enter the void

Popular Reviews

Heading South

Charlotte Rampling often gets a free pass in films. Sometimes that’s for all the right reasons, such as her association with great directors such as Visconti, Lelouch or Ozon. Sometimes for the wrong ones – the more generalised cultural cringe before the French, with whom she’s also had a long association. The films she’s in often get the free pass too. Let’s take this drama, ostensibly something very daring about matronly white women heading to Haiti to be boned by the local black youth. There are many ways of describing this film but in all honesty it is an interminable drag and actually at its most boring while Rampling and fellow harpies (including … Read more

True History of the Kelly Gang

You’d have thought that Ned Kelly would be an ideal fit with the movies – a glamorous outlaw, a rebel son of immigrants who fought the law (and the law won), a proto-superhero who had his own outfit, if you count a plate-steel suit as an outfit. And yet, of the modern versions (there are older, mostly lost-in-time versions going back as far as 1906), none quite hits the spot. The Mick Jagger one, from 1970, suffers from Mick Jagger being in it. The Heath Ledger one, from 2003, presented Kelly as a saint and so made him boring. And now True History of the Kelly Gang from 2019, a Justin Kurzel movie and … Read more

A Colt Is My Passport

It’s either a western that looks like a hard-boiled yakuza movie or vice versa, but whatever it is 1967’s A Colt Is My Passport is a fantastically stylish affair. In pin-sharp monochrome it borrows from manga, Sergio Leone, Robert Bresson and Jean-Pierre Melville and it made enough of a mark on the young Denis Villeneuve for him borrow chunks of its look for his debut, August 32nd on Earth. As it opens the western and the crime thriller are already in contention. To a Morricone-esque score of whistles and twangy guitar we follow a hitman on a precise, methodical loner-hitman job – the high vantage point, the weapon screwed together from parts, a … Read more

The Films of Paolo Sorrentino

Paolo Sorrentino’s latest film, La Grande Bellezza (The Great Beauty) is a portrait of Rome through the eyes of a world weary writer. It’s being hailed as Sorrentino’s La Dolce Vita and stars Sorrentino’s Marcello Mastroianni, Toni Servillo. It’s close to a masterpiece in other words, making this a good time to take a look at the career of Italy’s best film-maker right now. Firmly in the tradition of the 1960s generation of Fellini and Visconti, yet clearly his own man too, Sorrentino’s films are intelligent, engaged, stylish, beautifully made and intriguing – they’ve got the lot, in short. One Man Up (2001) Sorrentino’s debut feature also saw him team up with Toni … Read more

You Only Live Once

Fritz Lang’s second Hollywood picture, You Only Live Once, was released in 1937, three years after the death of Bonnie and Clyde, and was the first movie to tell their story – sort of. A tale of bad luck and trouble rather than one of bad people doing bad things, it stars Henry Fonda and Sylvia Sidney as a couple in love – she a sweet girl who works for the Public Defender, he a threetime jailbird determined to go straight and make an honest woman of his wife-to-be but finding that society won’t give this sucker an even break. Blocked at every turn, Eddie (as Clyde is called here) turns back to … Read more

20 January 2014-01-20

  Out in the UK this week In A World (Sony, cert 15, DVD) Writer/director/producer/star Lake Bell’s debut takes a real life event – the death of voiceover king Don La Fontaine (the guy whose every trailer started “In a world…”) – and builds an almost Woody Allen-ish comedic story around it, about the pretenders jostling for his crown. Onto that it bolts a sentimental story of young under-achieving vocal coach Carol (Bell) and her difficult Oedipal relationship with her dad (Fred Melamed), a big noise in the voiceover biz. And off the side it hangs a “will they/won’t they” romance between Carol and studio whizz Louis (Demetri Martin). And then, as if … Read more

Final Destination

Remember The House of Wax or The Abominable Dr Phibes and the highly elaborate ways Vincent Price would off his victims? Films in the decades that followed had budgets running into squillions, yet the victims always seemed to die the same way: sharp knife, sharp billhook, sharp what-have-you. How dull. Then, for people desiring more elaborate, designer-label death, Final Destination turned up right on time. In terms of plot all you need to know is that it’s about a gang of hot guys and gals who “cheat death” when they get off a plane just before it explodes. But what if that plane had their number on it? Our clean-limbed posse of grave … Read more

Y2K

Teenagers save the world in Y2K, a larky take on the events that didn’t play out as one millennium clicked over into another and planes didn’t fall out of the sky, entire networks of computers didn’t crash and hospitals and traffic systems didn’t grind to a halt. That’s either because of the massive amount of behind-the-scenes work done to fix the problem by armies of techies, or it was never going to be a problem at all in the first place and was all got up by the same bunch who brought you the faked Moon landings and all that blah. In this version of events it does all happen, in monster, gonzo, … Read more

The Avengers: Series 2, Episode 21 – The White Dwarf

A top astronomer dies before the opening credits in The White Dwarf, the 21st episode broadcast in series 2 of The Avengers. Turns out that a large astral body might be heading towards Earth and we’re all toast if it does in fact arrive. And Professor Richter was the only man who knew absolutely for sure whether it was coming this way. Who would want such a man dead? It’s a good sci-fi premise which sees The Avengers edging further into the world they would eventually dominate – the esoteric. And off we go to a science facility in Cornwall, Mrs Gale undercover as usual, as Dr Gale, checking into the local small … Read more

Host

Host is the perfect pandemic horror movie. Shot entirely on Zoom, it features a menacing presence that’s out there… somewhere… and a bunch of mates who are communicating with each other lockdown-style via laptop/phone/tablet. Expanding a short that went viral and gave director/co-writer Rob Savage an in with Shudder, who financed the film, it takes the glitches and irritations of the Zoom call and puts them to work dramatically. Realism is everything here and Savage and co-writers Gemma Hurley and Jed Shepherd have kept in the stuff that makes a Zoom call a Zoom call. So, the scratty getting-going moments, when one person is online but another isn’t, the terrible sound of a headset microphone … Read more

The Road: A Story of Life & Death

A movie for every day of the year – a good one 25 April Red Hat Day Today is Red Hat Day. It is celebrated by members of the Red Hat Society, membership of which is open to any woman aged 50 or over. It was started in 1997 when Sue Ellen Cooper of Orange County, California, USA, gave a friend of hers a distinctive red bowler hat as a 55th birthday present, along with a copy of the poem Warning, by Jenny Joseph. Its opening lines are “When I am an old woman I shall wear purple/With a red hat that doesn’t go and doesn’t suit me.” The hat, colour scheme and … Read more

The Letter

Melodramas don’t start much better than 1940’s The Letter. A man fleeing from a bungalow on a balmy evening in Malaya. A woman fires at gun at him. He falls to the ground, obviously dead. She continues firing, not stopping until all the chambers are empty. “He tried to make love to me and I shot him,” the woman explains to her husband later. From the cold way we saw those chambers being emptied, we suspect this is not the entire truth. Nor do we entirely believe that the woman and the dead man barely knew each other. Because the woman’s explanation seems just a touch too blithe and high-handed. And because the … Read more

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