Popular Reviews
Highest 2 Lowest
The least satisfying Spike Lee film I’ve ever seen, Highest 2 Lowest at least has the excuse that it’s Spike Lee in gun for hire mode. Walter Salles, Mike Nicholls and Martin Scorsese were all lined up to direct at various points. It’s mystifying, though, because Lee’s journeyman work is usually better than this. It’s a remake of Akira Kurosawa’s High and Low, or so the blurbs say. In fact Lee and adapter Alan Fox seem in a hurry to work through Kurosawa’s scenarios, as if they had a more urgent appointment elsewhere. If they did, they’re not telling us what it is. In other words, if you want to see a really … Read more
Cuba Libre
1996’s Cuba Libre is only Christian Petzold’s second movie, after 1995’s debut, Pilots (Pilotinnen), but already he’s got the formula and the team all in place. It’s a chilly thriller, in other words, with a man who’s losing his head over a woman, a woman who’s so otherworldly she might in fact be more metaphysical than real, and an overarching theme of escape, of existing in liminal space, of people perpetually on the way to somewhere else. Petzold insists that all movies are in a sense about transit, or transition, but he’s got a very particular way of doing it. It’s the sense of yearning he imparts. It suffuses everything, to the point … Read more
Scarygirl
Smart eight year olds might go a bundle on Scarygirl, an Australian animation visually targeted more at their parents, though its bounce, straightforward storytelling and bold (ok, simplistic) messaging says young. There’s a touch of Finding Nemo in the plotting. Actually it’s more Finding Dory, the sequel, the one in which little Dory goes on a big long undersea quest to find her parents. Here it’s Arkie, a strange cross between an octopus and a human, with a patch over one eye and a mouth held together at the edges with stitches, setting off to find her dad, Blister, who’s been kidnapped by the despicable Dr Maybee. Blister is a big yellow/green octopus … Read more
Blink Twice
Men are scumbags and tech bro’s the scumbaggiest of them all. Blink Twice isn’t exactly making the most out-there statement for 2024, but in her directorial debut (she also co-wrote) Zoë Kravitz shows she knows her way around a horror movie, can build mood and tension and get performances out of her stars which are genre-familiar and yet fresh. Kravitz’s current partner, Channing Tatum, is particularly excellent as Slater King, a performative billionaire – think Musk rather than Bezos – who, as the film opens, is apologising with all his heart in an address to the world. He’s sorry for something. Penitent, pleading, he insists he’s learned from whatever he’s done, is now … Read more
Turks & Caicos
Turks & Caicos is the second of the Johnny Worricker trilogy of TV movies made by Carnival Films (of Downton Abbey fame) for the BBC and boasting the sort of cast that was still rare at small screen level in 2014. Christopher Walken and Winona Ryder are the properly big names, though Dylan Baker, Helena Bonham Carter, Rupert Graves and Ewen Bremner (returning from the first movie) are hardly kitty litter. Ralph Fiennes, though present and correct, is only on screen for a few seconds and so doesn’t really count. For those coming in cold, there is absolutely no need to have watched the first one (Page Eight) to enjoy the second. All … Read more
22 April 2013-04-22
Out in the UK this week Jack Reacher (Paramount, cert 15, Blu-ray/DVD) In this adaptation of the Lee Child novel One Shot, vigilante investigator Jack Reacher is called in to clear the name of a guy even he thinks is guilty of shooting a whole load of innocent folks. Coming across as a little bit Batman and a little bit more Clint Eastwood’s Man with No Name, Tom Cruise’s Reacher is in fact mostly Stacy Keach-era Mike Hammer. Because this is an exercise in cornball noir, the sort of film where people still use quaint terms like “patsy”, where relations between men and women are chivalrous – that’s Rosamund Pike in what amounts … Read more
Un Comisar Acuzã
The Romanian Spielberg is how director Sergiu Nicolaescu is often described. That’s a bit misleading but catches a flavour of the prolific writer/director/actor who from the 1960s until his death in 2013 made films designed to be seen by as many people as possible. 1974’s Un Comisar Acuzã is a prime example of what he was all about. A classic crime thriller with a distinctly political angle, it both plays to the Communist Ceaușescu regime’s notion of itself as the font of justice and, glimpsed side-on, critiques it, all the while delivering action, thrills, a fast-moving narrative and a hero who’s easy to like. Useful background to have before going in: in the … Read more
The River
Is 1951’s The River a look in search of a story? It’s regularly described – often by people who haven’t seen it – as one of the greatest films ever made. Dig one layer deeper and the praise heaped on Jean Renoir’s “masterpiece” starts to look a touch more one-note. Martin Scorsese reckons this and The Red Shoes are “the two most beautiful colour films ever made.” Eric Rohmer, also no slouch as a director, called it “the most beautiful colour we have ever seen on the screen.” The New York Times in 1951 said “beautiful”. Time Out – “beautiful”. Sight and Sound‘s 2022 Best Films of all time poll rang the changes a … Read more
Stray Dog
Subtle, understated Japanese film noir, 1949’s Stray Dog appears to be Akira Kurosawa’s embrace of the post-War reconstruction of Japan in the image of the American conqueror. It may be something else as well. But before all that, is the “stray dog” we see panting in the opening titles meant to be Japan itself? That dog does not otherwise feature in the film. No dog does. Instead of canines, Kurosawa beetles away at a Maguffin leading us from one end of his movie to the other. The story of a diligent young cop, Detective Murakami (Toshirō Mifune), who one sweltering day on a crowded bus has his police revolver lifted from his jacket … Read more
100 Years of… Visages d’enfants
If you’ve heard the name Jacques Feyder but never seen any of his films, Visages d’enfants is a prime place to start. A beautiful example of simple and direct storytelling done with more technique than you’d expect for a film from 1925, it demonstrates what a master Feyder was, particularly of the language of film – in fact he’s creating some of it as this film is running through his camera’s sprockets. The title translates into English as either Mother or Faces of Children and that difference of emphasis sums up the plot. A young boy is orphaned and his father remarries – how does little Jean fit in now, with the new … Read more
Queen of Hearts
What to expect of a film with the title Queen of Hearts? Well it stars Trine Dyrholm, an actor who guarantees a certain level of quality. English speaking audiences might remember her for films like Nico, 1988, in which she played the tragic junkie and onetime singer with the Velvet Underground, or alongside Pierce Brosnan in Love Is All You Need, a romantic drama for grown-ups. She also took a key role in the excellent TV series The Legacy, a tale of poisonous family dynamics, some episodes of which were directed by May el-Toukhy, who’s in charge here too. Though she can prettty much do it all from high drama to low comedy, … Read more
The Avengers: Series 5, Episode 4 – The See-Through Man
After time travel in the previous week’s episode, Escape in Time, The Avengers’ augmented interest in sci-fi gets another workout in The See-Through Man, a plot all about invisibility and its dastardly uses. Comedy is the overarching tone and self-parody the effect as first one person then another is killed by an invisible man (he is referred to throughout as “he”, even before it’s been established that he is a he). Indeed, before the opening credits have even rolled a factotum at the Ministry of Defence has been dispatched by an unseeable assailant, all very nicely done by director Robert Asher. Two bits of minor but annoying Avengers furniture are then quickly dealt … Read more
