Popular Reviews
Daisy Kenyon
Let’s just get this out of the way. Daisy Kenyon isn’t a film noir, even though it features on many noir “best of” lists. It’s a romantic melodrama of a very peculiar sort – “High powered melodrama surefire for the femme market” is how Variety described it on its release in 1947, in their odd, truncated way of communicating. More up-to-the-minute viewpoints can be found on Amazon – “NOT a true example of film noir”… “certainly not a film noir”… “DEFINITELY NOT FILM NOIR” – three of many. However, the tagging persists. It’s in the Fox Film Noir series of movies, its Amazon page pegs it as “Mystery & Suspense/Film Noir”, which is doubly, … Read more
Monster Hunters
Monster Hunters, not to be confused with Monster Hunter starring Milla Jovovich. Scratch that thought. Because half the thing about any of these Asylum “mockbusters” is that confusion is at least half of the deal. So many Asylum movies ride on the coattails of the advertising spends of much bigger movies, maybe peeling off a few of the less wary hoping for more Milla Jovovich or whoever. Another tranche of viewers come to see what new depths have been plumbed by, say, The Twisters or Road Wars: Max Fury. Yet others see The Asylum as being on a bit of a mission – the bigger and more complicated Hollywood movies get, the more … Read more
Indiana Jones and the Dial of Destiny
Indiana Jones and the Dial of Destiny is 20 minutes of brilliantly choreographed, jeopardy-filled action featuring a de-aged Harrison Ford as everyone’s favourite whip-wielding archaeologist followed by a further two hours-plus of an 80something Harrison Ford doing the same, slightly slower, with a bit more regard for tardy reflexes and a more shatter-prone skeleton. Old or young, he’s great if sometimes a bit slow, which you could say about the film too. It’s mostly a case of back to basics, with the “basics” being, of course, the Nazis, who have set their sights on the Antikthera, the dial of Archimedes, an ancient Greek artefact long thought lost, which is powerful enough to unlock … Read more
Wild Mountain Thyme
From the very first shot of Wild Mountain Thyme I was thinking “Good god, surely people aren’t still making films like this!” The opening shot being an overhead of the lush slopes of rural Ireland while the soundtrack twiddled away in madly shamrocky fashion. It got worse. A beejaysus-Irish voiceover announces “I’m dead”, by way of an introduction. The whimsy-ometer starts climbing into the red zone. And then I realised it’s Christopher Walken doing the bad Irish accent. The letters W, T and F start to appear in the air. What the actual, it actually gets even worse, as we’re introduced to one Oirish character after another. Enter Walken as old farmer Tony … Read more
Still Alice
A super confident woman, top of her game, a linguistics professor, one day discovers herself grasping for a word while she’s giving a lecture. This being the movies, where a cough in one scene leads to coughing up blood in the next, we automatically suspect she’s got Alzheimer’s. The title providing another nudge (why Still?). And so it turns out, in a movie that seems determined to put a polish on the disease of the week movie, and largely succeeds. Polish number one is that it’s not just any old Alzheimer’s but familial Alzheimer’s, in which the gene – should you have been unlucky enough to have inherited it from an affected parent … Read more
The Avengers: Series 6, Episode 22 – Stay Tuned
Mind control as a plot driver became The Avengers go-to narrative, and it gets another run around the block in Stay Tuned, a fine example of the show’s ongoing attempts to recapture old glory. It takes flight quickly – Steed with a ridiculous amount of baggage heading off on holiday. And then Steed again some time later, also with a ridiculous amount of baggage setting off from his apartment to go on holiday for a second time, only to be met by a bemused Tara, who tells him he’s been away for the past three weeks, and she’s got a postcard to prove it. We know something is going on because a) that’s … Read more
Viy
1967’s Viy is often described as the only horror film made in the Soviet Union. In truth it’s more like a fairy tale than a horror story, more Grimm than grim – bum, tish – though in the final haunting sequence things definitely start going bump in the night. Odder than its solitary genre status is the fact that it’s a film with religion at its core. The USSR did not do god. Yet Viy is suffused with religious symbols and practices, beliefs and lore. There’s a good deal of paganism too, which the scientifically minded USSR wasn’t very keen on either. The original story was by Nikolay Gogol, who claimed it was … Read more
Fantômas: L’échafaud magique
Fantômas: L’échafaud magique (aka Fantomas: The Magic Scaffold) is the first of four feature-length adaptations made in the 1980s for French TV. No less than Claude Chabrol directed this first one, with Juan Luis Buñuel (son of Luis) picking up numbers two and three, before Chabrol returned to round the series off. If you know Fantômas at all then it’s probably not through his TV outings. The infamous master-criminal appears in a vast number of novels and was famously turned into a rollicking silent feature by Jean Feuillade in 1913 (the first of five that appeared over the next year and a bit), returning even more famously on film in a series of … Read more
9 September 2013-09-09
Out in the UK this week Iron Man 3 (Disney, cert 12, Blu-ray/DVD/VOD) Drawing a veil over the fact that Avengers Assemble was in effect Iron Man 3, the official Iron Man 3 arrives with Jon Favreau bumped from directing duties and Shane Black in the writing/directing chair. Black wrote the Lethal Weapon films and, blow me, if he hasn’t turned Iron Man – one of the best superhero franchises of recent years, thanks to its understanding of the sheer exhilaration of being able to do cool stuff – into a leaden, clanking 1980s action movie. Yes, Black can fashion a quip, and Robert Downey Jr is certainly the man to deliver them, … Read more
The Crimson Kimono
The posters are much more direct about what’s going on in The Crimson Kimono than the film itself is. Over a picture of a couple in a clinch they klaxon – “YES, this is a beautiful American girl in the arms of a Japanese boy!”. YES, this is a movie about a transracial relationship! Columbia boss Harry Cohn wasn’t convinced that American audiences would be interested, or happy about, a story about such shenanigans but greenlit the film anyway, undoubtedly influenced by writer/director Sam Fuller’s ability to turn out profitable films quickly and cheaply – this was his second of three in 1959. Perhaps Cohn’s doubts also influenced Fuller’s decision to open his film … Read more
Loving Vincent
It’s likely that nothing is ever going to knock Loving Vincent off the top spot when it comes to films about the paintings of Vincent Van Gogh. Whether it relegates 1956’s Lust for Life – which starred Kirk Douglas as the tortured artist – into second place as a biopic is another mattter entirely. It’s a Polish movie with British/Irish actors in most of the key roles and an unashamed Citizen Kane structure. Douglas Booth takes the investigative role as Armand Roulin, the rough postmaster’s son trying to return a letter sent by Vincent to his brother Theo, and in the process going from one person to another, talking out of each details … Read more
Sharp Corner
Beta-male-goes-mad time with Sharp Corner, borrowing the arc of The Shining and starring Ben Foster as a Jack Nicholson stand-in. There is no Overlook Hotel or supernatural stuff. Instead the action takes place in a “mansion” outside the city where Foster’s Josh McCall has moved his family, not once wondering why this great big house in the middle of nowhere could be bought at a price they could afford. The reason becomes obvious on their first night in the place when, as Josh and wife Rachel (Cobie Smulders) christen their new home by having sex on living room floor, they are rudely interrupted by a car wheel flying through their picture window. Sharp … Read more
