Popular Reviews
You Only Live Once
Fritz Lang’s second Hollywood picture, You Only Live Once, was released in 1937, three years after the death of Bonnie and Clyde, and was the first movie to tell their story – sort of. A tale of bad luck and trouble rather than one of bad people doing bad things, it stars Henry Fonda and Sylvia Sidney as a couple in love – she a sweet girl who works for the Public Defender, he a threetime jailbird determined to go straight and make an honest woman of his wife-to-be but finding that society won’t give this sucker an even break. Blocked at every turn, Eddie (as Clyde is called here) turns back to … Read more
Casino Royale
You only live twice, or so they say. Casino Royale is the old Bond song incarnate. Because we have been here before. Not titularly – though we have, in the 1967 spoof made by a gaggle of writers and directors (John Huston, Billy Wilder, Woody Allen and Joseph Heller among them) who must have been high. Tonally, I mean. After A View to a Kill, Roger Moore’s last Bond and a bad performer at the box office, moves were made to zhuzh up the increasingly tired formula. In came Timothy Dalton, out went the eyebrow, and for a couple of films, which in retrospect, look better and better, there was a return to … Read more
Love Crazy
Number ten of the 14 features Myrna Loy and William Powell made together, Love Crazy never quite achieves classic status, though all the elements are here – smart writing, brilliant playing, fantastic support players. All that’s needed is a plot that makes some sense. It’s a “remarriage comedy”, the genre that emerged once Hollywood’s production code took hold in the early 1930s and consigned straight-up sex comedies between non-marrieds to purgatory. Here, Powell and Loy play a married couple whose rock-solid marriage is shaken to the core by events which if anyone on screen had stopped for a minute to explain themselves would have elicited an “Oh, I see,” and brought the film … Read more
Deception
The last of the Great American Novelists of the 20th century, Philip Roth died in 2018, leaving behind a substantial body of work. Deception (Tromperie in the original French) adapts yet another of his novels for the screen, becoming yet another brave attempt at making a movie out of something that doesn’t really want to go there. In episodic instalments the plot tracks the on-off relationship between a smart, ageing but horny American novelist called Philip and a much younger English woman, called simply the English Lover. He’s played by Denis Podalydès, who makes Philip a confection of suaveté and savoir-faire plus a crucial dollop of self-doubt (otherwise too smug). She is played … Read more
The Secret Garden
The world may not need yet another version of The Secret Garden, but here’s one anyway. The latest adaptation of Frances Hodgson Burnett’s children’s story is in a crowded field and to cut through has to compete with two very respectable adaptations, the much lauded one from 1993 directed by Agnieszka Holland and the one from 1949 starring cute child star Margaret O’Brien. There are plenty of others, going as far back as 1919, and what all have in common is the same roster of character names – one sign of something achieving classic status is that no one dicks about with the names as written on the page. See Harry Potter, Elizabeth … Read more
One Minute of Darkness
At first glance One Minute of Darkness, last of the Dreileben trilogy, seems to be the most straightforward of the lot. A honest-to-goodness cat-and-mouser. On the one hand the escaped murderer Molesch, who has been little more than a bad smell in the first two films. On the other a cop on a mission to bring Molesch in, in spite of the fact that he’s ill and on leave. It’s deceptive, though, and the deception starts with the opening shots, of Molesch in custody being driven to a police station. This, it seems obvious, is a continuation of the previous instalment of the series, Don’t Follow Me Around (Komm Mir Nicht Nach), the … Read more
Murder by Contract
Shot in seven days and decades ahead of its time, Murder by Contract is a lean, spare, ascetic, almost arthouse film noir from 1958 and was once described by Martin Scorsese as “The film that has influenced me most.” It stars Vince Edwards, an actor who is not particularly well known but who is particularly good as the almost existential hero who weasels his way into the hitman business and ends up – in the film’s protracted climax – confronted with the job too far, the one revealing an actual heart beating away beneath his refrigerated exterior. The setup is exquisitely done. Claude (Edwards) urgently insinuates himself into the good books of hitman … Read more
Nothing But a Man
Made in 1964, in America’s Deep South – Alabama, to be precise – Nothing But a Man is, if nothing else, a remarkable document giving us an insight into the everyday lives of people on the wrong side of the racial divide at precisely the moment when the civil rights struggle was coming to some sort of a head. It would be a great film even without all that “historically important” aspect. Unusually neo-realist and quasi-documentary in style, it’s a powerful but simple boy meets girl story of a rangy guy who works on the railroad and the preacher’s daughter he falls for, much to the discombobulation of the preacher. Having ridden out the … Read more
Black Book
In some quarters the director Paul Verhoeven is now eternally infamous for Sharon Stone’s is she/isn’t she leg-crossing moment in Basic Instinct. But he came to prominence with a Second World War movie, Soldier Of Orange, in 1977. Black Book sees Verhoeven return to his native land, his native Dutch tongue and the 1939-45 war in an engrossing drama focusing on one young Jewish woman (played by the remarkable Carice van Houten), a member of the Dutch resistance who finds herself right at the heart of the Nazi war machine. It is a familiar genre but Verhoeven injects fresh elements into it – notably dark humour, lashings of nudity and a fuzzy delineation … Read more
La Llorona
La Llorona is a figure in Mexican folklore, a tragic ghostly beauty dressed in white clothes who haunts the world she once lived in, having drowned first her own children and then herself. You can find a faint echo of La Llorona in the Wilkie Collins novel The Woman in White, but though The Woman in White has been turned into several movies, TV series and an Andrew Lloyd Webber musical, it’s never really taken hold in the anglosphere quite the same way as La Llorona has with Spanish speakers – in fact there were two other movies based on the myth in production when this La Llorona debuted. I mention all that because … Read more
The Smiling Lieutenant
Gay – in the old sense – is probably the best way to describe 1931’s The Smiling Lieutenant, a blithe, smart, quick and gossipy comedy from director Ernst Lubitsch starring Maurice Chevalier as the military man in question. Chevalier, as French as they come and not making the slightest effort to hide it, plays a very Viennese womanising army officer who in very short order meets the love of his life, the violinist leader of a female orchestra, only to end up shanghaied into marrying the princess daughter of a visiting king, after a mix-up over who exactly the lieutenant was smiling at as the royal procession whizzed by. I know, everyday stuff. … Read more
Rimini
Cheers aren’t what you get in an Ulrich Seidl movie but let’s give one anyway for his return to fiction after a ten-year absence, with Rimini, a glisteningly dark, drily amusing character study of a man who’d be funny if he wasn’t so pitiful. Actually, he’s quite funny too. Looking not a million miles away from Mickey Rourke in The Wrestler, and sharing a few of his character traits, Michael Thomas plays Richie Bravo, a former pop singer in Austria who now lives in Rimini, where a shadowy vestige of his old life still plays out, albeit largely in Richie’s head. As Seidl’s film opens Richie is back home in Austria and re-connecting … Read more
