Popular Reviews
Made in Hong Kong
Finished in time for the handover of Hong Kong from the British to the Chinese in 1997, restored in 2017 as yet more waves of protest against that regime convulsed its streets, Made in Hong Kong is as much a celebration of the city’s energy as it is the guts-or-glory story of one of its residents. Director Fruit Chan builds out from its hero and in from its frequent cityscapes, the total effect being a portrait in the round of a time and a place. The human focus is Sam Lee, as a gangster called Mid Autumn Moon who is so low-level that his whole gangster status is moot. With his wiry physique … Read more
The Filmmaker’s House
The Filmmaker’s House is a remarkable documentary that might not be a documentary at all. It looks like one – there’s a handheld camera and it’s full of “ordinary people doing ordinary things” in the words of Marc Isaacs, the filmmaker who has up till now specialised in very intimate documentaries about subjects most directors wouldn’t go near. His film film, 2001’s Lift, was shot entirely in a lift/elevator, and his technique was very similar to what we see here – turn camera on a person, ask them if they mind being filmed, start asking questions. The results are often almost unbearable, though almost always gripping. In his last full-length documentary, 2012’s The … Read more
The Trouble with Being Born
The Melbourne International Film Festival wouldn’t screen The Trouble with Being Born when it debuted in 2020. Likely to be “used as a source of arousal for men interested in child abuse material,” said the two forensic psychologists who informed its decision. Director Sandra Wollner’s German-language film ran into trouble at the Berlin Film Festival too, though it also won a special jury prize, just one of many from film festivals. Not that awards and bans are usually much to go on, but in this case the various responses do say something. This is a tough film but a good one. Tough not because of the suggestions of paedophilia but because of its … Read more
Flee
Towards the end of 2021 Flee found itself in the curious position of being eligible for Oscar nomination in three different categories. Which way to jump? It eventually submitted itself as a contender in the Best International Feature category. Best Animated Feature was also an option. As was Best Documentary – though spotting that Summer of Soul was in that category would make anyone think twice. Flee ticks all three boxes because it is a documentary telling the true story of a young man called Amin and his long and perilous flight from wartorn Afghanistan up to the moment, where he is about to marry his partner, Kaspar. It’s from Denmark (box two) … Read more
26 September 2013-09-23
Out in the UK This Week The Kings of Summer (StudioCanal, cert 15, Blu-ray/DVD) An immensely smart coming of age film pitched somewhere between Stand By Me and Superbad (ie dark undertow, with jokes). And it’s entirely on the side of the kids, whose decision to go off and live in the woods, leaving their sarcastic, obnoxious, bullying, superior parents clueless as to where they’ve gone, is never presented as the callow act of peeved teenagers. Out in the woods, our junior heroes build a rudimentary house, set about sourcing food (sometimes from supermarket bins), grow wispy beards. Meanwhile the film sets about building a dreamy, trippy, sunny song of summer and innocence, … Read more
The Zone of Interest
The Zone of Interest is a film set in the house that’s right next door to Auschwitz, so it has a mountain to climb. Which is this – against the brute fact of exterminating people en masse, pictorial representation of the same is always going to look a bit kitsch. Jonathan Glazer, who directs and reworks Martin Amis’s novel, aims to get round the problem by simply not showing the grim goings-on next door. Instead he focuses exclusively on the life that camp commandant Rudolf Höss (not to be confused with Hitler’s deputy Rudolf Hess) lived with his wife, Hedwig, and children. What a picture Glazer paints, of life in this prim, neat, … Read more
Zoo
There’s the bones of a true story inside Zoo, a light British cocklewarmer about a boy who, during the Second World War, spirited a baby elephant away from his local zoo and housed it in a back yard until danger from the Luftwaffe had passed. So, no, this is not to be confused with Robinson Devor’s bizarre 2007 documentary Zoo, about men who like to have sex with animals, or even We Bought a Zoo, though this is undoubtedly as light-hearted, entertaining and uncool as Cameron Crowe’s 2011 bauble. We’re not in California but in Belfast, Northern Ireland, where Tom’s zookeeper dad has been called away to war, and his mum is always … Read more
Normal
After John Wick, Nobody and after Nobody, Normal, all films written by Derek Kolstad and all telling essentially the same story – mess with this seemingly placid dude at your peril. Normal is Bob Odenkirk going around the block one more time with Kolstad – Nobody one and two did good business so why not? But this time Kolstad has Coen brothers ambitions in his broadening out of the landscape and deepening of the characterisation. Though for the most part it is another example of Kolstad as the consummate Hollywood writer – everything has its place and everything has its pace, and a detail dropped in now is surely going to pay off later, … Read more
The Yakuza
Robert Mitchum in a martial arts movie? That was Warner Bros’ crazy idea back in the early 1970s. Riding the massive success of their collaboration with Bruce Lee and the vogue for all things chop-socky, the next logical step was never to pack a paunchy and ageing Mitchum off to Japan but Warners went ahead and did it anyway. In 1974 came the verdict – The Yakuza was a massive commercial flop. Time hasn’t done much to restore its reputation, though there are great things in it, and any opportunity to watch Mitchum is usually worth taking. After 1973’s monster hit Enter the Dragon, the race was on to get more of the … Read more
The Brutalist
The Brutalist did well at the Oscars, winning three (Best Actor, Music, Cinematography) from a total of ten nominations. It is the sort of film the Academy likes – it’s got class written all over it, from the fancy opening credits and the high-end VistaVision process (not used for more than 60 years), to its built-in intermission and tackling of a pertinent issue. To wit: immigrants get the job done, as Lin-Manuel Miranda put it in Hamilton. One immigrant, in this case, an architect who survives the death camps of Europe, arrives in proud and confident America as it’s enjoying its finest flowering and then, through a series of adventures with a moneyed American … Read more
Marnie
1964’s Marnie is Alfred Hitchcock on the comeback trail. True, the previous year’s The Birds had been a big hit, with barely any critics openly saying what a lot of them must have thought – that it’s not top-flight (ouch) Hitchcock. It had made a stack of cash for the director and Paramount. But Hitchcock knew it wasn’t quite up there with the best. And so he set out to make a better film by deliberately borrowing from the best – himself. From Psycho another blonde called Marion (as Marnie is first introduced), the mother issues and lots of fraught sexuality. From the high 1950s era of North by Northwest/Vertigo/Rear Window the lush … Read more
Fuze
Fuze adds another little gem of a film to under-regarded director David Mackenzie’s list, joining Starred Up, Perfect Sense, Relay, Spread and Hell and High Water as unusual takes on genre, often with a heavily procedural slant. Things click, click, click into place in Mackenzie films, though often the tumblers line up in unexpected ways. Here, what looks like one sort of film quickly becomes another and then another. But things starts off in familiar territory, in the Paddington area of London, where a huge unexploded bomb has been exposed during the preparatory work for a new development. In come the bomb disposal guys, an army team led by the bluff, sweary Major … Read more
