Popular Reviews
The Wrong Box
Lovely wallpaper. It’s not the highest praise you could give to a film, but The Wrong Box is one of those British films of the 1960s that’s so fundamentally terrible that you are left scrabbling to find something good to say about it. It’s a bad picture but isn’t the frame lovely? It’s one of those sub-Agatha Christie comic capers set in the Victorian era, where two ancient brothers are the last survivors of an elaborate tontine pact set up decades before – everyone pays in but only the last surviving member benefits from the payout – with John Mills and Ralph Richardson as Masterman and Joseph Finsbury, the two old duffers trying … Read more
Fanny and Alexander
Fanny and Alexander won four Academy Awards at the Oscars in 1984 and was the first foreign movie to have done so. No foreign movie has ever won more and Ingmar Bergman’s film has only been matched twice in the years since – by Crouching Tiger, Hidden Dragon (2000) and Parasite (2019). At the time it was the most expensive film ever to come out of Sweden and was designed by Bergman to be his last, a grand autobiographical flourish to explain the man behind a remarkable run of astonishing movies as the director started to look back at his accomplishments. With that autobiographical aspect in mind, and armed with the knowledge that … Read more
Baahubuli: The Beginning
If you’ve ever wondered where RRR came from, or how come Tollywood became bigger than Bollywood, Baahubali: The Beginning is the answer to both questions. RRR was the crossover all-action spectacular that forced the rest of the world to take notice of Tollywood in 2022, and finally pushed it to the number one position in terms of Indian movie-making. In 2022 Tollywood (Telugu-language, centred in Andhra Pradesh and Telangana) produced 219 feature films against just 42 from Bollywood (Hindi-language, out of Mumbai, formerly Bombay) – the numbers do not lie. Nor does the box office. Baahubali: The Beginning had the best box offfice of any Indian film ever when it debuted in 2015, … Read more
The Night Listener
When he switches off the mouth, Robin Williams can be an incredibly effective actor. This is one of those turns, yet it’s ironically about a man who is a professional mouth, a DJ with a late-night show who uses his graveyard phone-in to tell and listen to stories. It’s another of Williams’s characteristics as an actor that he’s happy, let’s say willing, to play characters who either aren’t likeable or are downright nasty, One Hour Photo being the ultimate proof of that. Again ironically, he’s neither here, though he is playing a character despised in much of society – a gay man. There’s a dark almost Hitchcockian feel to the path that leads off … Read more
Western
Western isn’t set out West but out East, in Bulgaria, where a gang of Germans have just arrived to build a hydro-electric system close to a remote village near the Greek border which could probably do with the infrastructure upgrade. Beware, Indians! There have been Germans here before, one of the locals tells the new arrivals, back in the War. Nice, respectful, orderly types, he reminisces. Though this guy is maybe 70 and can only have vestigial memory of the Second World War if any at all. The Germans build a camp, hoist a flag, get on with their work and, in their spare time go swimming in the river. There, the boss, … Read more
The Mastermind
Loved by lovers of French film who can tell their Bresson from their Melville, The Mastermind is a touch inert if you come to it expecting what it’s billed as – an art-heist thriller. Instead Kelly Reichardt and her star, Josh O’Connor, cook up something altogether more speculative, meditative. Dull? We are largely denied the joys of the heist movie – watching a meticulously planned operation as it is put into play. Instead Reichardt does a “what if?”. What if the mastermind is at the last minute called on to mind the kids, for instance. Just one of many handfuls of grit thrown into the well-oiled machine – which isn’t that well-oiled in … Read more
Staudamm
Unspectacular in an almost nonchalant way, Staudamm tells its story slowly and poetically, which is all the more remarkable when you consider its subject matter – a high school shooting. This one took place in a sleepy village in Bavaria and proceeded otherwise in classic US style – kid stalking the corridors letting off rounds in a slow and methodical fashion, killing many, before he too was brought down by a police bullet out by the dam (The Dam is the English language title) where he’d fled, in what looked like a pre-planned bit of suicidal “come and get me, suckers” bravado. Staudamm is about the aftermath rather than the event itself and … Read more
Viy
1967’s Viy is often described as the only horror film made in the Soviet Union. In truth it’s more like a fairy tale than a horror story, more Grimm than grim – bum, tish – though in the final haunting sequence things definitely start going bump in the night. Odder than its solitary genre status is the fact that it’s a film with religion at its core. The USSR did not do god. Yet Viy is suffused with religious symbols and practices, beliefs and lore. There’s a good deal of paganism too, which the scientifically minded USSR wasn’t very keen on either. The original story was by Nikolay Gogol, who claimed it was … Read more
Bergman Island
French writer/director Mia Hansen-Løve genuflects before the master, Ingmar Bergman, in her playful and reverential drama set on Fårö (pronounced foe-rer, more or less), the island where Bergman wrote and shot some of his films, and which is now dedicated to promoting his legacy. In meta fashion, Chris (Vicky Krieps) and Tony are a pair of film-makers arriving on Fårö to seek inspiration for the next projects they are working on. Renting the house where Bergman once shot parts of Scenes from a Marriage, or so they (and we) are told by the woman showing them around, they get down to work, him beavering away in the bedroom, her in the mill next … Read more
Turning Red
In Turning Red, a hyperactive 13-year-old Toronto schoolgirl turns into a giant red panda one day – looks like a cat, but panda is what we’re told – and Pixar’s latest animated adventure swings into motion, as do thoughts about what this can all possibly mean. The girl is called Mei, she is the bookish daughter of an immigrant Chinese family and her condition comes on suddenly after Mei has been humiliated by her mother over a crush on a dopey guy who works in a local shop. Mei is becoming an adult. It’s a metaphor for a girl having her first period and becoming a woman, you’d think. Pixar seem to knock that … Read more
Red Rooms
Red Rooms (Les Chambres Rouges) started life as a drama about the sort of women who befriend or become romantically attached to men accused of terrible, heinous crimes, but ended up being about something else entirely. That initial idea is still in there, though, in the character of Clementine, a short, nervous young woman who has hitch-hiked and travelled by bus to Montreal to sit in on the trial of a man, Ludovic Chevalier, accused of kidnapping, torturing and dismembering three girls. Chevalier, adding insult to mortal injury, then sold the films shot in his “red room” on the dark web. Alongside Clementine in the audience at the trial another woman, Kelly-Anne, a … Read more
McCabe & Mrs. Miller
The superb McCabe and Mrs Miller (generally styled McCabe & Mrs. Miller) was sold as a revisionist western when it came out in 1971. Its director, Robert Altman, went so far as to call it an “anti-western”. Even though Anthony Mann in the 1950s and Sergio Leone in the 1960s had paved the way with “revisionist” westerns of their own, the first reviews of Altman’s version of the revisionist western were harsh. Rex Reed of the New York Daily News called it, “an incoherent, amateurish, simple-minded, boring and totally worthless piece of garbage”, which is nailing your colours to the mast if nothing else. Other critics liked, loved and raved over it. Pauline … Read more
