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Lynn Lowry as Betsy

Score

Score is another of those porn crossover movies from the “Golden Age of Pornography”, when the marginal moved into the mainstream and, for a while, it looked like attitudes to sex loosened by the cultural changes of the 1960s were about to be consolidated. Of course they did change – there’s more sex on the screen today, and more various sex, than there ever was before – and yet in mainstream movies (look at last year’s Barbie and Oppenheimer, or the big movies from any year) it’s like the Golden Age never really happened. Which makes the likes of Score doubly fascinating. Watching it now it’s obvious throughout that there’s a tension in … Read more
Mike and Viktor sing together on stage

Leto aka Summer

Edited at home in Moscow by a director under house arrest, Leto is a 2018 movie about life in the Soviet era made by a director living in “democratic” Russia. Any read-across is obviously entirely accidental. Leto means Summer in Russian but this is a spring/autumn tale of a USSR rock star called Mike, his pretty partner Natasha and new kid on the block Viktor. It’s the early 1980s, the New Wave is making inroads into the tightly patrolled Soviet music scene and Mike is adapting to the new sounds/era with a nip here, a tuck there – really he’s an old school long-haired rock guy in the mould of Ian Hunter from … Read more
Susan licks a spoon

Deep End

Jerzy Skolimowski, en route to America from his native Poland, stopped off in the UK in 1969 to make Deep End, a strange blend of farce with something much darker, a tale of stalking done almost as a sex comedy. It’s the story of an impressionable 15-year-old lad, Mike, who gets a job at a public baths – the sort that has both swimming and bathing, in “slipper baths” – and falls very hard for co-worker Susan, a young woman a few years older than him but way ahead of him in all the things that matter, most obviously sex. Mike is played by the pretty John Moulder-Brown, Susan by Jane Asher at her … Read more
Edgin and crew prepare to do battle

Dungeons & Dragons: Honor Among Thieves

One of the big surprises of late 2023 was Dungeons & Dragons: Honor Among Thieves making it onto so many “Best of…” lists for the year. Even more surprising, it actually deserves to be there (usual caveats apply). It’s a big sword-and-sorcery quest movie, with all the stuff you’d expect – spells, elves, shapeshifters, a medieval setting, capes, subterranean realms, undead creatures and, yes, dungeons and dragons. “Wizards and shit”, as one critic once termed it (I suspect it might have been Nathan Rabin, who also gave us the Manic Pixie Dream Girl as a concept). What you might not expect is the tone. It’s Monty Python and the Holy Grail, the medieval … Read more
Chin Siu-Ho and Lam Ching-Yin

Mr Vampire

The first in a successful franchise and cornerstone of an entire genre – jiangshi – 1985’s Mr Vampire is a highly entertaining and madly inventive movie, particularly if you like high-level buffoonery and vampires who hop. It wasn’t the first jiangshi movie. That honour probably goes to Sammo Hung’s Encounters of the Spooky Kind in 1980, the film that shifted Hong Kong vampires decisively away from the Nosferatu-like template and towards a more culturally Chinese vision of the undead. In jiangshi movies the vampires tend to come dressed in traditional changshan clothing. They are restless spirits or dead people whose burial has not been carried out according to the correct rituals. Drinking blood isn’t … Read more
Mr Hunham teaching

The Holdovers

It’s easy to see The Holdovers as Alexander Payne’s riposte to all the moaning that Martin Scorsese and a few other members of the old guard were doing not so long ago about the predominance of superhero movies and how, you know, they don’t make ’em like they used to etc etc. Payne has gone out and made one like they used to, a film set in 1971 attempting to look like a film from 1971 (right down to the “copyright MCMLXXI” buried in the credits) – grainy, human-focused, often ensemble works like American Graffiti or The Godfather or the entire oeuvre of John Cassavetes. The action is set at a fancy school … Read more
Misty Beethoven looks and learns

