Popular Reviews
Romanzo Criminale
Translated as “Crime Novel”, this Italian drama follows three childhood friends, Il Freddo (Kim Rossi Stuart), Libano (a brilliantly psychotic Pierfrancesco Favino) and Il Dandi (Claudio Santamaria) as they make their way from smalltime thuggery to bigtime gangsterism. Finally, a film about gangsters made by real Italians, I hear you say. And they’re real gangsters too, the Magliani outfit, who not only hoovered up the drugs business in 1970s Italy but also got involved with the terrorist Red Brigades and the execution of the president, Aldo Moro, in 1978. Moustaches, lapels, chest hair, male jewellery. Being a film kicking off in the 1970s, Romanzo Criminale staggers under their weight in its pursuit of … Read more
The Whistlers
A stonefaced middle-aged Romanian cop arrives on the brutally beautiful island of La Gomera (the original title of The Whistlers) in the Canaries. A stunning woman is there to meet him. Forget what happened in Bucharest, she whispers into his ear as they embrace, it was just for the security cameras. We can guess what “Bucharest” was all about but writer/director Corneliu Poromboiu gives it to us anyway, in a vivid, cool, drily funny and sexy flashback to Cristi’s (Vlad Ivanov) first encounter with Gilda (Catrinel Marlon) – her film noir name absolutely no mistake. Hang on to those moments because that’s it as far as sex and jokes are concerned. Style, yes, plenty … Read more
The Tenth Victim
The Tenth Victim is a textbook case of a cult film that’s actually no good. Released in 1965 and billed as sci-fi (it barely is), it’s a camp Italian spectacle combining the unique talents of Ursula Andress and Marcello Mastroianni, and just that cocktail – 1965, Italy, sci-fi (ish), Andress and Mastroianni – is plenty of reason for seeing the film. It’s set in the 21st century, where violence has been outlawed and is now limited to carefully controlled contests between designated Hunters and Victims. These contests, adjudicated by the Ministry of the Big Hunt, are broadcast on TV, where advertisers line up with sponsorship deals – Ming Tea being the product successful Hunters (or … Read more
The Return of the Man from U.N.C.L.E.
The death of David McCallum a few days ago prompted a return to the show that made his name in the 1960s. Well, not the show itself, but a 1983 TV movie “return”, which looks as if it was intended to relight the fire under the series itself. It was not to be and so this remains the final hurrah for McCallum and co-star Robert Vaughn as Ilya Kuryakin and Napoleon Solo, the spy-fi buddies working for the United Network Command for Law and Enforcement. The show had been part-devised by Ian Fleming as a response to the surge of interest in all things spy after the success of James Bond and ran … Read more
Dellamorte Dellamore aka Cemetery Man
First, Dellamorte Dellamore is a much better title for a movie than Cemetery Man, which is how it went out in English speaking countries in 1994. Cemetery Man suggests something slasher-inspired, maybe. Dellamorte Dellamore, and its literal translation, Of Death, Of Love, something much more gothic and weird. And that’s exactly what this mad piece of super-cultish garage grindcore is. It’s Italian, who are good at weird, and is based on the novel Dellamorte Dellamore by Tiziano Sciavi. Sciavi had based his main character in an earlier work, the comicbook Dylan Dog, on the actor Rupert Everett (specifically the listlessly upper-class Rupert Everett character in Another Country) and so when it came time … Read more
The Avengers: Series 2, Episode 18 – Warlock
Woo hoo, the suggestion of nudity and all sorts of pagan goings-on are all over the screen in the opening sequence of Warlock, as groovy hipsters gyrate themselves into a frenzy around a photo of… a middle aged man. All is soon explained as we join John Steed, arriving at the home of scientist Peter Neville (Alban Blakelock), where the housekeeper is as bright as a button but the man himself in a bug-eyed catatonic funk. Hooray – mind control, the big theme of The Avengers (and much 1960s cultural output) in years to come – has finally berthed, the idea being that the scientist’s mind has been somehow stolen by a group … Read more
Cuba Libre
1996’s Cuba Libre is only Christian Petzold’s second movie, after 1995’s debut, Pilots (Pilotinnen), but already he’s got the formula and the team all in place. It’s a chilly thriller, in other words, with a man who’s losing his head over a woman, a woman who’s so otherworldly she might in fact be more metaphysical than real, and an overarching theme of escape, of existing in liminal space, of people perpetually on the way to somewhere else. Petzold insists that all movies are in a sense about transit, or transition, but he’s got a very particular way of doing it. It’s the sense of yearning he imparts. It suffuses everything, to the point … Read more
Francesco
So who wants to see Mickey Rourke playing St Francis of Assisi? Not many people is the answer. Liliana Cavani’s Francesco wasn’t a box office hit when it debuted in 1989, didn’t rake in awards at the festivals and has largely disappeared without trace. But Mickey Rourke dressed in a simple brown habit as the founder of the Franciscan order of monks, isn’t that an offer too good to refuse? In flashback, it’s the story of the Italian Francis, or Francesco, told by a group of disciples who have gathered after his death to get down on paper/parchment/vellum/whatever the remarkable story of the man they had followed. As they pick over the facts … Read more
Infinity Pool
What happens when the constraints of civilisation are loosened? It’s the sort of question Michael Haneke asks in a series of films, Funny Games and Time of the Wolf most obviously. In Infinity Pool Brandon Cronenberg attacks the same subject, except from a typically Cronenbergian direction, but comes to more or less the same grim and bloody conclusion as Haneke. Prepare, in other words, for a lack of laughs. Prepare also for another spectacular Mia Goth performance, current queen of letting it all hang out when it comes to horror. But first let’s meet James (Alexander Skarsgård) and wife Em (Cleopatra Coleman), a couple staying in a dangerous developing country where the wealthy … Read more
Sharp Stick
Like a lot of Lena Dunham’s work, Sharp Stick is a quirky dramedy set among the delusional and self-obsessed. With its strong autobiographical element it sits neatly alongside her early web series Delusional Downtown Divas (which kind of says it all), her breakthrough movie Tiny Furniture, and her TV show Girls. Dunham appears in it, and also produces, writes and directs, but it all hangs on one-time model and star of Netflix’s The Society Kristine Froseth, as a spectacularly naive woman who lives at home with her jaded mother and influencer sister and then gets into sex all of a sudden, aged 26, after seducing the father of the kid she babysits. Dunham … Read more
Promising Young Woman
A #MeToo-fuelled drama produced by Margot Robbie’s LuckyChap company, starring Carey Mulligan and directed and written by Killing Eve’s Emerald Fennell. Promising Young Woman is full of promising young women but recently gained extra notoriety because a Variety review of the film apparently suggested that Carey Mulligan wasn’t quite hot enough to pull off the role of vengeful temptress luring drunk men to their fate. That comment was actually about Mulligan’s performance rather than her looks. But the story now has grown its own legs. Either way, an attractive young woman who is not hot enough to tempt a heterosexual man wearing several pairs of beer goggles. Pause to think about that. And … Read more
Lucky
And so, Lucky, a gigantically ironic title for a film about a woman being stalked night after night in her own home. It stars Brea Grant, who also wrote it, and until recently I’d not heard of her. But there she was just a few weeks back in After Midnight, Jeremy Gardner’s cute, smart, smallscale horror film about a man being stalked night after night in his own home – she played Gardner’s wife – and now here she is in what could be called a companion piece. Both films make use of the massive film-making infrastructure of the West Coast – technicians who just know how to do stuff quickly and properly … Read more
