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Popular Reviews

The Equalizer 3

At the beginning of The Equalizer 3 we appear to be in familiar “action hero in retirement” territory. A sunny place. Beautiful scenery. The camera drinking it all in. Surely, any minute we’ll be meeting Denzel Washington in a Hawaiian shirt, a cocktail in one hand, a pretty young woman on his arm, in much the same way Matt Damon or Jason Statham were introduced in follow-ups The Bourne Supremacy and Mechanic: Resurrection. Instead director Antoine Fuqua gives us mayhem, horror, lakes of blood, a man with a machete buried in his face, and, sitting coolly in the middle of it all, one-man vigilante machine Robert McCall (Washington). He’s clearly laid waste to … Read more

The Avengers: Series 2, Episode 22 – The Man in the Mirror

At this stage in the game – we’re at episode 22 now – we more or less expect someone to be dead before the opening credits have rolled. But Man in the Mirror rings the changes a touch – there’s a dead body in the opening shot. The plot is slight and utterly fanciful and centres on Venus Smith – in a stripy t shirt and wearing that 1960s hat faintly modelled on the soldier’s shako (funny how the lovin’ decade loved its military regalia) – visiting a funfair with her dog. She takes some snaps and, when they’re developed, it turns out that in one of the shots is the dead man, alive as … Read more

Oldboy

A movie for every day of the year – a good one 29 June iPhone launched, 2007 On this day in 2007, Apple launched the first version of the iPhone. Until then, mobile or cell phones had been phones first, with a range of other capabilities – camera, email, mp3 player, internet access – tagging along behind. Apple’s creative breakthrough was to design the iPhone as a very small computer which also had phone functionality. This might look like a “six and two threes” explanation but what the iPhone did, which no phone had done before, was deliver a more integrated service, so the phone became in effect a Swiss army knife of … Read more

Power, Profit and Populism: The Battle for Hard Brexit

At the Raindance film festival, London, UK, 27 October–6 November 2021 The UK voted to leave the EU in 2016. Power, Profit and Populism: The Battle for Hard Brexit tells the story of how the answer to a seemingly straightforwardly worded referendum question was hijacked by invisible forces. “Should the United Kingdom remain a member of the European Union or leave the European Union?” was the question, and the campaign to persuade the electorate to vote to leave was largely fought on the basis that the country would be able to “take back control” of various competencies, like its borders, its fishing and farming, while retaining access to the EU’s single market.   … Read more

The Wrecking Crew

1968’s The Wrecking Crew was the last of the Matt Helm movies. A series of chintzy James Bond knock-offs – Faux Faux Seven? Junk Bond? – starring Dean Martin as a spy laidback to the point of requiring resuscitation, it had pretty much exhausted the seam by this fourth outing. Box office wasn’t great either so when Martin’s co-star, Sharon Tate, got murdered it made for a handy smokescreen. In public utterances Martin said that her death had taken the fun out of the films and that’s why he was giving up. In reality… who really knows? As for plot: a bullion heist so huge that it needs to be kept quiet otherwise … Read more

Thirty Two Short Films about Glenn Gould

The title describes it exactly – Thirty Two Short Films about Glenn Gould is 32 short films about the celebrated pianist Glenn Gould, all directed by François Girard, who squeezes his compendium into just over 90 minutes. Which is pretty good going considering he’s covering quite a lot of territory and doing it in a multiplicity of styles. The film came out in 1993, when the cult of Gould was still in full spate. It has since abated a touch, though the Canadian pianist is still the maverick genius to many – a humming cantankerous weirdo to others. Girard takes his cue from the 32 individual pieces in the Goldberg Variations, one of … Read more

Ku! Kin-dza-dza

Let’s hear it for animated sci-fi comedy from the Russia. Anyone? Ku! Kin-dza-dza is a strange film whichever way you slice it, starting with its title, and the fact that it’s a remake of a live-action movie from 1986, also made by Georgiy Daneliya (here directing alongside Tatyana Ilina), who decided in 2013 that he needed to take a second tour of the territory, what with the Iron Curtain having fallen in the interim. Out went a good chunk of the satire and the darkness, though the kookiness remains in his story of a snobbish cellist and his streetwise nephew who are accidentally transported from wintry Russia to an alien world where status … Read more

Blues in the Night

A jazzy, noirish take on the “getting the band together” drama, Blues in the Night benefits from crisp images and snappy dialogue. On the downside, everyone in it is about ten years too old for their role, there is quite a lot of “hep cat daddio” slang to digest and the racial politics are a mess. But if you can take the rough with the smooth, it’s bright and well paced, with a good plot, interesting acting and even a few good tunes – look on it as a semi-musical, maybe. It’s also the film that convinced Elia Kazan to pack in acting and take up directing. He says he was convinced he … Read more

Inside the Yellow Cocoon Shell

Because it’s set in Vietnam, it’s easy if a bit crass to see Inside the Yellow Cocoon Shell as a metaphysical Apocalypse Now, one man’s journey upriver in search of spiritual enlightenment. Well, that’s most of the readers gone. For those who remain, this remarkable debut by Pham Thiên Ân is pretty much as already described, with the “Yellow Cocoon Shell”, according to Pham, standing for human attachment to baubles, trinkets and stuff in general. We are inside the Shell and the task life sets us is to break free. It sounds Buddhist but in fact the vibe in this film is largely Catholic, which is how Pham was raised. There is a … Read more

Preparations to Be Together for an Unknown Period of Time

A hell of title and a hell of a film, Preparations to Be Together for an Unknown Period of Time is the remarkable second feature by writer/director Lili Horvát, who’s otherwise oddjobbed about the film biz in Hungary for some time – a casting director here, an actor there (you might have seen her in Kornél Mundruczó’s 2014 movie White God, a bizarre amalgam of the Disney kids movie with the post-apocalyptic wasteland drama). With an influence of Claire Denis, Horvát conjures, also in “how is she doing that?” fashion, a complete dramatic universe set in a world of feeling and gesture, where facts as such are not as important as the emotions triggered … Read more

Fruits of Passion

If you’ve ever wanted to see Klaus Kinski’s hairy anus, Fruits of Passion (Les fruits de la passion) is the movie for you. A sequel of sorts to the infamous/scandalous Story of O, it’s a “life inside the brothel” tale about the sentimental education of an impressionable young beauty at the hands – and other body parts – of a ripe old western roué. Directed and co-adapted from the Anne Declos novel Retour à Roissy by the multi-hyphenate Shūji Terayama, it is both orientalist and a critique of the same, with Kinski the absolute embodiment of the lordly patron. Dressed in white throughout, shock of blond hair, eyeliner, cadaverous as usual, he is … Read more

My Bollywood Bride

Rom-coms are all about the journey and not the destination, so they say. If that’s true, then mark My Bollywood Bride down as a trip in an overheated vehicle, with terrible scenery outside and fellow passengers you’d kill yourself to be away from. The boy-meets-girl plot sees Sex and the City’s Jason Lewis as a writer who meets an Indian babe (Kashmira Shah) in California, and then woos her, unaware that she’s a big Bollywood star. Until, that is, he heads off to India to see her again, and immediately cops an eyeful of her smiling down at him from a big advertising hoarding at the roadside. My Bollywood Bride scores some points because … Read more

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