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Lola

Back to the Future meets It Happened Here in Andrew Legge’s bold and original debut feature, Lola. What did you do during lockdown? Legge got out some pre-war wind-up cameras, threaded them with black and white film and shot a Nazi-inflected found-footage time-travel epic. Mad scientists are usually male and old but Legge’s heroes (if that’s what they are) are young and female, long-limbed aristo types fashioned after the Mitford sisters and played by Stefanie Martini, as Martha, and Emma Appleton as Thomasina. In a little preamble we’re given the found-footage set-up – reels of film found in the cellar of a country house in Sussex in 2021 – before we’re supposedly presented … Read more

Holiday in Spain aka Scent of Mystery

The odd thing about Holiday in Spain is that it was originally released in Smell-O-Vision under another title, Scent of Mystery. It flopped, even with the gimmick of various aromas being piped into cinemas as audiences watched. With another smelly film, Dead Lover, currently doing the rounds (writing this in March 2026) – it’s in Stink-O-Vision, a scratch-and-sniff take on the same idea – I thought I’d go back to this 1960 oddity and give it a spin. Which, of course, I can’t. Not the original Scent of Mystery at any rate. I don’t have the Smell-O-Vision technology and can’t find a copy of the film. Holiday on Spain, on the other hand, is … Read more

Resurrection

Absolutely one for the buffs, Resurrection is Bi Gan’s love letter and farewell to cinema. It’s dead is the overall message, but didn’t we have a lot of good times while it was here? A five-part compendium, each chunk different in terms of tone, look and genre, it’s a remarkable technical achievement, if nothing else. I’m saying “if nothing else” because I’m not convinced the non-buffs are going to walk away with much. Bi starts off with an intertitle card. It introduces the first section and also acts as an overall summation of the movie’s theme. In a world where dreaming has been eliminated, it says, there are still those “deliriants” who continue … Read more

The Man Who Cheated Himself

The Man Who Cheated Himself is a prime example of a good movie ruined by bad casting. Lee J Cobb’s in this case, who’s meant to be playing a cop blinded by love and winding up on the wrong side of everything. If Cobb’s Lieutenant Ed Cullen is a poor sap being driven by his dick, it doesn’t come across. Jane Wyatt also isn’t quite right as Lois, the object of Ed’s affection. It’s hard to locate her as a woman who could drive a man to mess his life up totally. No heat, no spark, no nothing. But I’m getting ahead of myself. The plot revolves around a little lie that turns … Read more

28 Years Later: The Bone Temple

28 Years and a Bit Years Later, as 28 Years Later: The Bone Temple was never going to be called. It’s the 2026 sequel to 2025’s 28 Years Later, which came 18 years after 28 Weeks Later, and it started shooting as soon as Danny Boyle had handed over to his replacement and handed the keys to the director’s mobile cabin to new arrival Nia DaCosta. It’s the second of three, so there’s one more to come, with Boyle back in charge. Be warned, this second one won’t work as a standalone, or barely. Do yourself a favour and watch 28 Years Later first – you can skip Days and Weeks, if all … Read more

Redux Redux

Redux Redux retools the high concept of Edge of Tomorrow, but instead of Tom Cruise being endlessly regenerated as an ever better fighting machine, it’s Michaela McManus as an endlessly vengeful mother repeatedly killing the man who killed her daughter, and visiting all the trillions of parallel universes to do so. Actually, Irene is hoping to find her daughter still alive and in the rude health in one of them. When she doesn’t, killing the man who stole her daughter’s life acts as consolation. It also means she gets to hone her slaughtering skills – tying the perp to a chair and setting fire to him in one universe, shooting him in another, … Read more

Hit Man

Hit Man is not really about a hit man. It’s about a guy who pretends to be one to lure potential perps into showing their hand. He’s whatever the male version of the honey trap is, and in this fictionalised retelling of the story of real-life dude Gary Johnson he is played by Glen Powell. The film is based on an article in Texas Monthly by Skip Hollandsworth. This is a good thing, since a Texas Monthly article by Hollandsworth also provided the basis of Bernie, a weird comedy of sorts starring Jack Black as a much-loved member of a smalltown community who also happened to be a real-life serial killer. Both films … Read more

They Won’t Believe Me

Robert Young forever played a good guy and wound up on TV as nice doctor Marcus Welby MD. In They Won’t Believe Me he doesn’t and the film really benefits from the against-type casting. As we meet his character, Larry Ballantine, he’s in the dock in court, where his own lawyer is describing him as “heartless, shameful, sordid and cruel”. Larry is a relentlessly womanising male of the first water and he’s now in court accused of murdering his girlfriend, or is it his wife? This incredibly twisted, brilliantly dovetailing plot is about a bad man being caught out by fate, which seems to have stepped in to intervene because Larry has simply … Read more

Caught by the Tides

Things change and things stay the same in Caught by the Tides, Jia Zhang-ke’s experimental movie inspired by the Covid pandemic. Locked down at home with nothing to do, Jia wondered if he could put something together using unused footage shot over the years – rehearsals for movies, location scouting, technical try-outs to see how equipment worked and so on. Also in there are excerpts from three of the nine films Jia has made with his wife, and star, Zhao Tao, over the years. Unknown Pleasures (2002), Still Life (2006) and Ash Is Purest White (2018). So what we’re seeing here is a montage of stuff that was never really intended to go … Read more

Reflections in a Golden Eye

Like a yard sale of the junk in Tennessee Williams’s mind, Reflections in a Golden Eye is a trawl of pre-loved Southern gothic artefacts in various states of disrepair. Directed by John Huston in 1967, it was adapted from a novel by Carson McCullers – a Williams protégé. Brace yourselves. What might you expect to find at that yard sale? Elizabeth Taylor for one. A range of variable Southern accents for another. Quite possibly a manly man who is secretly gay. Excesses of booze and other narcotics. Lonely people. The repressed. People who are victims of themselves. Self-harm. Sexual transgression. Broken patriarchy. A love of animals and a disdain for humanity. In beautiful, … Read more

Zootopia

Talking about runaway successes, Zootopia 2. Though you might not fully credit it, this movie made its $150 million budget back in 48 hours and, on the day I saw it, had already become the ninth-highest grossing movie of all time. It’s clearly made even more money since then. Not bad for a sequel, an animated sequel at that, though the Chinese animation Ne Zha 2 is also both of those and it’s currently sitting at number five. Note to self: check it out. But back to Zootopia 2, which continues the adventures of Hopps and Wilde, the bunny/fox cop duo, in a world where animals live in uneasy harmony. Could a fox … Read more

Cry of the City

Threaded with religious sentiment like a 1970s Martin Scorsese or Abel Ferrara movie, 1948’s Cry of the City stars Richard Conte and Victor Mature as two Italian-Americans who knew each other as kids. Now grown up they’ve wound up on opposite sides of the law – Martin Rome (Conte) is a criminal languishing in a prison hospital after a heist gone wrong. Vittorio Candella (Mature) is the cop trying to chase down what happened. A cop also died at the scene of the heist so Martin Rome is heading for Death Row, if he survives. Aiming to use this to his shadowy client’s advantage, slippery lawyer WA Niles (Berry Kroeger) is also buzzing about … Read more

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