Review

Psycho Therapy

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Steve Buscemi as Kollmick

One of the great benefits of the whole 1990s revival thing has been a run of movies inspired by the early Coens. Psycho Therapy does a bit of a number on Barton Fink, not the Coens’ funniest or weirdest film, and is a re-assessment of their re-assessment of Hollywood output in its golden age. Screwball and crime, for the most part. It’s an “only in Hollywood” caper, about a stalled writer whose latest book set in Slovenia in the Neanderthal era is never going to be world shaking, if it ever gets finished at all. Keane’s friends laugh at him, wife Suzie pities him and his agent won’t answer his calls. Then one … Read more

City Streets

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Sylvia Sidney and Gary Cooper look into each other's eyes

Gary Cooper was a long way from his craggy, motionless Mount Rushmore phase when he made City Streets in 1931. In fact he still looked boyish enough to play a character called Kid, a fairground worker who gets caught up with some gangsters, finds he has a taste for it and then lives to regret it. It’s a Dashiell Hammett story and it is typically Hammett – complex – with two interwoven fields of play, the romantic and the criminal, each providing the obstacle to the smooth progress of the other, before the two eventually switch about. So Cooper and co-star Sylvia Sidney are required to cover a lot of emotional ground. He’s the … Read more

Companion

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Close up of Sophie Thatcher

The bots are coming for us. Companion is the latest in a line of more or less scary looks into the near future, when even the most crucially human aspects of our existence will be outsourced to machines. Am I even writing this? After Robot & Frank, Ex Machina, The Trouble with Being Born and I’m Your Man – excellent all – writer/director Drew Hancock gives us another vastly entertaining and thought-provoking look at the subject, wrapped up in a “cabin in the woods” story about a guy called Josh (Jack Quaid) taking his new girl, Iris (Sophie Thatcher) to meet his friends at a remote weekend retreat. There, the bitchy and appropriately … Read more

Blind Alley

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Mary Shelby and her doctor husband

A film about the all-conquering power of Freudian psychoanalysis, Blind Alley lasts just a bit longer than a session with a shrink and in its 69 minutes attempts to convince us that the root of all evil lies in our relationship with our parents. It’s a bit mad but highly entertainingly done, and in the background there’s something lurking for any would-be psychoanalyst, in the relationship between an incidental couple, Mr and Mrs Curtis, and the “constant companion” Mrs C calls Dick. Parse that one. But neither Dick nor the Curtises is who the film is about. It’s about a professor of psychoanalysis whose weekend cottage is invaded mid-soiree by a dangerous criminal … Read more

Eden

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Jude Law and Vanessa Kirby

Ron Howard loves a fact-based story and in Eden he delivers a punchy one about romantic and naive people getting a rude awakening – the natural state of humanity isn’t bliss but blood. After recent films about Pavarotti, JD Vance and Jim Henson, Howard turns to the far less famous Margret Wittmer, who along with her husband Heinz and son Harry decamped to a remote island idyll in the Galapagos in the 1930s. There, inspired by the example of atheist intellectual vegans Friedrich Ritter and partner Dore Strauch, the Wittmers hoped to build a new life alongside them, and possibly chart a new course for humanity while doing so. It all went badly … Read more

The Pawnbroker

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Sol, with the bars of his pawnbroker's shop casting a shadow on his face

The Pawnbroker used to be a prestige movie, both when it came out in 1964 and for decades afterwards. It’s lost some of its sheen over the years, for a variety of reasons. Films referencing the Holocaust are no longer as scarce as they were when the Beatles were first conquering America. Rod Steiger’s star has also waned. Once seen as a rival to Brando, Steiger is now often regarded as a ham using Method techniques to disguise overacting. And the Method itself, of course, also no longer commands the respect it once did. There is still much to admire in the film though, and in Steiger’s performance, which he promised director Sidney … Read more

September 5

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Close up of John Magaro

Cool rather than hot, and about events not as they happened but as they were reported, September 5 is the story behind the story, of how a sports team from ABC TV found themselves at the cutting edge of a major news event at the 1972 Olympics, when a group of Israeli athletes were taken hostage by a terrorist group, Black September, as 900 million viewers around the globe looked on. Mark Spitz winning seven swimming Gold medals, Olga Korbut performing her Dead Loop on the asymmetric bars, Munich is remembered for many things, but probably most of all for the moment when the German Olympic authorities’ attempt to perform a hard reset … Read more

Eolomea

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Cosmonauts Kun and Daniel in their spaceship

Considering it’s sci-fi from behind the Iron Curtain at the height of the Cold War, Eolomea is an unexpectedly bright, colourful, even countercultural space adventure. Some of it is still brilliant, some of it pretty dated. But it’s entirely fascinating, top to toe – this is how the East Germans were doing it in 1972. It opens unexpectedly, with a shot of a guy running down a beach. I’ve made it, he says (in so many words), the Galapagos Islands! It’s like the beginning of an episode of TV show The Monkees. The soundtrack is surely about to break out into something bubblegummy and poptastic. Apart from anything else it completely confounds expectations. … Read more

Highest 2 Lowest

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David stares directly ahead

The least satisfying Spike Lee film I’ve ever seen, Highest 2 Lowest at least has the excuse that it’s Spike Lee in gun for hire mode. Walter Salles, Mike Nicholls and Martin Scorsese were all lined up to direct at various points. It’s mystifying, though, because Lee’s journeyman work is usually better than this. It’s a remake of Akira Kurosawa’s High and Low, or so the blurbs say. In fact Lee and adapter Alan Fox seem in a hurry to work through Kurosawa’s scenarios, as if they had a more urgent appointment elsewhere. If they did, they’re not telling us what it is. In other words, if you want to see a really … Read more

Riptide aka Une Si Jolie Petite Plage

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Pierre at his hotel room window

Seedy atmosphere is Riptide‘s USP. So seedy is it, in fact, that when Une Si Jolie Petite Plage (its original title) debuted in 1949 it was felt necessary to add a little disclaimer up front for French audiences in an attempt to head off complaints. The makers of the film meant no offence to war orphans, it says (in so many words), they are the victims here and do not deserve their bad reputation. Tiny data dump. War orphans lived in state-run orphanages and were often loaned out to local businesses, where they’d work for little or no money. Often horribly exploited, they did the dirty work, in every sense of the word. … Read more

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