026-03-122025-10-06 by Steve

Sorry, Baby is the sort of film that’s hard to write about. Which is irritating if writing about it is exactly what you want to do. But not giving the whole game away probably makes for a more rewarding viewing experience for anyone intending to watch it. Without letting the cat entirely out of the bag I can say that it’s a coming of ager and an issue drama, though it wraps its issue up in a character study, which it approaches obliquely without being too dogmatic. It’s also a campus drama. The sort of thing you might get from writers like Malcolm Bradbury or David Lodge, Philip Roth or Michael Chabon if … Read more

So Close

2025-10-05 by Steve

Men are largely an irrelevance in So Close, Corey Yuen’s “girls with guns” actioner made in 2002 just as Hong Kong was exiting its glory period. I prompted Google in AI mode to list the key characteristics of the “girls with guns” genre were. It said – Hong Kong, female protagonists, gunplay and stunts, challenging norms and exploitation v agency. We get all of those in the opening sequence, in which assassin Shu Qi’s Lynn, dressed all in white, enters the HQ of a shady Hong Kong megacorporation posing as a techy “angel” specialising in malware attacks. Only to exit shortly afterwards at speed, pursued by scores of security men, many of them … Read more

Juliet & Romeo

2025-10-042025-10-04 by Steve

Juliet & Romeo is the sort of film that schoolteachers wary about introducing Shakespeare to 16 year olds show to the kids. Sexy young things have key roles, the original language survives only as a vestige and there are songs that use autotune quite a bit. Purists will hate hate hate it, but it has a perky energy and its middle-finger approach means it actually fares a lot better than many a reworking. It sticks close enough to the original plot – star crossed lovers from rival families in Verona. The Montagues and Capulets, headed on one side by Jason Isaacs and Lidia Vitale as Lord and Lady M, on the other by … Read more

The Outfit

2025-10-03 by Steve

Joe Don Baker, Robert Duvall and Karen Black

1970s neo-noir doesn’t begin and end with Chinatown and The Long Goodbye. Here, for instance, is The Outfit, director John Flynn’s lean adaptation of one of the 24 novels Donald Westlake wrote under his Richard Stark pseudonym. Many Stark stories feature the no-nonsense career criminal Parker and in a mini-festival of Parker adaptations, The Outfit would sit snugly alongside Point Blank (where he’s renamed Walker), the Jean-Luc Godard movie Made in USA (he becomes a she named Paula), Play Dirty (Mark Wahlberg as Parker) and Parker, in which Jason Statham plays Jason Statham. Here it’s Robert Duvall as Parker – renamed Earl Macklin – fresh out of stir and setting off on a … Read more

Elio

2025-10-02 by Steve

In a developed world of plunging birth rates, here’s Elio, a Pixar animation for sad only children. An ET-flavoured tale flipped on its head and with Douglas Adams’s Hitchhiker’s Guide to the Galaxy in the mix, it also doffs its hat to the era of Big Science, when the likes of Professor Carl Sagan were still being listened to rather than shouted out of the room. “Are we alone,” the disembodied voice of Sagan intones several times throughout the film, meaning is Earth the only planet in the universe harbouring sentient life? “Alone,” taken literally in the case of Elio, an orphaned kid being brought up by his aunt, Olga, who has given … Read more

Barry Lyndon

2025-10-01 by Steve

Barry Lyndon tends to get summed up in one of two ways. It’s either Stanley Kubrick’s visually sensational magnum opus and a triumph of film-making at every level, or it’s a bit of a bore, a “one thing after another” drama with not much actual drama in it. Both are true. Adapting William Makepeace Thackeray’s story about a young Irish chancer’s escapades, it follows young Barry, original name Raymond Barry, from his first shy encounter with his sexy, cock-teasting cousin Nora (Gay Hamilton), through a series of adventures criss-crossing wartorn 18th-century Europe. To survive in the world Barry signs up for whichever army will have him – no scruples – and plugs away … Read more

Misericordia

2025-12-162025-09-30 by Steve

So here’s France’s best film of 2024, in the esteemed Cahiers du Cinéma’s estimation at any rate. Which may come as a surprise to many in the anglosphere, where Misericordia came and went without making much of a stir, as Alain Guiraudie’s films so often do. It’s a slight return to Guiraudie’s most well received film (a finger in the air poll only), 2013’s Stranger by the Lake, which set a “cosy” murder mystery at a secluded countryside spot where gay men convene to have sex with each other. Guiraudie opened that film with shots of penises in mid frame and continued in much the same vein, the Poirot-esque murder investigation regularly taking … Read more

Darkest Miriam

2025-09-28 by Steve

An enigmatic title for an enigmatic film, Darkest Miriam is a puzzling almost 1990s-style drama. It’s a showcase for Britt Lower, star of Severance on TV, who carries the entire movie with a cryptic and compelling performance. And it grew out of a short, Miriam’s World, conceived as an art installation, so there’s a touch of arthouse aridity. That said, director Naomi Jaye isn’t rolling around in it. There is the sense that she’s keeping the weird in check. Lower plays a competent but withdrawn librarian whose daily life of almost eccentric normality is disrupted when she spots a guy, who turns out to be a Slovenian called Janko (Tom Mercier), on a … Read more

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