Popular Reviews
Strawberry Mansion
The Wikipedia entry for Strawberry Mansion describes it as “an American surrealist science fiction adventure romantic comedy film” – a genre pile-on by any standards. Whoever wrote that missed one – the fairy tale. For the strawberry mansion of the title read gingerbread house and you’ve about got the flavour of this strange surrealist (etc etc) film written and directed by two of its stars, Kentucker Audley and Albert Birney. After a strange preamble in which James Preble (Audley) finds himself trapped inside a strawberry coloured room, the action proper gets going with a segueway to Preble knocking on the door of a kindly old lady. He’s a tax inspector, he says, come … Read more
In the Heights
“Immigrants – we get the job done,” ran a line in Hamilton, Lin-Manuel Miranda’s smash musical. In the Heights deals more overtly with the immigrant experience in America but no matter which way you look at it, this film doesn’t get the job done quite as well as Hamilton did, not in terms of plot or songs or raps. Why would it? This was Lin-Manuel Miranda’s first go at creating a musical and though it won him a Tony – not bad for a debut – he’s still held back by the Broadway conventions that Hamilton rejected, and was all the better because it did. Big opening number, and we’re introduced to all the … Read more
Barry Lyndon
Barry Lyndon tends to get summed up in one of two ways. It’s either Stanley Kubrick’s visually sensational magnum opus and a triumph of film-making at every level, or it’s a bit of a bore, a “one thing after another” drama with not much actual drama in it. Both are true. Adapting William Makepeace Thackeray’s story about a young Irish chancer’s escapades, it follows young Barry, original name Raymond Barry, from his first shy encounter with his sexy, cock-teasting cousin Nora (Gay Hamilton), through a series of adventures criss-crossing wartorn 18th-century Europe. To survive in the world Barry signs up for whichever army will have him – no scruples – and plugs away … Read more
Odds Against Tomorrow
There are a lot of ways of approaching 1959’s Odds Against Tomorrow. It’s that sort of film. But let’s be boring and approach it from the usual angle and say it’s the first film noir with a black lead actor in it. It’s Harry Belafonte, whose HarBel company also produced it, and he plays one of three men involved in a bank job. Ed Begley plays the organising force, an ex cop called Burke hoping the job will plug the gap where his pension would have been if he hadn’t been been the fall guy in some police corruption scandal. Robert Ryan is Slater, the ex soldier whose anger issues are partly down … Read more
Denmark
Denmark (aka One Way to Denmark) doesn’t look immediately like a remake of the 1949 movie The History of Mr Polly, because it isn’t. But it has roughly the same plot shape and is dealing in the same sort of feelgood, which after the picture of woe it’s painted in its setup, feels entirely welcome. Mr Polly saw the miserable and passive Polly (John Mills) – locked in a loveless marriage and living a life he hated running a draper’s shop – given a second chance of happiness in the figure of a warm, lovely woman who runs an idyllic inn beside a picturesque river. It worked so well in 1949 (and still … Read more
The Fury
The Fury (aka De Helleveeg in the original Dutch) gives Hannah Hoekstra something to do. Impressive in any number of films and TV shows, Hoekstra has at this point in her career (2016, she’s 29) played sexy young things with attitude and varying levels of coquettishness. And that’s just what she plays here, with a twist, and with a chance to show there’s more in her bag than we might have thought. She plays a young woman called Tiny, a working-class girl in a dead-end job in 1960s Netherlands whose life consists of her family trying to marry her off while in the interim she works for them as a skivvy. The local … Read more
Prick Up Your Ears
A re-release of Stephen Frears’s 1987 drama about Joe Orton, the blackly satirical and dead funny writer of Loot and Entertaining Mr Sloane who was battered to death by his lover Kenneth Halliwell in their rundown London flat in 1967, just as the big time arrived. It’s a study of a relationship skidding towards the brink, with Gary Oldman a chirpy, cocky Orton, Alfred Molina working hard at the much less sympathetic role of Halliwell, the older man whose tutorial services were no longer required once Orton’s star started to rise. Meanwhile Vanessa Redgrave puts in to-the-manner-born performance as Orton’s imperious, patrician, rather scary agent, Peggy Ramsay. The film seemed almost daring when … Read more
Ivy
Sick of “sad sack” roles, Joan Fontaine struck out for the border with 1947’s Ivy, a pivot away from the passive wallflowers of Rebecca and Suspicion, roles that had made her Hollywood’s biggest star and won her an Oscar, and towards something much ballsier. She plays Ivy (as in Poison Ivy), a woman in Edwardian Britain who sets her cap at a rich bachelor and decides to make him her husband no matter what’s in her way. Problem one: wealthy Miles Rushworth (Herbert Marshall) is in a long-standing relationship with young Bella Crail (Molly Lamont), and everyone knows they will soon be engaged. Two: Ivy is already married, to Jervis (Richard Ney), a … Read more
Mickey One
Old Hollywood meets new in Mickey One, a neglected thriller from 1965 directed by Arthur Penn and starring Warren Beatty, both of whom would upend the cosy certainties of a sclerotic industry with Bonnie and Clyde two years later. They run through a few of the possibilities here. The film focuses almost entirely on Beatty, as a club comedian and light-entertainment guy who goes on the run from the Mob after getting on the wrong side of them over money, a woman, and possibly a few other things. Mickey One is what the fugitive ends up being called after assuming the identity of a turned-over vagrant, “One” being as near as most people … Read more
Pirates of the Caribbean: Dead Man’s Chest
Yo ho ho and a bottle of something very rum, this second instalment of Gore Verbinski’s money-spinner is a swirling follow-on from part one and a dizzying lead into part three – it’s all midsection in other words. Tonally, it’s Monty Python’s Life of Blackbeard, but with one big difference. It’s not funny. The question is: is it supposed to be? The actors don’t seem to know, so they all camp it up just to be on the safe side. Johnny Depp’s Captain Jack Sparrow continues channelling Keith Richards and actually getting Donatella Versace. Orlando Bloom leaps about trying to look like the film is about him. And Keira Knightley looks fiercely gorgeous, … Read more
The Beanie Bubble
The story behind the success of a stuffed-toy phenomenon, The Beanie Bubble is in many ways a template World 2.0 tale of one man, a vision, plus a lot of help from other people, most of whom get left in the dust when it is time to bask in the glory. It could be Jobs, or Musk, or Thiel, or Bezos, but here it’s Ty Warner – in many ways he got there first, building up a company selling understuffed, very soft toys to children. The toys became a thing, a can’t-lose investment. Starting in the 1980s but accelerating to warp speed in the 1990s, Ty Inc. rose and rose on the back … Read more
Ellie & Abbie (& Ellie’s Dead Aunt)
Ellie & Abbie (& Ellie’s Dead Aunt) is a breezy high-school comedy about the will they/won’t they romance between two gay schoolkids. Set in the here and now but also in the there and then, it tries to square a circle and gets most of the way there. Gay kids? Once upon a not so long ago that would have set the attack dogs of the media off on one of their jags but, though Australian writer/director Monica Zanetti struggled to raise the cash to get this adaptation of her successful play made, here it is, eventually, a testament to what the film is actually all about. Things have changed. Though battles are … Read more
