Popular Reviews
Shock Corridor
Shock Corridor is a great example of the indie writer/director Sam Fuller’s ability to make films with a social subtext that weren’t overwhelmed by worthiness. Not being a studio movie it’s got no famous names in it, and isn’t shot in colour (apart from a few drop-ins). Instead Fuller and DP Stanley Cortez (who was instrumental in making The Night of the Hunter so memorably sinister) opt for a breezy film noir style of harsh lighting that’s quick to set up, effective and cheap – together they turned the film out in ten days. It also looks great in the Criterion Blu-ray I watched. A look at the plot tells us where Fuller’s real … Read more
Hombre
If you’ve ever wanted to see a Western out of Bulgaria, Hombre is your chance. It’s a fascinating film, attempting to use the familiar narratives from the West as an allegory for pan-Balkan co-operation. If we don’t all get on, the idea runs, there’ll be a lot worse to deal with than a gunfight at the OK Corral. Whatever else it is or isn’t, it’s a very well cast film. Everyone here feels real, and also manages to exist as a character you might expect to encounter either around a camp fire in a Bulgarian forest in the 21st century or spooning up pork and beans in 19th-century Utah. There’s not too much … Read more
Totally Killer
As a capsule description Totally Killer sounds totally familiar. A nice white-picket American town in 1987. Three 16-year-old females murdered, stabbed 16 times by the same masked mystery assailant. The murderer never caught. Now, 35 years later, on Halloween, it’s happening again. A Nightmare on Elm Street? Friday the 13th? Most obviously Halloween – the date, the mask, the teenagers, the burbs and all that. Yes. But no. Because to that heady bestiary of 1980s horror, writers David Matalon and Sasha Perl-Raver add another mid-1980s staple – the time-travel movie, à la Back to the Future (1985) or Peggy Sue Got Married (1986). Kiernan Shipka plays Jamie Hughes, the Peggy Sue/Marty McFly avatar … Read more
The 13th Warrior
A real proper old-fashioned Sunday afternoon film – epic in intention, ludicrous in execution. Considered to be unwatchable when it was test-screened, it was partially recast, rescored and reshot – by Michael Crichton, writer of the original book, who took over from John McTiernan, his Die Hard and Predator experience counting, apparently, for nothing. Crichton’s intervention doesn’t save it. Perhaps nothing could. Perhaps it was jinxed by the presence of Omar Sharif, an adornment of so many terrible films of a similar sort in days of yore. Or by his Nineties successor, Antonio Banderas. It’s an adaptation of the Old English epic poem Beowulf and Banderas plays Ahmed Ibn Fahdlan, a Muslim banished to the … Read more
Finis Terrae
Beautifully made and beautifully restored, Jean Epstein’s 1929 drama about kelp gatherers on a remote Breton island is also quite simply a beautiful film, picturesque enough to charm even the most unwavering hater of silent movies. Having discovered some islands off the coast of Brittany, Epstein decided to shoot a film there using local people as his actors. His two “stars” are Ambroise Rouzic and Jean-Marie Laot, the former playing Ambroise, a young kelp gatherer working on the remote island of Bannec who cuts his thumb on a piece of broken glass. Laot, meanwhile, plays Jean-Marie, Ambroise’s colleague in kelp who realises after a few days that Ambroise is properly sick and sets … Read more
The Brutalist
The Brutalist did well at the Oscars, winning three (Best Actor, Music, Cinematography) from a total of ten nominations. It is the sort of film the Academy likes – it’s got class written all over it, from the fancy opening credits and the high-end VistaVision process (not used for more than 60 years), to its built-in intermission and tackling of a pertinent issue. To wit: immigrants get the job done, as Lin-Manuel Miranda put it in Hamilton. One immigrant, in this case, an architect who survives the death camps of Europe, arrives in proud and confident America as it’s enjoying its finest flowering and then, through a series of adventures with a moneyed American … Read more
The Clock
Stirringly democratic and winningly romantic, The Clock is one of Judy Garland’s best films. She sings not a note, you may be surprised to learn, but brings a tear to the eye with her portrayal of a sweet young miss having a whirlwind romance in surely the most New York New York ever committed to film. Almost all of it was shot in the studio, you may also be surprised to learn. Anyhow, Alice (Garland), a button-bright go-getter meets-cute with Robert Walker’s Joe Allen, a corporal on 48 hours leave, after he causes her to break a heel on an escalator in busy Pennsylvania Station. Though properly contrite, he is taking barely any … Read more
Dodsworth
Dodsworth is a reminder what a great actor Walter Huston was. The father of John, grandfather of Danny, great-grandfather of Jack trumps them all with a superbly relaxed and natural performance as an America car magnate being given the runaround by his silly wife. Ruth Chatterton in the thankless role as wife Fran is pretty good too. It’s a tale of solid, reliable, self-made Americans being led astray by workshy, corrupt old-money Europeans and it opens with scenes of Sam Dodsworth (Huston), an American motor manufacturing magnate much loved by his workforce selling up his business and departing for Europe with his wife for the holiday of a lifetime. Sam doesn’t really understand … Read more
John Le Carré Movie Adaptations Ranked, 2021
There is a lot of John Le Carré out there. The author wrote prodigiously, starting while he was still working as a spy for MI5 and MI6 in the late 1950s and only really stopped when he died, in December 2020. There are nine novels featuring his most famous creation, the retired master spy George Smiley, and another 17 or so (depending on how you count) other novels, plus short stories, essays, memoirs, articles written for newspapers (denouncing the war in Iraq, for instance) and screenplays (always adaptations of his own novels). But there’s no getting round it, if you want a John Le Carré experience, the movies are probably the worst way … Read more
A Kiss before Dying
A Kiss before Dying is the movie Robert Wagner made to solve the Prince Valiant problem – he was too pretty and too old-school in a Hollywood that had suddenly gone sweaty and Method, in a nutshell. Prince Valiant was the film he’d made two years earlier, camp nonsense about a Viking prince in the court of King Arthur. Wagner is about as far as he can get from that here, as a handsome college psychopath who decides that the best way to deal with his suddenly pregnant girlfriend Dory (Joanne Woodward) is to get her to have an abortion (the word is never used though “pills” are mentioned). And when that doesn’t … Read more
14 April 2013-04-14
Out in the UK This Week Nymphomaniac Vol I (Artificial Eye, cert 18, Blu-ray/DVD/Digital) A middle aged man finds a woman beaten up in the street. Taking her back to his house – she doesn’t want the police involved – he coaxes her story out of her with nothing more than a bit of tea and sympathy. And so starts Lars Von Trier’s most “normal” film to date, effectively a Victorian bildungsroman in which one party (Charlotte Gainsbourg) relates the ping-ponging progress of her life, while the other party (Stellan Skarsgård) prompts more revelations with a “do tell me more”. Von Trier barely bothers to hide the structure and sets about acclimatising us … Read more
Souleymane’s Story
Souleymane’s Story got lots of love on the festival circuit and made it onto quite a number of the Best Of 2025 lists. And yet it’s about the immigrant experience. I say “And yet” because, face it, your heart sinks a bit at the prospect of watching some poor sap having a relentlessly terrible time at the hands of the authorities. Director Boris Lojkine clearly understands that too, and has decided that the way to persuade audiences to watch his film is to give them energy and thriller vibes. An Uncut Gems of the French sans papiers is the result. It’s a familiar story, following Souleymane (Abou Sangaré), who works as a food-delivery … Read more