The Opening of Misty Beethoven

The openings are both figurative and literal in The Opening of Misty Beethoven, the pornified Pygmalion that’s a key movie from the so-called Golden Age of Porn. The real Pygmalion, you’ll recall (and My Fair Lady, the musical version) is about two la-di-dah gentlemen betting on whether they can get a Cockney flower girl to pass as a duchess. Here Henry Higgins, Colonel Pickering and Eliza Dolittle are replaced by Dr Seymour Love (Jamie Gillis), his occasional lover Geraldine Rich (Jacqueline Bedaunt) and Misty Beethoven (Constance Money), a low-rent sex worker whom Dr Love picks up in a grindhouse cinema masturbating a guy dressed as Napoleon. In a plot following Pygmalion’s major beats, … Read more
Suzume cries out

Suzume

Makoto Shinkai is one of the “other guys” of Japanese animation – he’s not Hayao Miyazaki, in other words – and if it does nothing else, his movie Suzume demonstrates the vast amount of influence the director of Howl’s Moving Castle, Kiki’s Delivery Service, My Neighbour Totoro and Spirited Away still wields in that country, even though he officially retired ten years ago (only to resurface unexpectedly this year with The Boy and the Heron). Featuring a detail-rich story with a strong fantastical element and a resourceful young female protagonist who has somehow become separated from her parents, Suzume has many of the trappings of a Miyazaki movie. There’s even the outsize interest … Read more
Lily with conquest Courtland Trenholm

Baby Face

A key “pre-Code” movie, Baby Face is one of a handful of 1930s movies said to have accelerated Hollywood’s movie studios into the era of self-censorship – the government was threatening to step in if they didn’t act. It was a key movie for Barbara Stanwyck too, and helped her cement a reputation for playing tough, driven women. Here she’s a young unfortunate fighting her way up in the world by putting it about – that’s the sort of stuff the Code set out to stop – using and abusing men as she goes. Starting at the front door of a bank building in New York, she works her way literally and figuratively … Read more
Eo chews on a carrot necklace

EO

The Polish director Jerzy Skolimowski’s heyday was about 50 years, in the 1970s, a fact that make EO all the more remarkable. Here Skolimowski is, in his mid 80s, knocking it out of the park with a film that’s warm and tender, dramatically intense and also put together with a master’s touch. The even more remarkable thing is that at one point Skolimowski turned his back on film. For 17 years Skolimowski he was content to spend his time in his LA home painting. There were odd appearances in front of the camera – you might remember him interrogating Black Widow in The Avengers – but no cinema product bearing his name. But … Read more
José María, Cavan and Father Berriartúa

The Day of the Beast

A Christmas movie for Satanists, The Day of the Beast (El Día de la Bestia) is one of the key movies of a very 1990s style of grindhouse film-making. It’s the gonzo wild ride in which pump-action shotguns and breasty women compete for screen space with demons and SWAT teams, while rock music and satanic ritual drive the soundtrack. This genre is probably best exemplified by Robert Rodriguez’s From Dusk Till Dawn, from 1996. But Spanish director Álex de la Iglesia got there first in 1995, and he got there best. This is a very funny movie, probably at its best in early scenes introducing its hero, Father Ángel Berriartúa, a Catholic priest … Read more
Tommy Lee Jones and Jamie Foxx sitting on some stairs

The Burial

A movie called The Burial that buries its main story – it sounds like some kind of meta-joke. But it isn’t. Whether the strategy works is the real question though. The story was first told in the New Yorker and relayed what happened to a real-life Mississippi guy called O’Keefe whose struggling funeral-home business was offered a buyout in the mid-1990s by the Loewen company, a megacorp specialising in burials and, more importantly (it turns out), burial insurance. O’Keefe and Loewen agreed a deal in principle but then the trail went cold. Eventually, convinced that Loewen were sitting on their hands until he went bust, so it could buy him out for cents … Read more

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