Popular Reviews
Air
Hollywood fixes capitalism, just like it used to do in the 1980s, with Air, the story of Nike getting together with basketball ace Michael Jordan to create the Air Jordan, the most popular sneaker of all time. Like Jordan, it’s got the skills, is light on its feet and moves at pace, introducing first the era in its opening moments with the Dire Straits song Money for Nothing behind a montage of Ronald Reagan, Princess Diana, Rubik’s Cubes, The A Team, dial-up modems and Jane Fonda (workout era). Then, barely pausing for breath, it’s on to its dramatis personae – persona, really, since this story focuses hard on central character Sonny Vaccaro (Matt … Read more
Medusa: Queen of the Serpents
An admission. Medusa: Queen of the Serpents isn’t the film I was after. I was aiming towards plain old Medusa, Anita Rocha da Silveira’s follow-up to Mate-Me Por Favor (Kill Me Please). Both films came out about the same time and when you type Medusa into Amazon, the covers of both films come up. Both feature a woman’s face and a greenish background. They’re pretty similar. Hence… Failure explained. Preamble over, let’s dive into a film that also dives pretty hard, and with great enthusiasm, into its low-budget ethos. It’s all set on a grim caravan site somewhere in low-rent UK, where a trio of working girls – Carly (Megan Purvis), Simone (Sarah … Read more
Spider-Man: Across the Spider-Verse
More of the same, that’s what Spider-Man: Across the Spider-Verse delivers. The follow-up to Into the Spider-Verse is another blistering, migraine- and epilepsy-inducing collision of animation styles, the sort of thing which, if it had been done in the 20th century, would have taken the entire 20th century to do. And if you like it, there’s still more to come. This is the second instalment of the tripartite series and it ends with an abrupt “to be continued”, comic-book style. Beyond the Spider-Verse will complete the cycle. Quick recap. There are many parallel universes out there. And in many of these there are parallel Spider-Men too. Some look a bit like this, others … Read more
Encanto
If you liked Moana then you are the target for Encanto, a song-filled animated story of young female derring-do, set against the background of an ancient civilisation and with a sprinkling of magic to help things along. Polynesia did the decorative thing for Moana, it’s Mesoamerica in Encanto, but if actual knowledge brings you in out in hives, be not afraid, it’s largely just a few masks and other accessories borrowed from the Amerindian back catalogue to give Disney’s latest princess a USP that sets her apart from Pocahontas, Mulan, Merida et al. This one also wears glasses just to make her stand out from the increasingly homogenous big-eyed throng. The action takes … Read more
Crimes of the Future
David Cronenberg likes the title Crimes of the Future. He’s used it once before, for a film he made in 1970. He’s using it again here, 52 years later, but there’s no other connection between the two, at least on the surface. The 1970 is comedy sci-fi about a world without women, the 2022 recycling is good old-fashioned Cronenbergian body horror like he used to make. FYI, eXistenZ (1999), his last go at the genre he dominated in the 1980s and 90s, also had the working title Crimes of the Future. This Crimes of the Future’s origins go back to four years after eXistenZ, when Cronenberg was trying to put together a film … Read more
The Avengers: Series 6, Episode 18 – The Morning After
Peter Barkworth, Joss Ackland and Brian Blessed fortify The Morning After, a decent “abandoned town” caper with an egregious USP – Tara King isn’t in it. It’s insult added to injury, given that the previous week Linda Thorson had been substituted by obvious try-out replacement Jennifer Croxton. This week Clemens has two stand-ins, Peter Barkworth and Jennifer Horner (attractive, blonde, posh), taking the place of King, who spends the entire episode “asleep”, thanks to some knockout gas administered by shifty quadruple agent Merlin (Barkworth) and which he unintentionally also falls victim to, along with Steed and King. If we’re being kind, it’s Clemens returning to an earlier idea of The Avengers – Steed … Read more
Raw Deal
Everyone gets a raw deal in Raw Deal, a taut and dark film noir from 1948, directed by Anthony Mann, lit by the great John Alton and so often overlooked when Greatest Noir lists are being compiled. Its characters all come with a tragic flaw which writers John Higgins and Leopold Atlas are eventually going to prise wide open but it’s the additional wallop of sheer bad luck that makes this unusual – that and the voiceover by one of its female characters, Pat Regan, played by Claire Trevor. Pat is in love with Joe (Dennis O’Keefe) but Joe is in prison doing a stretch as the fall guy for bigshot criminal Rick Coyle … Read more
Restore Point
A decent sci-fi movie almost drowns in police procedural cliché in Restore Point (Bod Obnovy), a Czech movie owing something to Blade Runner – but then so much sci-fi does. The year is 2041 and in a world of driverless cars, dizzy buildings and swooshy screen tech, cop Emma Trochinowska (Andrea Mohylová) is assigned to investigate the death of the head of research at the Restore Institute, a creepy megacorps whose USP is selling people another crack at life if theirs ends “unnaturally”. As long – and much of the plot hangs on this detail – as they have a recent back-up from which to restore. The backup on standby is the way everyone … Read more
The Puffy Chair
Here’s a simple story about Josh (Mark Duplass), his needy girlfriend (Kathryn Aselton), Josh’s hippie-dip brother (Rhett Wilkins) and their cross-country journey to take collection of an overstuffed couch-potato chair they just bought on ebay, and take it to the guys’ dad (played by Duplass’s dad, Larry Duplass). Shot for $10,000 by first-timers, this is one of the handful of films first to be called “mumblecore” – Wikipedia tells me that the term was first applied at the South by Southwest Film Festival in 2005 to a trio of films – this one, Joe Swanberg’s Kissing on the Mouth, and Mutual Appreciation by Andrew Bujalski (often called “the father of mumblecore”) But how … Read more
100 Years of… The Loves of Pharaoh
Why this film from 1922 is called The Loves of Pharaoh in English is a bit of a mystery. It’s Das Weib des Pharao – Pharaoh’s Woman (or Wife) – in German and in every other language it was translated into (per the IMDb), the lady in question has been faithfully rendered as wife/woman/love singular. In fact the film was also much messed about with when it first debuted. In Russia Pharaoh was more of a tyrant, in the US there was more of a happy ending, whereas in its native Germany audiences got to see more or less what the director Ernst Lubitsch and writers Norbert Falk and Hanns Kräly had wanted … Read more
It Always Rains on Sunday
There aren’t many straight arrows in the British thriller It Always Rains on Sunday. Most of its characters are schemers or chisellers, people on the make or on the take, they’re liars, crooks or worse. When the film debuted in 1947, the people of Bethnal Green, where it’s set, objected strongly to the way it depicted their community. Unconcerned, the British public went to see it in droves. Later, when it got re-released in the early 2000s, having been given a digital wash and brush-up by the British Film Institute, American critics also raved – “a masterpiece of dead-ends and might-have-beens,” said The Village Voice. “Artful and iconoclastic,” said The New Yorker. It … Read more
Host
Host is the perfect pandemic horror movie. Shot entirely on Zoom, it features a menacing presence that’s out there… somewhere… and a bunch of mates who are communicating with each other lockdown-style via laptop/phone/tablet. Expanding a short that went viral and gave director/co-writer Rob Savage an in with Shudder, who financed the film, it takes the glitches and irritations of the Zoom call and puts them to work dramatically. Realism is everything here and Savage and co-writers Gemma Hurley and Jed Shepherd have kept in the stuff that makes a Zoom call a Zoom call. So, the scratty getting-going moments, when one person is online but another isn’t, the terrible sound of a headset microphone … Read more
