Popular Reviews
Foto Háber aka Haber’s Photo Shop
There’s a lot that’s good about Foto Háber (aka Haber’s Photo Shop), a pithy Hungarian spy thriller from 1963, but it does have one obstacle to surmount. Of which more later. One of the best things is Zoltán Latinovits as the cool, calm spy infiltrating an espionage ring that steals state secrets. Or secrets, let’s just say secrets, of which more, also, later. We meet Gábor Csiky (Latinovits) in a prison where he’s introduced as an ex-priest and theologian – the other inmates refer to him as “Reverend”. When they ask him what he’s in there for, Gábor replies “political stuff”, modestly. One inmate points out that, rationally, all crime, no matter how … Read more
Good Luck to You, Leo Grande
Good Luck to You, Leo Grande is a film about a middle aged woman hiring a young stud for impersonal hotel sex. Things get talky rather than saucy (that stuff is going on off-screen). So much so that you can almost imagine watching it with your mother. Your Mother May Vary. It’s a stage piece, really, a two-hander that feels expressly written for that clever, dithery, diffident, endlessly self-unpromoting British character Emma Thompson has been playing for what seems like aeons. Nanny McPhee gets her bits out. Nancy, not Nanny, since Thompson plays Nancy Stokes (possibly not her real name), a recently widowed ex-teacher whose blameless life of service to her husband, children … Read more
Ordinary Angels
Ordinary Angels is a very ordinary film in many ways. It’s familiar and comforting and goes exactly where you probably expect it to go. The fact that it’s based on a true story and features representations of real people is almost immaterial. These are screen archetypes doing what screen archetypes do. On one side a stoic, manly, buttoned-down dad who’s lost his wife and is now in trouble again, with a sick daughter whose medical treatment is going to bleed him dry. On the other one of those folksy, Southern women whose university-of-life smarts can open doors that otherwise remain closed. Alan Ritchson plays Ed, a blue-collar guy who straps on a utility … Read more
100 Years of… The Toll of the Sea
There are two good ancillary reasons for watching The Toll of the Sea, on top of the fact that it’s a touching, almost heartbreaking drama of a sort it’s almost impossible to imagine being made today. The first is that it stars Anna May Wong, Hollywood’s first Chinese American star, here only 17 years old in a role that puts her to the test in terms of subtle emoting, and finds her sailing through unscathed. The second is that it’s the oldest existing Technicolor movie left on the planet. There was an older one, The Gulf Between, made in 1917, but that went up in flames and is now permanently lost. It was … Read more
The Lightship
The Lightship should be a great film but isn’t. It goes wrong somewhere, particularly towards the end, when there’s a mad rush for the exit (or, the filmic equivalent, a mad rush to get everything said that needs saying before the big finish). It was released in 1985 and stars Robert Duvall and Klaus Maria Brandauer, two actors at the peak of their drawing power. At this point you could still smell the napalm on Duvall after Apocalypse Now, and his character here is a variation on Colonel Kilgore, the insane verbose genius. Opposite him the Austrian Klaus Maria Brandauer. In the wake of the success of 1981’s Mephisto (a Best Foreign Language … Read more
I’m Your Man
Imagine that, a film called I’m Your Man and no sign of Leonard Cohen on the soundtrack. Or Wham! Partly that’s because this is a German film (originally called Ich bin dein Mensch) but mostly it’s because this funny and clever movie wants to do things its own way. How about a romcom plot involving C-3PO, for instance, to put it in elevator-pitch terms. Of course that’s not who Dan Stevens is playing but there’s more than a hint of the prissy Star Wars robot in Stevens’s portrayal of an AI-juiced man-machine designed expressly to be everything Alma, a university researcher, could want in a partner. As for Alma (Maren Eggert), she’s signed … Read more
Impetigore
Impetigore? It’s the English title of a horror movie whose original Indonesian name is Perempuan Tanah Jahanam, so if you’re aiming for authenticity, pile right in. The Trivia section on its IMDb entry helpfully tells us that the word is a conflation of “Impetigo (bacterial infection of the skin that is more common in young children than other ages), and the word Gore (which means violence and bloodshed).” So there we have it – Impetigore – and I can report that, yes, there is a skin condition and children are involved and, yes, there’s gore, plenty of it as this initally moody, sweaty and fascinating film winds towards its increasingly scary close. Things start … Read more
Grand Jeté
A former ballerina embarks on an intense sexual relationship with her own son. That bald plot outline of Grand Jeté doesn’t give any sense of the almost tactile intensity of Isabelle Stever’s film, a drama driven by emotion rather than events. Plot junkies might need to sit this one out. But for those who like mood and texture, Stever is the real deal, a director with a precise control of the warp and weft of film-making, with a camera that’s almost subjective in its shallow focus on its subject and its interest in the minutiae of everyday life. She follows, in an almost furtive documentary style, Nadja (Sarah Grether), from the practice room … Read more
The Woman with Leopard Shoes
Of all the films I’ve seen at the Raindance festival this year, The Woman with Leopard Shoes is the best so far. It was put together under Covid-19 strictures and yet here it is, an excellently conceived, constructed and executed high-concept thriller delivered by a debut director, with a star who’s also in his first role of any sort. In an opening scene of near-storyboard starkness that’s emblematic of the whole film, a hooded man is hired by an unseen woman to break in to a house, steal a box and deliver it to her. When he gets to the house, the breaking in and box bit go very smoothly but then, before … Read more
Arrebato
Arrebato (Rapture, in English) is one of a new wave of films that poured out of Spain after the death of the Fascist dictator Generalissimo Franco in 1975. It appeared in 1979 and was directed by Ivan Zulueta, who like his friend Pedro Almodóvar, was eager to explore all the areas of transgression that Franco’s jackboot had blocked. Sex and drugs and rock’n’roll is the rough idea, and since Zulueta was himself a junkie, as were a lot of people working on his film, Arrebato is a great way of getting the full Movida Madrileña experience, as the post-Franco rush of naughtiness was called, if you’re in a hurry. In fact Rush might … Read more
World of Tomorrow
World of Tomorrow is a brilliant short by American animator Don Hertzfeldt, the latest in a career that stretches back at this point by nearly 30 years and has consisted almost entirely of shorts. Even his one long movie, It’s Such a Beautiful Day, turns out on closer inspection to be a compilation of three shorter ones. World of Tomorrow is also part of a grander work, along with Parts Two (The Burden of Other People’s Thoughts) and Three (The Absent Destinations of David Prime). But it’s this first one that got the Oscar nomination, largely, I suspect, on account of its cuteness, though there’s an iron hand beneath the velvet glove. Cutes … Read more
