Latest Posts
100 Years of… The Adventures of Prince Achmed
You don’t, in the normal run of things, expect a rape scene in old-time animation, but that’s what you get in 1926’s The Adventures of Prince Achmed, the breakthrough for Lotte Reiniger, a pioneer in her field, artistically and technically. It tells the story of the an eastern prince who steps in to help his sister after an ugly African sorcerer makes a play for her. For his trouble the brother is whisked away on a magic flying horse, to a faraway realm where Princess Pari Banu, ruler of the spirit world of Wak Wak, beguiles him with her naked beauty. And he responds with the aforesaid rape. Unless I am very much … Read more
The Bride!
Frankenstein’s unfortunate monster was put together out of offcuts and so is director Maggie Gyllenhaal’s The Bride!, a furiously eclectic assemblage of body parts. Motivating breath, alas, is there none and so the film remains on the table, lifeless, a glorious mess of gorgeous odds and sods, twitching but refusing to draw breath. To summarise the main thrust of the plot, after a century alone Frankenstein’s monster – Frank here – decides he needs a wife, and arrives at the office of Dr Euphronious, renowned for her re-animation research. After some niceties, Frank makes his pitch to Euphronious and she flat-out refuses to build him a bride, on ethical grounds. He responds with … Read more
Le Doulos
Now considered a classic by the likes of Scorsese and Tarantino, Le Doulos got a harder ride when it came out in 1962. “Talkative and tiresome,” the New York Times called it. Maybe I caught it on a bad day, but I’m inclined to agree. When it comes to Jean-Pierre Melville, give me Le Samouraï, Army of Shadows or Un Flic any day. Only a fool would dismiss the film though, which is packed full of good things and is Melville to the end of its filmic digits. It’s all about masculine codes, in other words, or more specifically the breaking of them. Who among a gang of crooks is the snitch (The … Read more
ChaO
Busy and strange, Japanese animation ChaO imagines a world where mermaids, mermen – merpeople? – commune regularly with humans, and where a lowly designer working for a shipping company becomes the romantic focus of attention of the daughter of the king of the sea. Make sure all your wits are primed when approaching this one, the plot details arrive at furious speed at the beginning – a fairytale princess, a fight with a monster, a mermaid, fantasy tales read in a book by an impressionable young man – before things settle down a touch as dogged reporter Juno finally tracks down his man and gets his scoop: the story behind the famous coupling … Read more
Knights of the Teutonic Order
1960’s Knights of the Teutonic Order is one of the most watched movies in Poland’s history. According to some sources, almost everyone in the country saw it when it was released and it remains popular to this day. What is it about this tale of proud Poles taking arms against an order of corrupt German clerics dominating their country, made less than 15 years after a German invasion had propelled Europe into the Second World War, that caught the attention? The historical parallels are obvious, but there was the added bonus of the film’s anti-clerical theme chiming with the anti-religious agenda of Poland’s communist overlords. There will be no pushback from that direction. … Read more
Father Mother Sister Brother
Acting when there’s something to do is relatively straightforward. But what about when there’s nothing to get hold of? Father Mother Sister Brother is full of empty space, and for whole stretches of time the characters in it don’t really know how to fill the silence. They babble. They fall silent. They pick up on a tiny detail and won’t let it go. Because where a relationship should be there is none. Jim Jarmusch’s latest film is episodic, three bijou, beautifully crafted Carver-esque mini-dramas. In story one a brother and sister visit their ageing father, who lives all alone and on the breadline miles from anywhere in rural New Jersey. As they approach … Read more
Branded to Kill
Branded to Kill is a crime thriller with so much style it’s absurd. Clearly aiming for the ridiculous it is deliberately style over content. Hashed out on the hoof by eight different writers who were clearly egging each other on, it’s a mad tumble of French New Wave crash edits and film noir poses, all held together – if it is held together at all – by a jazzy, jerky, atonal score. Nikkatsu, the Japanese studio that made it, thought it was a mess and wouldn’t release it. Its director, Seijun Suzuki, thought they just didn’t understand what they’d been given and sued them. And won. The film got its release but Suzuki’s … Read more
Obex
Shut-ins of the world unite, you have nothing to lose but your screens. Obex is an ingenious bit of no-fi sci-fi and if you like this sort of thing – I do – then you will be hugely entertained by Albert Birney’s film folding blocky 1980s visuals and parping ancient synths into an Albert in Wonderland story of a recluse who enters a computer game. First, though, a bit of scene-setting. This starts with the opening credits, which show real production company idents rendered in clunky 8-bit. After which we meet Conor (Birney), a supernerd who lives alone with his dog (Birney’s own dog, Dorothy). Conor’s only communication with other humans is a weekly … Read more
Overland Stage Raiders
One of the Three Mesquiteers series of movies – there were 51 between 1936 and 1943 – Overland Stage Raiders is that strange thing, a cowboy movie set in the modern era. It opens with a gang of bad guys on horseback chasing a bus, shooting as they go. This seems like a foolish pastime, like a dog chasing a car. But it turns out that the bus is carrying bullion and this is the just latest of a string of attempts to heist the Overland Stage. What’s the solution? To switch the transportation of gold to an airplane, of course, which drives the raiders to take even more desperate measures and makes … Read more
How to Make a Killing
Not to be confused with a 2024 French black comedy also with the title How to Make a Killing (in English at least), this is the one from 2026 starring Glen Powell that’s a remake of 1949’s Kind Hearts and Coronets. It is, you know, OK, demonstrating (yet again) how good those Ealing chaps were at cranking out superficially slight comedies containing a concealed stiletto. Director/adapter John Patton Ford updates things to the 21st century, where little Becket Redfellow (Powell as an adult, Grady Wilson as a kid) is born into a wealthy family but is kicked out of it when his mother marries beneath her. Having grown up broke, and having promised … Read more
Armored Car Robbery
Let’s hear it for Plod. With a bit of bad luck, a dangerous dame and a drop of hubris thrown in for good measure, that’s the idea behind Armored Car Robbery. Detail, detail, detail is the USP. The villains may be smart but the cops have something the bad guys don’t have – persistence. They do not give up and in the end it’s shoe leather and blunt-force cop procedure that does for a gang who – no surprise, surely – have carried out a robbery on an armoured car. First we meet the criminal mastermind, David Purvis (William Talman), outside Chigago’s Wrigley Field baseball stadium, where he’s just put in a call to … Read more
Miroirs No. 3
Because it’s a Christian Petzold film, Miroirs No. 3 is an exercise in watching with the head tilted to one side. How’s he going to do it this time? “It” being either a remake of a familiar film, done with plausible deniability (the classic being Jerichow, an oblique take on The Postman Always Rings Twice). Or a fairy tale/myth reworked in modern dress, Petzold’s other obsession (see Undine or Afire). Is it either here? Or neither? The set-up is downright strange. A piano student is involved in a terrible car accident in which her boyfriend is killed. Instead of heading off to hospital, she moves in with the woman outside whose house the … Read more
