Popular Reviews
Fantômas: L’échafaud magique
Fantômas: L’échafaud magique (aka Fantomas: The Magic Scaffold) is the first of four feature-length adaptations made in the 1980s for French TV. No less than Claude Chabrol directed this first one, with Juan Luis Buñuel (son of Luis) picking up numbers two and three, before Chabrol returned to round the series off. If you know Fantômas at all then it’s probably not through his TV outings. The infamous master-criminal appears in a vast number of novels and was famously turned into a rollicking silent feature by Jean Feuillade in 1913 (the first of five that appeared over the next year and a bit), returning even more famously on film in a series of … Read more
I, the Executioner
First things first. I, the Executioner, the 1968 one I mean, has nothing to do with the 2024 film. They share a snappy title and both trade in violence but it doesn’t go much further than that. The new movie is a police-focused South Korean action sequel (to Veteran) full of martial-arts sequences. The 1968 iteration is a Japanese revenge thriller, the story of a pitiless incarnation of natural justice – “divine punishment” he calls himself – raping and slaughtering his way towards cosmic retribution. I have not seen the newer film but doubt it can match the original for style. Because the 1968 movie is surely one of the most grippingly stylish … Read more
Food, Inc. 2
Food, Inc. 2, it won’t surprise anyone to hear, is the follow-up to Food, Inc., the 2008 documentary which usefully summarised what you might call the anti-Big Food position. Bad, in a word. Food, Inc. 2 doesn’t have much that’s positive to say in this update, not at first anyway. It also starts with an opening premise that seems to be contradicted by facts – that the production of food is in so few hands that the supply chain isn’t secure. It then points to the Covid pandemic when… er… I don’t remember hearing stories of food running out. Panic buying, yes. Kinks in the supply chain, yes. More than that – not so … Read more
Nocturne
Nocturne is a story about two sisters. Twins. Both students at an arts academy. Vivian (Madison Iseman) is off to prestigious Juilliard soon; Juliet (Sydney Sweeney) isn’t. Vivian has a hot boyfriend; Juliet doesn’t. Vivian plays tricksy pieces by the likes of Saint Saëns; Juliet sticks with safe dependable Mozart. Vivian is feisty and popular; Juliet is moody and a loner. Both seem reasonably accepting of their lot, until a fellow student commits suicide (we see her leaping from an upper floor in a pre-credits sequence), and Juliet comes into possession of a book once owned by the dead student, a book full of spooky satanic drawings with a medieval flavour. Duh, duh, … Read more
I Became a Ukrainian Vodka Baron
Meet Dan Edelstyn. He’s made a film, he’s resurrected a vodka brand and he’s reviving the fortunes of a faraway Ukrainian village Halfway through making a documentary about his grandmother, director Dan Edelstyn realised he was going to have to start all over again. The film he’d been shooting since 2005 – working title From Bolshevism to Belfast – had been a great story. It told of his Jewish grandmother’s sudden exit from Ukraine in the aftermath of the Russian revolution. How privileged, pretty Maroussia Zorokovich had wound up in Belfast, where her husband, Dan’s grandfather, had promptly gone native and become more staunchly Orange than the Paisley family. It was the story of … Read more
Stillwater
There are two stories being told in Stillwater, one well, the other other not so well. Unfortunately for all concerned, it’s the one that’s told not so well that the film insists it’s all about, from its title all the way through to its concluding scenes. At 2 hours 19 minutes you’d have thought that there was time to give both stories a fair screw, but clearly something has happened between greenlighting and debut. That “something” might be lawyers, given what it’s about. Because it’s a loose adaptation of the Amanda Knox story. This was the messy and unsatisfyingly concluded case of the young American woman found guilty of killing a fellow exchange … Read more
The Hitman’s Wife’s Bodyguard
There’s an extended version and a moviehouse version of The Hitman’s Wife’s Bodyguard. I watched the longer one, which seemed padded by about 15 minutes, which is exactly the amount of time that the extended version has been extended by. So if you’re after a more concentrated hit of action comedy – or don’t have long left to live… If you really don’t have long left to live, and feel the need for knockabout fun, you don’t need to waste time by watching the first film in order to enjoy this second one. That was a poacher-versus-gamekeeper tale – a hitman (Samuel L Jackson in “motherfucker” mode), an over-cautious bodyguard (Ryan Reynolds in … Read more
Melancholia
A movie for every day of the year – a good one 10 April Halley’s comet and earth at closest point, 837 On this day in AD837, Halley’s Comet got as close as it’s ever got to the earth, as far as records and calculations can tell. The comet has been tracked since at least 240BC and has re-appeared in the skies every 74-79 years, the variation occurring because of the gravitational effect of the different planets it meets on its journey. It travels around the sun elliptically, swinging between the orbits of Mercury and Venus before heading out to somewhere about the distance of Pluto from the sun, then returning. It is … Read more
Judas and the Black Messiah
Part history lesson, part undercover thriller, Judas and the Black Messiah takes it as read that the audience knows the bare-bones facts about the Black Panther movement. And just in case they don’t, there are three powerful performers in key roles to help bounce over the gaps. These are the shapeshifting Daniel Kaluuya as Black Panther “Chairman” Fred Hampton, dead at 21, killed while asleep in nothing less than a state assassination. LaKeith Stanfield as Bill O’Neal, the mole who fed information about the Panthers to the police. And Jesse Plemons as Roy Mitchell, the FBI handler running O’Neal. We meet O’Neal before we meet the Panthers – he’s an audacious car thief … Read more
The Fall of the House of Usher
Jean Epstein’s The Fall of the House of Usher is surely the best version of the Edgar Allan Poe story ever. Loved by director Kurosawa, revered by critic Roger Ebert, it perversely only seems to exist in streaming and hard-copy versions that don’t do it justice. This is one of the best gothic chillers ever made – why doesn’t it look better than this? Possibly because it’s a silent movie, and they tend to get the silent treatment? Luis Buñuel worked on it too, so there’s another reason it should be more respectfully treated, though he did walk off halfway through, appalled at Epstein’s cavalier treatment of Poe’s story. But it remains true … Read more
The Last One for the Road
The Good, the Bad and the Ugly, Don Quixote, Lost in Translation, Waiting for Godot, The Last One for the Road (aka Le città di pianura) contains elements of all, without obviously borrowing from them. A “state of Europe/Italy” comedy of sorts, it follows two drunken has-beens – smalltime criminals who are waiting for their boss Genio to show up and in the meantime are drinking themselves to a standstill. It’s funny, amused, cock-eyed, nostalgic, a little bit 1990s, a touch Tarantino, and rests entirely on the performances of Sergio Romano and Pierpaolo Capovilla as Carlobiancho and Doriano. Strange, old-fashioned names for a pair of fiftysomething archetypes who we meet utterly drunk and … Read more
Love Is All You Need
Wedding films can be a bit like wedding cake – lots of layers, too sweet, just enough is already a bit too much, not everyone is a fan. Given those caveats, and with the realisation that for every joyous wedding-themed movie like Bridesmaids there’s a steaming pile such as 27 Dresses, let’s wander up the aisle with director Susanne Bier and her two stars, Pierce Brosnan and Trine Dyrholm. Brosnan plays Philip, the father of the groom, Dyrholm plays Ida, mother of the bride, people who have never met until, at the airport, she manages to reverse her car into his. Ida is a hairdresser recovering from cancer and from the fact that … Read more
