Popular Reviews
A Hijacking
Stories of Somali pirates hijacking ships and holding people hostage for months regularly make the news bulletins but rarely seem to make it to the big screen. Which is odd considering that foreigners waving guns about in front of frightened innocents’ faces is a staple of cinema. Enter A Hijacking (original title: Kapringen), a Danish offering that welds a cast familiar to viewers of Danish TV sensation Borgen to a twin-track plot – one half takes place on the high seas, the other back at base where negotiations for the hostages’ release are taking place. The result is a drama so involving that, though I’d dragged myself to the cinema with a heavy … Read more
Mystery of the Wax Museum
Screwball but not comedy, 1933’s Mystery of the Wax Museum is less well known than its remake, 1953’s House of Wax, but more fascinating in many respects, particularly in its portrayal of liberated young women making their way in the world. There’s sex and drugs too, though you wouldn’t bother with it for those. The Hays Code, which cleaned up American movies starting around 1934, wasn’t expressly designed to put women back in their box (discuss) but it did it anyway. The ostensible star of this pre-Code film is eminent stage actor Lionel Atwill, as the driven creator of wax effigies of great historical figures whose London museum burns down in the film’s … Read more
Psycho Therapy
One of the great benefits of the whole 1990s revival thing has been a run of movies inspired by the early Coens. Psycho Therapy does a bit of a number on Barton Fink, not the Coens’ funniest or weirdest film, and is a re-assessment of their re-assessment of Hollywood output in its golden age. Screwball and crime, for the most part. It’s an “only in Hollywood” caper, about a stalled writer whose latest book set in Slovenia in the Neanderthal era is never going to be world shaking, if it ever gets finished at all. Keane’s friends laugh at him, wife Suzie pities him and his agent won’t answer his calls. Then one … Read more
Les Diaboliques
If you’re working yourself towards film-buffery, you really need to have seen something by master of suspense Henri-Georges Clouzot – “the French Hitchcock” he is often called, when Jacques Deray or Claude Chabrol aren’t using the sobriquet. You may already have seen the masterful The Wages of Fear, Clouzot’s 1953 tale of gelignite being driven across the South American jungle. It’s well worth adding Les Diaboliques, 1954’s tale of the murder most horrid – drugged, drowned – of a brutish husband by a fragile wife (Vera Clouzot) and his scheming mistress (Simone Signoret, none better). Job done, except the body keeps disappearing. Less a whodunit, more a wheresitgone, Les Diaboliques also strongly prefigures … Read more
Trenque Lauquen
Long films are often thought to have something profound to say. I’m not sure Trenque Lauquen does, unless you’re counting what it has to say about the act or art of cinema itself. Philosophically there might not be too much going on here but artistically this is a remarkable film. Cahiers du Cinéma named this as their best film of 2023. It’s four hours and 22 minutes long, before we go any further, and a detective thriller kind of thing, opening with two men searching for a woman, then flashing back to tell the story of the missing woman and one of the men, all the while alluding even further back, to a … Read more
The Universal Theory
If Alfred Hitchcock, Thomas Mann and Franz Kafka made a multiverse movie it might look like The Universal Theory, a fabulous and madly forensic undertaking by Timm Kröger, who gets just about all of it right and tells a really good story. You don’t need to be well versed in the works of any of the above to be well entertained but it really adds to the enjoyment. Kröger opens his story in a TV studio in the 1970s, where an author is bristling at his interviewer’s description of his book as fiction. It’s true, all true, the author says, causing the interviewer and fellow guests to smirk and titter. As Johannes Leinert … Read more
Green for Danger
A tightly plotted and nicely played whodunit of the old school, Green for Danger is also British to the core. Set during the Second World War, it was made in 1946, when it was possible to look back at the darkest hour – the Blitz, doodlebugs (the weaponised drones of yore) and all that with half a smile. The plot centres on the death in hospital of a man whose minor operation shouldn’t have killed him at all. Did someone want this local postman dead? If so, why? The medical team who operated on him all look guilty as hell, but all also seem to have plausible alibis. Enter Alastair Sim as Inspector … Read more
The Shop Around the Corner
A movie for every day of the year – a good one 24 September CompuServe launches first consumer internet service, 1979 On this day in 1979, after ten years of supplying dial-up computer timesharing to businesses, CompuServe (originally Compu-Serve) started to offer something similar to the great unwashed. The service was called MicroNET and was sold through Radio Shack stores in the USA. It proved more popular than CompuServe had anticipated and by the following year had been renamed CompuServe Information Service. By then consumers could access news stories, stock quotes and weather reports and they could book airline tickets using only their computer. They could also chat in forums and communicate via … Read more
Point Break
A movie for every day of the year – a good one 22 October World’s first parachute jump, 1797 On this day in 1797, André-Jacque Garnerin made the first descent by frameless parachute. Ascending from the Parc Monceau in a basket attached to what looked like a large furled umbrella, itself attached to a balloon, Garnerin got to around 900 metres (3,000 feet) before unpacking the chute and severing a cord attaching him to the balloon. His descent was ungainly and his basket fell rapidly and swung wildly. He arrived back on the ground with a thump but unhurt. Garnerin was not the first person to dabble with the parachute however. There are … Read more
Western Union
A nice 95-minute advertisement for a company still with us, 1941’s Western Union is appropriately both a western and about the Union, being an adaptation of a Zane Grey story about how the west was won, or at least connected up to the rest of the United States, by telegraph wire. In linking coast to coast, telegraph company Western Union helped forge the country into a more solid political entity. Three men dominate the action – Randolph Scott as Vance Shaw, a loner former outlaw and fixer persuaded to join the drive to lay cable across terrain good and bad. Robert Young plays rich man’s son Richard Blake, an engineer who is also … Read more
Corsage
Empress Elisabeth of Austria (1837-1898), the focus of writer/director Marie Kreutzer’s Corsage, isn’t that big a deal outside the Germanosphere. Inside it, though, it’s a different matter. A huge number of documentaries have been made about her in Germany and Austria, going all the way back to 1921. The interest remains fervent in the 21st century. So far this decade she’s made an appearance in no less than five Austrian/German dramatisations of her life – as well as Corsage, there’s the TV series Sisi; feature Elisabeth; another TV series, The Empress; and another feature, Sisi and I (whose release date got bumped when Corsage came along). What’s the fascination? Maybe it’s that she, … Read more
Love Crazy
Number ten of the 14 features Myrna Loy and William Powell made together, Love Crazy never quite achieves classic status, though all the elements are here – smart writing, brilliant playing, fantastic support players. All that’s needed is a plot that makes some sense. It’s a “remarriage comedy”, the genre that emerged once Hollywood’s production code took hold in the early 1930s and consigned straight-up sex comedies between non-marrieds to purgatory. Here, Powell and Loy play a married couple whose rock-solid marriage is shaken to the core by events which if anyone on screen had stopped for a minute to explain themselves would have elicited an “Oh, I see,” and brought the film … Read more
