Popular Reviews
Living
Everyone loves Bill Nighy but he’d never really looked like Oscar material – unjustly – until Living came along. Too diffident. Too stylised. Too often wearing that same blue suit. What Nighy did was so effortless that it hardly seemed like acting at all, or at least the sort of acting that Oscar likes (snot and disability, with a heartwarming character arc and a chastening moral). Living was his big shot. It ended in valiant defeat, as we now know, with Brendan Fraser winning out against a tough shortlist that also included Austin Butler for Elvis, Colin Farrell for The Banshees of Inisherin and Paul Mescal for Aftersun. It was a case of … Read more
The Deep (aka Djúpið)
A movie for every day of the year – a good one 9 December Clarence Birdseye born, 1886 On this day in 1886, one of the greats of the modern food industry was born. The man who could be considered to be the real Captain Birdseye came into the world in Brooklyn, New York, the sixth of nine children. Clarence didn’t come from a privileged background and when he grew up he struggled to pay his college fees. He ended up dropping out and in his early 20s wound up being a taxidermist, where the standing problem is how to keep the animal fresh while it’s being worked on. By the age of … Read more
A Trip to the Moon
A movie for every day of the year – a good one 01 September Generally speaking I’m going to choose historical events rather than movie events as a peg off which to hang the Film of the Day. But today is the first one so why not make an exception? Debut Screening by George Méliès of A Trip to the Moon, 1902 On this day in 1902, the great showman, illusionist and restless inventor George Méliès gave the first showing of Le Voyage dans la Lune. It was the Star Wars of its day and a huge international hit. If it wasn’t the first sci-fi film ever made, it was, along with the … Read more
Fallen Angels
Fallen Angels was originally meant be the third part of Wong Kar-Wai’s previous film, 1994’s Chungking Express, but Wong realised he’d told his story already in the two separate but interlinked stories he already had in the can. No third part necessary. And so here it is, all on its ownsome, an expanded reworked standalone, released in 1995. Stylistically it’s similar to Chungking Express – lurid lighting, whipcrack edits – but Wong and DP Christopher Doyle this time use very wide lenses held very close up, rather than the much longer ones of Chungking Express. A wide lenses give everything a stretched, in-your-face immediacy. Everything is tightly on and about the person in … Read more
Cairo Station
Now considered a beacon of the nation’s cinema, Cairo Station got a hugely negative reaction in Egypt when it came out in 1958. Audiences raised on a diet of stylised melodrama just weren’t ready for something so raw. Mostly in the Italian neorealist tradition, it ducks back into melodrama towards the end of its very brief running time (77 minutes), when the logic of what’s been building comes to an abrupt climax. After just over an hour of director Youssef Chahine soberly building narrative and atmosphere, in the last stretch suddenly everything switches – knives are brandished, blood is shed, a straitjacket appears and a man is carried off frothing into the lunatic … Read more
Brighton Rock
Not many British films make the “Best Film Noir” lists but Brighton Rock regularly does. And unlike many a key “British” noir, this one was directed by a Brit, John Boulting rather than an American fleeing McCarthyism (Jules Dassin and Night and the City or Cy Endfield and Hell Drivers), a visiting Frenchman (Edmond Gréville’s Noose) or an expat Brazilian (Alberto Cavalcanti’s They Made Me a Fugitive). It’s also unusual because of the role it gives Richard Attenborough. Nice, cuddly Dickie later of Jurassic Park fame here plays a smalltime 17-year-old psychopathic mobster in the town of Brighton, a seaside resort with a reputation for kiss-me-quick hats and extramarital affairs conducted by people … Read more
Conclave
Conclave is not so much a case of who done it as who won it, a thriller set in the Vatican as the cardinals gather to elect a new pope. Being an adaptation of a Robert Harris novel, like Enigma (which became a film of the same name) and The Ghost (which became The Ghost Writer), it’s a closely researched thing, its potentially deadening attention to detail kept spiky by the addition of some suspense, intrigue, cloak and dagger and some lively thumbnail performances by a lot of mostly old white guys as the cardinals. Following custom, when an old pope dies, the men in scarlet come together from the four corners of … Read more
The Avengers: Series 4, Episode 8 – A Surfeit of H2O
Undoubtedly a fancy episode when it first aired in late November 1965, A Surfeit of H2O manages to be whimsical, sinister, ridiculous and ingenious all in one go, with a good belt of fine character actors to help things along. Water is what it’s about, as the title suggests, and before the title has even come up a poacher has died while out setting traps, drowned in an open field by a massive thunderstorm which appeared out of nowhere. Decent special effects being a bit more than the show can afford, when Steed (dressed in absurd Edwardian hunting gear) and Peel arrive in a Mini Moke, there’s not a drop of water to … Read more
The Wicker Man
A movie for every day of the year – a good one 21 December The Southern Solstice Today is the Southern solstice. If you are in the northern hemisphere, it marks the point at which the sun rises least above the horizon. If you are in the southern hemisphere, it is midsummer, longest day of the year. And correspondingly the shortest in the north. Towards the equator the effect is minimal, with day and night length tending to match each other the whole year through. But in London, where I am writing this, it means the sun will come up a handful of minutes after 8am and set just before 4pm. Tomorrow, the … Read more
Sorry, Baby
Sorry, Baby is the sort of film that’s hard to write about. Which is irritating if writing about it is exactly what you want to do. But not giving the whole game away probably makes for a more rewarding viewing experience for anyone intending to watch it. Without letting the cat entirely out of the bag I can say that it’s a coming of ager and an issue drama, though it wraps its issue up in a character study, which it approaches obliquely without being too dogmatic. It’s also a campus drama. The sort of thing you might get from writers like Malcolm Bradbury or David Lodge, Philip Roth or Michael Chabon if … Read more
Theodora Goes Wild
Almost a commentary on Hollywood’s transition from Pre-Code licence to Post-Code moralising, 1936’s Theodora Goes Wild is a breezy screwball comedy that straddles the decades with its opposition of conservative smalltown standards and liberal big-city values. Irene Dunne is the go-between, playing Theodora Lynn, a compliant daughter of the founding family of the small burgh of Lynnfield, but secretly also Caroline Adams, author of a work of racy fiction currently scandalising her staid puritanical aunts. Life for Theodora/Caroline continues on this twin track – dutiful mouse at home, sophisticated woman of the world on her visits to the city – until smoothie-chops New York book illustrator Michael Grant (Melvyn Douglas) takes a shine … Read more
Scenes from a Marriage
Time has robbed Ingmar Bergman’s film Scenes from a Marriage of some of its force but even so, if a forensic examination of a happy marriage’s collapse is what you’re looking for, it’s never been done better than it was here. I’m talking about the 1974 movie version, not the original 6x45minute TV mini-series it was cut down from. TV was what Scenes from a Marriage was made for, and also ensured that Bergman’s film wasn’t eligible for any Oscar action (one of the many nonsensical nose/face strictures which the Academy has been forced to back down on over the years). Because it was “TV first” and had aired the previous year, it … Read more
