Popular Reviews
The Girl and the Spider
Not much happens in The Girl and the Spider (Das Mädchen und die Spinne) but that doesn’t mean nothing’s going on. Superficially the story of one young woman moving out of the apartment she’s been sharing with another, beneath the surface it’s a roiling stew of emotion, lust, jealousy, neediness and isolation. There’s are Bergmanesque developments, things said and unsaid, as we track Mara (Henriette Confurius) and Lisa (Liliane Amuat) through one day, a night and into the next day while around them wheel Lisa’s mother, a handyman and his helper, a neighbour or two, other young women from downstairs and next door, first in the apartment Lisa is moving into, and then … Read more
Beau Is Afraid
Three’s a trend, so they say, and with Beau Is Afraid writer/director Ari Aster does just what his previous two films, Hereditary and Midsommar, did – he gets everyone talking. Terrible, some said. Brilliant, said others. Maybe it can be both at the same time, you could conclude, sitting right on the fence. And, fence-sitting coming naturally to some people, that is what it is – a brilliant meta-movie that simply doesn’t know when to stop and so outstays its welcome. In one of many comedy moments which seem less well advised the longer Beau Is Afraid goes on – it’s three hours long – Aster starts the action at the moment Beau … Read more
Return to Seoul
A woman born in South Korea but then raised in France returns to the land of her birth to look up her birth parents. And that’s the basic plot outline of Return to Seoul, a fictional reworking of the true story of Korean-born, France-raised Laure Badufle, who wrote this movie with director Davy Chou. This is a film that knows very well that there’s are a welter of genealogy-adjacent TV shows out there with titles like Long Lost Family. Who Do You Think You Are?, the globally most successful of them has been around for 20 years and exists in all sorts of iterations, under all sorts of titles, acquainting people with their … Read more
100 Years of… The Thief of Bagdad
Douglas Fairbanks was the Tom Cruise of a century ago and in 1924’s The Thief of Bagdad, Fairbanks’s favourite of his own films, you get to see him at his very best, in the peak of physical condition, in a film that’s one remarkable action set piece after another. As you’ve probably guessed, it’s silent, in black and white and set out in old Bagdad, where an Arabian Nights story unfolds concerning Ahmed (Fairbanks), a common street thief caught up in the machinations over who will wed the country’s fair princess (Julanne Johnston). Many would scale those walls, not least Ahmed, though he understands he has only a snowball’s chance in hell against … Read more
Cordelia
The actor Antonia Campbell-Hughes is worth watching in anything she’s in. She’s particularly good at the externalisation of anxiety and there’s plenty of that in Cordelia, the story of a broken London woman trying to put her life back together after some terrible event. The event was the terrorist bombings of London in July 2005, though all we learn of what happened then is how it’s left Cordelia, an actor now afraid to leave the house, who hasn’t used the Underground ever since (this was made in 2019 and is set then too), and who leans heavily on her twin sister (also played by AC-H), a boozy, fun-lover who is presumably everything Cordelia … Read more
Coup de Torchon
Bertrand Tavernier’s 1981 movie Coup de Torchon is a bizarre adaptation of Jim Thompson’s novel Pop. 1280. Bizarre not because Tavernier and his co-writer Jean Aurenche have moved the action from Texas to West Africa. Nothing wrong with that. It’s the way they’ve excised Thompson’s black humour and inserted French farce in its place, draining the story of power as they do so. It’s 1938 and we’re in Senegal, where the white colonial French lord it over the black locals. They’re a mixed bunch, the whites, most of whom wouldn’t amount to much back home but have a status and lifestyle out here that, Tavernier makes clear, is really rather lovely. They drink, … Read more
Raw Deal
Everyone gets a raw deal in Raw Deal, a taut and dark film noir from 1948, directed by Anthony Mann, lit by the great John Alton and so often overlooked when Greatest Noir lists are being compiled. Its characters all come with a tragic flaw which writers John Higgins and Leopold Atlas are eventually going to prise wide open but it’s the additional wallop of sheer bad luck that makes this unusual – that and the voiceover by one of its female characters, Pat Regan, played by Claire Trevor. Pat is in love with Joe (Dennis O’Keefe) but Joe is in prison doing a stretch as the fall guy for bigshot criminal Rick Coyle … Read more
Breaking Fast
Can you be gay and a devout Muslim? Breaking Fast wrestles with that problem in, yes, an issue-driven drama tangling with concepts that rarely get an airing. The title stems from the practice of breaking the dawn-to-dusk fast required of committed Muslims during Ramadan. What fasting actually means seems to vary depending on many factors, but for Mo (Haaz Sleiman) it comes down to no food, no drink and no impure thoughts. Mo is gay and out and a Muslim, one who takes his religious observances seriously. As we’re introduced to him and his partner Hassan (Patrick Sabongui), they’re in the teeth of a crisis. Hassan is not out and is currently hyper-ventilating … Read more
I’m Not There
A movie for every day of the year – a good one 19 March Bob Dylan releases first album, 1962 Having dropped out of the University of Minnesota and relocated to New York City to visit the dying Woody Guthrie and break into performing, today in 1962 Bob Dylan released his first album. Eponymously titled Bob Dylan it came about after Dylan played harmonica on Carolyn Hester’s album in September 1961 and caught the eye of producer John Hammond. Hammond signed Dylan to Columbia Records in October 1961 and within five months the album was done. It was a collection of folk standards, coffeehouse favourites plus two Dylan originals – Song to Woody … Read more
The Last Man on Earth
Four years before George Romero is supposed to have revived the genre, the zombies are already alive and kicking (well, shuffling) in 1964 in The Last Man on Earth, a lurid yet oddly static example of a genre movie with all the signs of something knocked out with little respect for its audience. Unsurprisingly it got little respect back in return. It does have a few things in its favour, though. Vincent Price as the titular last human, and a story by Richard Matheson which would be repurposed a number of times, most famously as The Omega Man, starring Charlton Heston, and I Am Legend, with Will Smith. There’s a legend surrounding the … Read more
Bergman Island
French writer/director Mia Hansen-Løve genuflects before the master, Ingmar Bergman, in her playful and reverential drama set on Fårö (pronounced foe-rer, more or less), the island where Bergman wrote and shot some of his films, and which is now dedicated to promoting his legacy. In meta fashion, Chris (Vicky Krieps) and Tony are a pair of film-makers arriving on Fårö to seek inspiration for the next projects they are working on. Renting the house where Bergman once shot parts of Scenes from a Marriage, or so they (and we) are told by the woman showing them around, they get down to work, him beavering away in the bedroom, her in the mill next … Read more
The Day After
So this is what “the most watched TV movie in US history” looks like – The Day After, a disaster-movie-style treatment of nuclear apocalypse from 1983. “Most watched” is one of those tags up for debate, obviously – watched on the day of transmission versus watched again and again, for example. Or watched in the olden time of big broadcasters and mass viewing versus the Netflix era, where everything is a TV movie one way or another. Less up for debate is how effective Nicholas Meyer’s film still is. And it’s become increasingly relevant all over again as Russia pushes its armies into eastern Europe, while in America a debate rages over whether the … Read more
