Popular Reviews
11 Harrowhouse
Misconceived but full of good things, 11 Harrowhouse (sometimes called Fast Fortune) is also a classic example of a film that didn’t do incredibly well at test screenings and then did even less well with real audiences after it was “improved”. It’s a paranoid screwball heist caper starring Charles Grodin as a smalltime diamond trader who decides to rob a big diamond house situated at 11 Harrowhouse Street in London. This racket run as if it were a venerable institution is headed by one Mr Meecham, or “Sir”, a man played with a curled lip and superciliousness at full blare by John Gielgud. Along for what looks like the sheer hell of it … Read more
Better Days
Better Days is a Chinese film about love, bullying, suicide, rape and murder… but mostly love. Adapted from a Young Adult novel (by Xi Jiuyue), it uses the relationship between a prim high school girl and a thug from the wrong side of the tracks as its skeleton key to access other, more off-limits areas of social import. Don’t worry if you’re only interested in the love story, though, because that’s what Better Days is mostly interested in too, in spite of its protestations. Which start early on with the suicide of a pupil who throws herself from several floors up into the internal courtyard below at the school where Chen Nian (Zhou … Read more
Dune
“Dreams are messages from the deep,” it says right up at the front of Denis Villeneuve’s 2021 adaptation of Dune, possibly a nod to David Lynch, whose hazy 1984 version crashed and burned in spectacular, almost sci-fi fashion. Other nods – the design of the stillsuits and the sandworms for instance – also hark back to Lynch, a magnanimous gesture on the part of Villeneuve who, after Arrival and Bladerunner 2049, has nothing to prove in the realm of sci-fi. Lynch was being pulled in two directions when he was making his version of Frank Herbert’s novel. He wanted to make a David Lynch film, all dreamy and out there. But there was … Read more
Hotel Rwanda
In 1994, 800,000-plus Tutsis were butchered by their Hutu neighbours while the West debated whether this was genocide or merely isolated “genocidal acts”– i.e. not serious enough to warrant intervention. A decade on and the conflict is beginning to arrive on cinema screens, and most of the attempts to turn a dark day in human history into screen entertainment are taking the Schindler’s List approach – finding the rare good thing in a sea of bloody mayhem. As has director Terry George in this effectively realised true story about Rwanda’s own “Schindler”, Paul Rusesabagina, a hotel manager who risked his Hutu hide to save upwards of 1,000 Tutsis. This is an incredibly tense … Read more
The Boy behind the Door
Welcome to sex. The Boy behind the Door is the sort of film that a Freudian shrink could go to town on, being all about two boys cusping puberty who are abducted and taken to a remote property where they have to fight for their lives to get free. “Friends to the end,” Bobby (Lonnie Chavis) and Kevin (Ezra Dewey) have pledged out in the bright, sun-dappled world where they were hanging out before being knocked senseless and bundled into the boot of a car. Waking up, Bobby is dimly aware that Kevin has been dragged off somewhere, leaving him to suffocate out in a garage attached to a house a long way … Read more
The Pawnbroker
The Pawnbroker used to be a prestige movie, both when it came out in 1964 and for decades afterwards. It’s lost some of its sheen over the years, for a variety of reasons. Films referencing the Holocaust are no longer as scarce as they were when the Beatles were first conquering America. Rod Steiger’s star has also waned. Once seen as a rival to Brando, Steiger is now often regarded as a ham using Method techniques to disguise overacting. And the Method itself, of course, also no longer commands the respect it once did. There is still much to admire in the film though, and in Steiger’s performance, which he promised director Sidney … Read more
Shame
Shame is Ingmar Bergman’s war movie. Except, being an Ingmar Bergman movie, it’s really about relationships, a marriage in trouble (probably Bergman’s own – number four was heading for the exit), and something else on top. Kriget (The War) was Bergman’s original title for it, but Skammen (literally, The Shame) is what Bergman settled on. So, not a generalised Shame but a specific instance of it. What that shame might be precisely is what Bergman will eventually reveal, but he starts out by painting a portrait of two former orchestral musicians (wife number four, Käbi Laretei, was a concert pianist) who have given it all up to live the good life, growing and selling … Read more
La Bête Humaine
In Emile Zola’s story La Bête Humaine, the “human beast” is train driver Jacques Lantier, a man whose family line is full of fuck-ups, alcoholics and brutes. He keeps his passions in check, just about, by focusing rigidly on his job, and in particular on his locomotive, which he calls by the female name Lison. There’s an intertitle card telling us all this at the start of Jean Renoir’s brilliant 1938 adaptation of the story. However, the “beast” of Renoir’s version might actually not be Lantier at all. Instead it could be Séverine, the lusty wife of a plodding stationmaster in Le Havre, where Lantier is forced to spend some time when his … Read more
After Midnight
A few years ago Jeremy Gardner wrote, directed and co-starred in The Battery, a criminally underrated zombie movie that just had two guys in it… and a horde of zombies. It examined a relationship that had gone on too long – two guys who’d played together in a baseball team and who were then thrown into too-close proximity by an apocalypse – and watched as its final stages played out… with a horde of zombies. Gardner, now co-directing with The Battery’s producer and cinematographer Christian Stella, pulls off something similar with After Midnight. No zombies this time, just a mystery monster lurking outside and a relationship going wrong inside. Gardner is again in a lead … Read more
Kokuho
The highest-grossing home-grown live-action movie in Japan’s history, Kokuho is a decade-straddling epic about the sacrifices required to make great art, served up as a Jacob and Esau tale of two boys – one who has all the gifts, the other not so many. The twist being that the talented kid is the son of a dead yakuza, and so cannot move easily, if at all, in the rarefied world of the kabuki theatre – his chosen field. As Lee Sang-il’s sumptuous film opens, young, orphaned Kikuo’s talent has just been spotted by one of kabuki’s masters, Hanjiro (Ken Watanabe). Soon, the disadvantaged child (Soya Kurokawa as a pretty boy, Ryô Yoshizawa as a … Read more
Mountainhead
Mountainhead is the movie for people who want more Succession but accept that Brian Cox’s Logan Roy and his vile but irresistible family are not coming back. Written and directed by Jesse Armstrong, the Succession guy, it takes a similarly vile bunch of tech bros, deposits them in a swish mountaintop mansion and follows them over a weekend of escalating mayhem as the platforms and apps that made them rich wreak havoc in the outside world. Armstrong has been telling this story – awful people being awful – for quite a while now, either comedically in TV shows like Peep Show, The Thick of It and Veep and more darkly in Succession. A … Read more
Skinamarink
My parents used to say “Skinnymalink” rather than “Skinamarink”. As affectionate insults go I suppose it was better than one alternative description, which was “long streak of piss”. The dictionary tells us the word has something to do with an old Scottish children’s song, Skinamalinky Long Legs, which (to vary the spelling yet again) went: “Skinny Malinky long legs / Big banana feet / Went to the pictures but couldnae find a seat / When the picture started / Skinny Malinky farted / Skinny Malinky long legs / Big banana feet.” The name probably came from the dialect word “Manikie” a little man (like mannequin) – so a skinamarink is skinny little man. All of … Read more
