Popular Reviews
Perfume: The Story of a Murderer
Having wandered off up arthouse avenue in recent years, with The Princess and the Warrior and Heaven, director Tom Tykwer delivers his most accessible film since Run Lola Run. It’s an adaptation of Patrick Süskind’s runaway best-seller about an 18th century peasant with an incredible olfactory talent and the trouble that that gets him into. The feted Ben Whishaw gives it plenty of Norman Wisdom/Lee Evans gaucheness in the lead, as the lad whose almost Asperger’s talent for one single thing, and a commensurate lack of social skills, drives him on a giddy flight to the dark side. And the supporting cast is notable, sumptuous even. Dustin Hoffman does an entirely inappropriate panto … Read more
Triangle
A movie for every day of the year – a good one 4 March The USS Cyclops disappears, 1918 On this day in 1918, the USS Cyclops disappeared at sea, with a loss of 306 crew and passengers. It remains the single largest naval disaster not involving enemy attack in US history. The ship was carrying manganese, an ingredient in munitions production, and so the suspicion was at the time that the ship had been sunk by the Germans, with whom the US was at war, though this has never been confirmed. The other theory is that the ship encountered a heavy storm after leaving Bahia, Brazil, bound for Baltimore, Maryland. The ship … Read more
26 September 2016-09-26
Out This Week Love & Friendship (Curzon, cert U) Sly arch social observer Whit Stillman meets a very similar property in Jane Austen, in his adaptation of her novella Lady Susan – about a dangerous sexbomb widow trying to get both herself and her daughter married off to money. As with all Stillman films it is immensely talky, and Kate Beckinsale is in it too, as she was in 1998’s The Last Days of Disco, and is rather excellent as a younger, sexier weaponised version of Austen’s Mrs Bennet, mouth always on the go, eyes all over the room as she jockeys for social position. It’s a fiendishly plotted thing, all stratetic plays by … Read more
Daddio
The conceit of Daddio is that it’s just two people in a car driving from JFK Airport into New York City. It’s a yellow cab and the driver is played by Sean Penn, the passenger by Dakota Johnson. As the car rolls towards the city they talk. At first Clark makes cab driver smalltalk, kneejerk remarks about the modern world and how everything has gone to the bad. Then he shifts on to giving her the wealth of his wisdom, and eventually, after a cool appraisal, she obviously comes to the conclusion that he’s mostly mouth and starts to respond. This is what the film is about, their wide-ranging conversation, but returning regularly … Read more
Rush
Is Rush – about the rivalry between 1970s Formula 1 drivers Niki Lauda and James Hunt – Ron Howard’s best film yet? After those terrible Da Vinci Code films recently, made for who knows what favour to the studio, this might not seem like much of a claim. But let’s not forget that Howard made Apollo 13, A Beautiful Mind and Frost/Nixon. If there’s one thing uniting those three films and Rush it’s that they’re all based firmly on real events. And yes, to bolster the argument, it’s necessary to forget about boxing drama Cinderella Man, Russell Crowe’s Rocky, also based on the life of a real man, but only of value to archaeologists … Read more
The Avengers: Series 2, Episode 26 – Killer Whale
Killer Whale is a queer fish, the 26th and last episode of series two being a mix of the quite bizarre and the incredibly mundane. Things get off to an eyebrow-raising start right from the off, with Steed in the process of losing 50 quid at a boxing bout as we join the action. Mrs Gale is luckier, though, managing to pick up a stray boxer during the evening and become his trainer. As you do. Joey the boxer becomes Mrs Gale’s inside man at the gym, and a bit of investigation by the two of them, they establish that there’s a link between the liniment and bandages and the more rarefied atmosphere … Read more
6 January 2014-01-06
Out in the UK This Week Upstream Colour (Metrodome, cert 18, Blu-ray/DVD) Shane Carruth’s belated follow-up to his brilliant 2004 film Primer is a weird mix of body-horror and love story, the story of a woman (a rather good Amy Seimetz) infected by some parasitic worm who is hypnotised and then robbed while under the influence. Well, that’s the first bit anyway. After that she seems to be falling for some guy she’s met (played in a bit of Ben Affleck casting by Carruth himself), the whole thing told in the language not of film but of advertising – overlaps, quick cuts, montages, while a Sigur Ros-style soundtrack (a band advertisers love) bleeps … Read more
Captain America: Brave New World
A bit Sixties, a bit Eighties and a bit all over the place, Captain America: Brave New World is a strange mishmash of a movie. According to Variety, it wiped the floor with Kraven the Hunter at the box office. Which says more about that movie than this one, having seen both of them. First up, it’s a Marvel Cinematic Universe movie (Kraven was Marvel but not canonical MCU, if these theological niceties mean anything to you). Second up, Chris Evans has been replaced by Anthony Mackie as Captain America, least interesting of the Marvel superheroes. Third up, the story harks back to The Incredible Hulk of 2008, which heavily featured General “Thunderbolt” … Read more
Daisy Kenyon
Let’s just get this out of the way. Daisy Kenyon isn’t a film noir, even though it features on many noir “best of” lists. It’s a romantic melodrama of a very peculiar sort – “High powered melodrama surefire for the femme market” is how Variety described it on its release in 1947, in their odd, truncated way of communicating. More up-to-the-minute viewpoints can be found on Amazon – “NOT a true example of film noir”… “certainly not a film noir”… “DEFINITELY NOT FILM NOIR” – three of many. However, the tagging persists. It’s in the Fox Film Noir series of movies, its Amazon page pegs it as “Mystery & Suspense/Film Noir”, which is doubly, … Read more
Sabotage
Graham Greene didn’t like the films of Alfred Hitchcock, but he did like Sabotage. The novelist was a film critic in his early years and was regularly on Hitchcock’s case for what he described as “inconsistencies, loose ends, psychological absurdities.” Tough room. But, as I say, Sabotage got the Greene seal of approval. Which is odd because it’s not top-flight Hitchcock, though it is worth staying around for the film’s famous sequence towards the end, when Hitchcock sacrifices a character in scenes audiences in 1936 found shocking and Hitchcock himself was uneasy about. It’s based on the Conrad novel The Secret Agent, but since Hitchcock’s previous film had been Secret Agent, the original … Read more
Waiting for the Barbarians
It’s a Sondheimian title, Waiting for the Barbarians – as in, “don’t worry, they’re here” – a story about the white man’s civilising mission on some distant frontier and how it gives licence to people whose instincts are far from civilised. The uniforms are deliberately non-specific but for the sake of argument we might as well say it’s the British who are in the spotlight, especially as Brit Mark Rylance is the star. He’s also almost the entire focus of a film about a kindly magistrate way out in the midst of a sandy nowhere whose humanist tendencies are crushed underfoot by the arrival of one badass after another. Enter Johnny Depp, in … Read more
Snow White and the Seven Dwarfs
David Hand? Look at the credits and you’ll see the name down as the director, one among quite a few, depending on where you’re looking. Such is the grip of the “director as auteur” notion on modern thinking that everyone – from the IMDB down – feels obliged to list the director first, as if theirs were always the guiding hand. Which is a long-winded way of saying that Snow White is a Walt Disney film. He might not have directed any of it but he directed the people who did. And, in the days when we’re meant to marvel at the computer-generated output of Pixar and the like, how much more amazing to … Read more
