Reviews
Red Rooms (Les Chambres Rouges) started life as a drama about the sort of women who befriend or become romantically attached to men accused of terrible, heinous crimes, but ended up being about something else entirely. That initial idea is still in there, though, in the character of Clementine, a short, nervous young woman who … Read more
Rudolph Valentino made The Eagle in 1925 and while it wasn’t a smash along the lines of Blood and Sand or The Sheik, it did better than his previous four films – it was a comeback of sorts, and came not long before Valentino was whisked to the place from which no comeback is possible, … Read more
Revered arthouse director Claire Denis starts Both Sides of the Blade with an almost subliminal reference to Jaws. A couple wade into the sea. The soundtrack growls ominously. But only for maybe half a second. Then it pivots spectacularly into something gooey, gentle and romantic. We see the faces of the couple. It’s Juliette Binoche … Read more
Ernst Lubitsch’s 1932 drama Broken Lullaby was originally called The Man I Killed, like the Maurice Rostand play it was based on (L’homme que j’ai tué). It turned out to be a title too hard-hitting for the box office and so it was decided to change it. To The Fifth Commandment. Until some bright spark … Read more
The family is a cult and the cult a family in the films of Sean Durkin. After Martha Marcy May Marlene and The Nest, The Iron Claw continues Durkin’s excavations with a biopic of the Von Erichs, a famous wrestling clan whittled away by a tragic curse. After a quick black-and-white preamble sketching paterfamilias Fritz’s … Read more
In My Mind is a close relative of one of those Nick Broomfield documentaries where, instead of making a film about his original subject, Broomfield tells the story of how he tried, but failed, to get his man or woman (see Tracking Down Maggie, about failing to get an interview with Margaret Thatcher, or Kurt … Read more
Keeping its cards close to its chest, almost until it’s too late, A Perfect Enemy is one of those low-budget Euro-thriller co-productions that also (eventually) makes some sense of its transborder elements, particularly its cast. There are only really two people, in a “starring” sense, in any case. The Polish actor Tomasz Kot you might … Read more
Boys from County Hell starts as it means to go on, mixing the mundane and the macabre in an opening scene where an ageing Irish couple watching TV have a desultory conversation about the TV show they’re watching (boring) and whether they should pop out to the local pub for a drink instead (no). And … Read more
Rob Jabbaz’s feature debut, the Taiwan-set movie The Sadness, revives two genres. Welcome back the zombie movie, which has been having an afternoon nap since Train to Busan persuaded more or less everyone that there was no point trying to top it. And the torture porn/gorno movie, which has been absent without leave for a … Read more
Shut-ins of the world unite, you have nothing to lose but your screens. Obex is an ingenious bit of no-fi sci-fi and if you like this sort of thing – I do – then you will be hugely entertained by Albert Birney’s film folding blocky 1980s visuals and parping ancient synths into an Albert in Wonderland … Read more
By a gigantic stroke of luck, it seems, while Mrs Gale is being given a guided tour of a ceramics atelier, she stumbles across a dead body in the room where the raw clay is kept. Doubly handily, it seems that the company is engaged on cutting edge research to produce an indestructible tile to … Read more
Running on the same fuel as the UK comedy Steptoe and Son (or the US version of it Sanford and Son), Where’s Poppa is the story of a would-be suave, would-be lothario constantly being thwarted by his aged parent. George Segal plays the New York guy keen to spread his wild oats. Ruth Gordon is … Read more