Popular Reviews
Twisters
No one was exactly clamouring for it but Twisters, the imaginatively titled sequel to Twister, turned out alright in the end anyway. The original, complete with flying cow, came out in 1996, 24 years ago. At that point Lee Isaac Chung, director of this sequel, was a fresh faced 18 years old, star Glen Powell was eight and co-star Daisy Edgar-Jones was minus two. To the film’s credit it leaves Twister where it was, not referring back to it at all. There are no cameos to remind us when Helen Hunt and Bill Paxton were the plucky duo chasing tornadoes around the mid-West, trying to heal a broken relationship as they dodged airborne … Read more
OK Connery
A moving target is harder to hit. That must be why OK Connery goes by so many different titles. The perfectly reasonable Operation Kid Brother is one alternative, the frankly bizarre Divided Evil another. Probably the most informative of all the variants, apart from the original, is Operation Double 007. If I tell you that it stars Sean Connery’s younger brother, Neil, you’ll twig what’s going on here. A mockbuster Bond movie, complete with actors from the franchise. Like Bernard Lee, who played M; Lois Maxwell, of Miss Moneypenny fame; a Bond Girl in the shape of Daniela Bianchi (she was in From Russia with Love); Adolfo Celi (a villain in Thunderball); and … Read more
Klute
Donald Sutherland died the day before yesterday, so I thought I’d rummage around and see what I had of his. Turns out I have Klute in Criterion’s 4K restoration. And, having now watched it, I can report that it delivers on many levels, not least Sutherland’s performance, which is a thing of minimalist wonder. It was made in 1971 so we’re at Peak Donald – Mash, his breakthrough, and Kelly’s Heroes had both come the year before. Don’t Look Now would come two years later. Then came 1900 and Fellini’s Casanova, probably the best of the bunch of around 18 movies Sutherland made in that hot streak from 1970-77. Klute is actually Jane … Read more
The Avengers: Series 6, Episode 32 – Get-A-Way!
The penultimate Avengers episode actually goes right back to the early days of this series’ production run. There was over a year between the completion of Get-A-Way! in February 1968 and its transmission in May 1969. It’s one of the ones produced (or started, at any rate) by John Bryce, whose short-lived attempt to take The Avengers back to some version of realism never really had enough time to gain traction before the old team of Clemens and Fennell were reinstated. Invisibility (realism?) is what Get-A-Way! is all about. Invisibility at a high-security prison for enemy agents, run as if it were a monastery – the warders wear habits (again, realism?) – where … Read more
Man on Wire
A movie for every day of the year – a good one 22 March Karl Wallenda dies, 1978 On this day in 1978, Karl Wallenda, founder of The Flying Wallendas, a daredevil circus act, died aged 73. Born into a family of circus people in Germany, Karl had begun performing aged six. By 17 he had his own act, with his brother and girlfriend. By the age of 23 he was performing in the USA. Karl developed the seven-person chair pyramid (on a wire), which was a showstopping part of the Wallendas’ routine, and performed it regularly until it went wrong, killing two members of the troupe (Wallenda’s son-in-law and nephew), paralysing another … Read more
Crown Vic
Crown Vic goes by the title Bulletproof in the UK and Protect and Serve in Australia, because barely anyone in those countries has any idea what a Crown Vic is. Maybe not that many in the USA do either. So I’ll tell you. It’s the Ford Crown Victoria cop car, the black and white one that’s been speeding off after bad guys in movies (and on the streets) for at least 20 years, from the start of its production run in 1992. It was made in Canada, ironically enough for a car so iconic in US culture, and is roomy, well built and has rear-wheel drive – so it’s good around corners. Real-life … Read more
Waxworks
In probably the best condition it’s ever going to be seen, the Eureka Masters of Cinema 2019 restoration of Waxworks is a good 25 minutes shorter than the German original, all trace of which has disappeared. Instead, the Deutsche Kinemathek and Cineteca di Bologna took a surviving print from the British Film Institute and, using elements scavenged from around the world, put together this assemblage for a 2K restoration reinstating the original colour tinting. It’s a historically important film but also a vastly entertaining one, and if you’re a fan of German expressionism, it’s probably required viewing. The original German title, Das Wachsfigurenkabinett, is a clear nod to The Cabinet of Dr Caligari, … Read more
Moffie
Strange film, Moffie. As if Stanley Kubrick’s Full Metal Jacket had been crossed with Claire Denis’s Beau Travail, the brutal training discipline of the former with the shimmering lust-in-the-dust poetics of the latter. But first the first – it’s 1981, we’re in South Africa, and the apartheid regime, not content with waging war at home, is conscripting its young men to do two years national service to fight wars against “communists” (ie black people) on its borders. As the film opens we meet Nick van der Swart (Kai Luke Brümmer), a nice-looking lad taking leave of his family and heading off to do his time in army fatigues. The atmosphere is Full Metal … Read more
Dracula
Persistently undead, always on point, it takes more than a stake and some garlic to keep the Carpathian count in his box. This Dracula is one of several outings for the thirsty aristocrat and pretenders to his crown in recent years. As well as a recent Nosferatu, other high-profile entries on a long list include The Last Voyage of the Demeter and Renfield, not forgetting El Conde, The Vourdalak, Day Shift and Humanist Vampire Seeking Consenting Suicidal Person. In 2025 alone there were two movies called Dracula. This one, by Luc Besson – also known as Dracula: A Love Tale – and Radu Jude’s starkly mononymic Dracula. No surname required. To be honest, … Read more
James Bond: The Omega Man
007 first strapped on an Omega watch in 1997. Since then the once-ailing franchise has gone from strength to strength. Coincidence? Every human being on the planet, even those in Bhutan, or out in the rainforest distilling poison from tree frogs, knows who James Bond is. So ubiquitous is he that even people who haven’t yet been born have a favourite James Bond actor, a favourite Bond girl, a favourite Bond movie, Bond song, car or baddie. In fact even as I write these words images of Louis Armstrong, Daniel Craig, an Aston Martin Vanquish, Jaws and Denise Richards (wrong, I know) are flashing across my cerebral cortex. But, now that Adele has belted … Read more
Power Ballad
By the end of Power Ballad I felt like I had been emotionally manipulated all the way up a very familiar garden path. In case I’m giving the wrong impression, I also cried. On balance I’d summarise it as “John Carney does it again”, the writer/director who does other things but regularly returns to the street-musical genre that made his name with 2006’s Once (wow, 20 years ago), and then proved he wasn’t a one-trick pony with Begin Again, Sing Street and Flora and Son. Do we all like Paul Rudd? Is Rudd the everyman du jour, more handsome, funnier and nicer than we are but adjacent enough that we buy in to … Read more
Mank
Mank is the story, well known to film nerds, of the writing of Citizen Kane, for many the greatest film ever made. More exactly it’s two stories, one about writer Herman Mankiewicz dishing the dirt on press baron William Randolph Hearst (his model for press baron Charles Foster Kane) and his paramour Marion Davies, the other about director Orson Welles doing Mankiewicz out of a screen credit for his work. Inserted almost as an afterthought is yet another story – about the socialist Upton Sinclair and his campaign to become governor of California, and how his guns were spiked by the movie studios. Installed at a secluded cabin in the Mojave desert with … Read more
