Latest Posts
The Undertaker
The Undertaker has a novel suggestion for gangsters needing to dispose of dead bodies in a hurry. Instead of going to all the fuss of running a waste disposal business, why not just bury the bodies in a the ground, beneath the coffins of legitimate new arrivals at their final resting place? Who’s going to look in a cemetery? And if you can’t be bothered with the rigmarole of being an undertaker yourself, just get a real one to play along, and pay him handsomely to keep his mouth shut. That is the simple and effective premise of Michael Wright’s debut feature, which he wrote and directed. Wright started out in the world … Read more
Signale: Ein Weltraumabenteuer aka Signals: A Space Adventure
The influences are obvious in Signale: Ein Weltraumabenteuer (Signals: A Space Adventure), a big-budget sci-fi actioner that’s higher on chat than actual action but was popular in the Eastern Bloc when it came out in 1970. A co-production between the German Democratic Republic and Poland, it takes its cues from Star Trek and Kubrick’s 2001: A Space Odyssey with its informal multi-racial crews, silent spaceships gliding through the solar system and its fascination with weightlessness. As the film opens the spaceship Ikaros is being bombarded by meteorites. Devastation. Everyone on board dead, or that’s the official line at any rate. One man isn’t so sure. Veikko, captain of the spaceship Laika, decides to … Read more
Anaconda
Clever, this Anaconda, a vastly ironic comedy horror written and directed by the guys who did The Unbearable Weight of Massive Talent – which was also as clever as it was ironic. It follows a bunch of flaky dudes whose lives have been less than fulfilling in a last ditch attempt to do something meaningful by remaking 1997’s corny creature-feature Anaconda on a micro budget. Off they head, wedding videographer Doug (Jack Black) and useless actor Griff (Paul Rudd), with childhood friends Kenny (Steve Zahn) and Claire (Thandiwe Newton) to the Amazon, where the snake wrangler they hire will be as good as useless, and the pilot of their boat will turn out to … Read more
Phase IV
The legendary titles guy Saul Bass (he did the opening credits sequence for Psycho, The Man with the Golden Arm and Casino) made only one feature film and Phase IV is it. A fascinating sci-fi/horror tale set in the desert, it has ideas, some great acting, excellent close-up cinematography, gorgeous locations and an excruciatingly static sense of pace. It also has Nigel Davenport, a real asset as Dr Ernest D Hubbs, a scientist alarmed at what’s happening out in Arizona (Kenya, in fact) and heads off there with fellow scientist James R Lesko (Michael Murphy) to investigate. The ants, it turns out, have started building huge structures, with square quasi-industrial chimneys. What can … Read more
Magellan
Magellan is quite a conventional movie by the standards Lav Diaz sets himself. An ocean-going biopic about the Portuguese explorer Ferdinand Magellan, it’s in English rather than Diaz’s usual Tagalog, features a well known actor in the shape of Gael García Bernal, is in colour (this is Diaz’s first colour film for 12 years) and it’s short. Short by Diaz’s standards at any rate, clocking in at two hours 40 minutes, which is breezy compared to other Diaz movies – 2013’s Norte, the End of History was four hours 10 minutes (and worth every minute), as was 2024’s Phantosmia. 2004’s Evolution of a Filipino Family comes in at ten hours 25 minutes. Diaz … Read more
The Clay Pigeon
The issues are fascinating but the plotting swings about like a thing demented in The Clay Pigeon, a paranoid thriller written by Carl Foreman, of High Noon and The Bridge on the River Kwai fame, and directed by Richard Fleischer, estimable names both. Bill Williams plays a soldier who wakes up from a coma only to be told he’s about to be court-martialled for murder and treason for turning a fellow soldier over to the Japanese when both were PoWs. Since Jim Fletcher (Williams) has amnesia, he has no idea what the charges are all about but he is clear-minded enough to know he’s in a fix. Climbing out of his hospital bed … Read more
Grace aka La Gracia
In La Grazia (aka Grace) Paolo Sorrentino once again gives us what we expect – a lushly gorgeous movie about a man in an existential funk – except this time he’s turned the power down a couple of notches. We’re back (almost) in the realm of his breakthrough, The Consquences of Love. It’s a fugue of a film about a man in a fugue state, with Toni Servillo back for the seventh time with Sorrentino, this time playing the Italian president as he limps towards the end of his tenure. An extract from the Italian constitution up on the screen as the film opens us informs us that Il Presidente’s functions are mostly ceremonial, … Read more
Gun Crazy
A crazy mixed-up kid is dragged to hell by a sexy dame in Gun Crazy (not for nothing also known as Deadly Is the Female), a film that has us by the scruff of the neck right from its fabulous opening scene. In super-sharp close-up a kid smashes the plate glass window of a hardware shop, steals a gun and then falls flat on his face in the rain as he tries to run away. Bad luck of this sort is to dog Bart Tare for the whole of his life. Flashback scenes flesh out this pretty decent kid with a strange obsession with guns – “Shooting’s what I’m good at. It’s what … Read more
Becoming Led Zeppelin
When Bernard MacMahon and Allison McGourty were setting out to make Becoming Led Zeppelin they didn’t realise that surviving band members Jimmy Page, Robert Plant and John Paul Jones had all seen their TV series American Epic, about roots music in the US, and were big fans. So it came as more than a surprise to them when Page, Plant and Jones readily agreed to take part in a documentary about the crucial early days of one of the most famous rock bands of all time. They’d expected the sort of blank refusal this notoriously publicity shy band generally dished out to would-be suitors. The result is in many ways a traditional documentary, … Read more
Follow Me Quietly
Follow Me Quietly is only one hour long and so desperate to use its time well that it’s already running its first scene beneath the opening credits – a woman walking to and fro in the rain. From the way she’s pacing, and shielding the glowing end of a cigarette like a soldier in a trench, we can tell she’s a femme fatale. Inside the next five minutes all the other key characters have been introduced in a similarly concise way, by which point we know this is a thriller about a serial killer called the Judge, and that this is a story about driven characters – the killer, the cop on his … Read more
Cold Storage
Cold Storage is lo-fi sci-fi done on a decent budget, it’s written by David Koepp, who did the original Jurassic Park the first Mission: Impossible. And it is stacked with actors of the calibre of Lesley Manville, Vanessa Redgrave and Liam Neeson, though none of them is the star. Smartly made, well acted, it’s entirely enjoyable and not very demanding and is the sort of film you might once upon a time have brought home on VHS from the local video shop. In fact Redgrave is in it so little that I wondered if her presence was some kind of joke. Neeson and Manville get more of a shake, especially in the opening … Read more
The Bribe
In Casablanca “everybody comes to Rick’s”, in The Bribe it’s Pedro’s, a sweaty canteen somewhere in venal Central America, around which this messy mix of thriller, romance, exotic adventure and detective story plays out. Robert Taylor and Ava Gardner are the stars, but Charles Laughton is the standout, taking it upon himself – probably not for selfless reasons – to save this odd mishmash from itself with a performance that lifts everything up several rungs. The story centres on a racket dealing in hooky war surplus, which FBI agent Rigby – no first name – has been sent in to sort out. Instantly suspicious characters include alcoholic ex-pilot Tug Hintten (John Hodiak) and … Read more
