Popular Reviews
Godzilla Minus One
A country basks in the reflected glow of a single man’s redemption in Godzilla Minus One, the 33rd outing for Toho Studios’ big bellowing beast/god and a contender for best of the bunch. Writer director Takashi Yamazaki wants to tell a story of shame and salvation rather than wang on about a big lumbering beast destroying things, though that happens as well, and narrows his focus onto a Japanese kamikaze pilot in the Second World War who chokes when it comes to his big day and then struggles to come to terms with his actions, or lack of them. Godzilla is effectively that pilot’s shame incarnate – the creature arrives on the scene … Read more
America as Seen by a Frenchman
In the late 1950s the French documentarian François Reichenbach took his camera to the USA for 18 months. America as Seen by a Frenchman (aka L’Amerique Insolite) is the result, a snapshot of a country caught at a moment in time, where the tension between homogenising mass consumption and the individual pursuit of happiness runs through almost every frame. Reichenbach starts out in California and then winds his way across the country, finally ending up in New York. The opening shot is eye-catching – two American sailors staring out from a ship as it pulls into San Francisco Bay and under the Golden Gate Bridge – and Reichenbach continues to deliver seductive imagery at … Read more
A Life at Stake
Angela Lansbury Sex Kitten is the offer in A Life at Stake, a short and atmospheric noir from 1955 with a looser attitude to sex than was usual at the time. But before we meet Angela’s minxy Doris (not the sexiest name in the world, but hey), we get an eyeful of our star, Keith Andes, stripped to the waist and showing off the physique that got him movie work in the 1950s. He’s playing Edward Shaw, a down-on-his-luck property developer introduced to rich, married and bored Doris Hillman by a go-between lawyer. In scenes thick with flirtatiousness, all set by a swimming pool where Doris is sunning herself in a skimpy swimsuit, … Read more
Lee Cronin’s The Mummy
I was initially suspicious of Lee Cronin’s The Mummy – does anyone care who Lee Cronin is, or his Mummy, and why should this film bear his name? It turns out there’s a good reason for the director’s name up top – no one involved wanted audiences thinking they were getting a continuation of either the Brendan Fraser-era The Mummy (1999), or the 2017 one, which was frankly rather a bizarre cinematic use of Tom Cruise and Russell Crowe, but there you go. Those were in different ways action movies and this is most assuredly horror. Cronin you may know from Evil Dead Rise, which was an efficiently horrible kind of shocker with … Read more
The River
Is 1951’s The River a look in search of a story? It’s regularly described – often by people who haven’t seen it – as one of the greatest films ever made. Dig one layer deeper and the praise heaped on Jean Renoir’s “masterpiece” starts to look a touch more one-note. Martin Scorsese reckons this and The Red Shoes are “the two most beautiful colour films ever made.” Eric Rohmer, also no slouch as a director, called it “the most beautiful colour we have ever seen on the screen.” The New York Times in 1951 said “beautiful”. Time Out – “beautiful”. Sight and Sound‘s 2022 Best Films of all time poll rang the changes a … Read more
7 April 2014-04-07
Out in the UK This Week The Hobbit: The Desolation of Smaug (Warner, cert 12, Blu-ray/DVD) One book, three films – there’s something almost Tolkienesque in that phrase, don’t you think? Against expectation I enjoyed the first instalment of The Hobbit, even though every fibre of my being had been rebelling against the idea of Peter Jackson turning a slim book into three long movies. I can’t say the same for part two, which follows Bilbo and the dwarves on their quest to reclaim Erebor, their kingdom beneath the mountain, which is an exercise in time-wasting until Smaug himself arrives. Every shot, every scene is padded, even the most inconsequential locale getting its … Read more
The Ugly Stepsister
The Ugly Stepsister (Den stygge stesøsteren) started life as a film about a woman with a talking vulva. Then writer/director Emilie Blichfeldt decided to come at the same idea – the onerous demands put on young women – by taking a second run at the Cinderella fairy tale. The resulting debut feature introduces a really gifted director to a wider audience, though the film itself could learn a lesson from Cinderella herself – it’s the dainty foot that gets into the glass slipper, not the galumphing one. It’s the same story, just slanted so we see it from the point of view of the loser – in this case Elvira (Lea Myren), the … Read more
Suspiria
What’s the point of remaking Suspiria if you’re going to take out all the stuff that made the 1977 original so unique? Dario Argento, the director of the original, asked that question himself after he’d seen this remake – wondering, in short, “why?” – after director Luca Guadagnino’s new version debuted in 2018. There’s something in what he says. Out goes the original film’s original grand vision – its bad-trip looks – and with it goes the original story’s big idea of not revealing what was going on until the film’s dying moments. In comes a bracketing structure which introduces Chloë Grace Moretz at each end of the film, for no real reason … Read more
Skinamarink
My parents used to say “Skinnymalink” rather than “Skinamarink”. As affectionate insults go I suppose it was better than one alternative description, which was “long streak of piss”. The dictionary tells us the word has something to do with an old Scottish children’s song, Skinamalinky Long Legs, which (to vary the spelling yet again) went: “Skinny Malinky long legs / Big banana feet / Went to the pictures but couldnae find a seat / When the picture started / Skinny Malinky farted / Skinny Malinky long legs / Big banana feet.” The name probably came from the dialect word “Manikie” a little man (like mannequin) – so a skinamarink is skinny little man. All of … Read more
The Avengers: Series 5, Episode 5 – The Bird Who Knew Too Much
Even being kind The Bird Who Knew Too Much is a fairly crap episode of The Avengers, a half-hearted rewrite of an Alan Pattillo story by Brian Clemens. But it gets off to a quirky enough start – a man on the run is shot and, instead of shedding blood, gives out a little trickle of bird seed. Steed Fancies Pigeons: Peel Gets the Bird is what the irritating subhead card reads before action recommences after the credits with another one of “our” gang – a pigeon keeper (a “fancier” in the terminology) – winding up backwards in a tank of wet cement. “He was a pretty solid sort of man,” Steed later … Read more
Rumours
The opening credits of Rumours formally thank the leaders of the G7. Which must be some kind of joke, because none of them emerges reputationally intact from this very weird film. Though getting a precise bead on the type of humour in play is tricky. Is it political satire? Cultural satire? Surreal japery? Guy Maddin is involved – co-writing and directing with brothers Evan and Galen Johnson – so who honestly knows. Maddin’s films don’t make money but he has fans in the right places, often managing to snag the sort of actor audiences might not expect, playing the sort of role the actor probably didn’t expect. Isabella Rossellini as a beer heiress … Read more
Female Agents
Jean-Paul Salomé, director and co-writer of Female Agents (Les Femmes de l’Ombre in the original French), got the idea for his 2008 film from an obituary. While in London in 2004 he read about Lise Villameur, who’d just died aged 98. During the Second World War she’d been an agent for the French Section of Britain’s Special Operations Executive. Parachuted into France to set up her own cell and run her own agents, Villameur was described by the folk at SOE training school as “quite imperturbable… would remain cool and collected in any situation . . . she was very much ahead of her fellow students”. That’s exactly how Sophie Marceau plays Louise … Read more
