Popular Reviews
Anaïs in Love
Anaïs is hot. A pretty young French woman who wears a succession of dresses that show off her long legs, her bare arms, her lovely skin. With her hair cascading down her back, she’s a gorgeous, flighty, scatty, slip of a thing who, silly her, gets herself into the most terrible situations and then, skipping elegantly with an impish grin, escapes out of them back into her consequence-free existence. Anaïs has a boyfriend, Raoul, but she doesn’t seem particularly interested in him. She has commitments to a university thesis but seems to be treating that in the same take-it-or-leave-it way. Early on she discovers she’s pregnant and so, alors, pops off to the … Read more
Road House
Road House is a bad movie full of good things – yes, that is the sort of line often trotted out by the terminally indecisive or foolishly fixated when they don’t want to just come right out and condemn something. But in this case it’s true. Why it’s bad first: it’s a film suggesting it’s about one certain person when it’s about another. The several good things: the acting by Ida Lupino and Richard Widmark plus the crackling dialogue. And the cinematography is pretty tasty too. And, before going any further, there is no connection to the Patrick Swayze movie of four decades later, though both stories take place at a road house, … Read more
100 Years of… Coeur Fidèle
The first thing to say about Coeur Fidèle (aka The Faithful Heart) is how brilliantly good the image is on this 100-year-old movie. I watched the Eureka Masters of Cinema version and it’s excellent. It’s important that it’s good because this is a highly visual movie. It certainly won’t win awards for storytelling. Wikipedia says it was written in a day, to which the response is surely “you don’t say”. Marie is an orphan girl who skivvies at the bar of her foster parents. She is in love with Jean, a local docker, but is being courted by Petit Paul, a brutish drunkard. After her adoptive parents give her to Paul, Jean and … Read more
Love + Hate
My heart often sinks when “the movies” decide to do a story of love across the racial divide. Too often the result is melodrama overplaying relatively unimportant differences (like skin colour) while underplaying the ones that do matter (ie culture). See Ken Loach’s Ae Fond Kiss, for example. Or, from the other end of the spectrum, the buffoonery of My Big Fat Greek Wedding. Director Dominic Savage’s Love + Hate manages to avoid these pitfalls. It’s a “nice Asian girl meets racist white boy” story set in a town in Northern England and is Romeo and Juliet on a shoestring. At the Asian end of the relationship there’s the male/female double standards in an … Read more
The Outrun
The Outrun is the latest from director Nora Fingscheidt, whose edgy, urgent System Crasher opened doors in 2019 that she largely closed again with her follow-up, 2021’s The Unforgivable, which many critics indeed found unforgivable, even though it starred Sandra Bullock. She’s on the upswing again here, with the jumbled-up story of a young woman from the Orkneys who goes to London, becomes a terrible alcoholic and then returns to the wild islands off the coast of Scotland to seek balm for the soul and a new start in life. The arc is not unlike the one for Wild, the brilliant Jean-Marc Vallée film starring Reese Witherspoon as a wild child recapturing her … Read more
Hollow Triumph
Paul Henreid got sick of playing bland heroes like Casablanca‘s Victor Laszlo and in Hollow Triumph set out to prove he could be just as convincingly bad. Having optioned the novel this crime drama was based on, he produced the film himself and, according to legend, directed most of it too, once original director Steve Sekely had been fired by the studio. The result is either a triumph or a hollow triumph, depending on your approach to the movie and your attitude towards implausibility. If you’re taking things very seriously, then problems over likelihood and credibility entirely undermine everything. If not, they’re all part of the fun. But on to the plot, which … Read more
Computer Chess
A movie for every day of the year – a good one 9 March Bobby Fischer born, 1943 On this day in 1943, the future chess grandmaster Robert James Fischer was born in Chicago, Illinois, USA. The son of a communist teacher and of either the physicist Paul Nemenyi or the biophysicist Gerhardt Fischer (the FBI believed it was the former), Bobby learnt to play chess aged six and became immediately fascinated with the game. He played against his first master, Max Pavey, aged eight and though he lost it led to an introduction to the Manhattan Chess Club, where he was tutored by William Lombardy, and then the Hawthorne Chess Club, where … Read more
Insignificance
A movie for every day of the year – a good one 14 March Albert Einstein born, 1879 On this day in 1879, Albert Einstein was born in Ulm, Germany, to Hermann and Pauline Einstein. His father was an engineer who founded his own company selling electrical products which ran on DC current, and would eventually go bust when alternating current won the so-called “current wars”. The son, too, was interested in invisible motive forces, the first of his 300 scientific papers being titled On the Investigation of the Ether in a Magnetic Field, aged 15. At 17 he was a student of mathematics and physics in Zurich, after which he struggled to … Read more
Confidential Report
The prevailing wisdom on Orson Welles has changed in recent years. It used to be: “Poor Orson, his masterpieces (such as The Magnificent Ambersons, It’s All True, The Lady from Shanghai ) butchered by the studios”. Now it’s: “Lazy Orson, got most of the way through a film and then lost interest”. Certainly Welles subscribed to the former view, and broadcast it widely wherever he went in Europe during his exile (or extended flake-out, take your pick). Confidential Report fuels the debate. A shadow of both his masterpiece, Citizen Kane, and Carol Reed’s The Third Man (in which Welles played the similarly gnomic Harry Lime), the film jumps around the world excavating the … Read more
Lee
Before Lee we’d kind of already had a movie about Lee Miller. Kirsten Dunst’s character in Civil War, an old-school photojournalist, had been named Lee in honour of Lee Miller, so she said, and her character was clearly modelled on Miller’s. Now here’s the real thing, a representation at least, with Kate Winslet applying herself to the task of playing a woman whose life was so interesting that the movie can afford to pretty much toss away her first flush – life as a model and muse palling about with Man Ray, Picasso and the like in the 1920s. So, flapper not so much, snapper it is, this being Lee Miller the Sequel, … Read more
Natural Born Killers
Oliver Stone’s notorious film about two dim kids who kill a few people and become media celebrities takes two actors who weren’t exactly the go-to choices for crazy nutjob killer roles. Woody Harrelson was fresh from playing affable dunce Woody in Cheers and Juliette Lewis was uppermost in the mind as the daughter in Cape Fear. As it turned out the roles fit them like a second skin. As in similar gangster/road movies such as Badlands or Bonnie & Clyde, writer Quentin Tarantino and director Stone send their two fuck-ups off on a series of murders. But, unusually, they also send them off on a stylistic journey through a storm of different generic … Read more
The Woman on Pier 13
Imagine that, the man who directed Mary Poppins also directed 1948’s Cold War thriller I Married a Communist aka The Woman on Pier 13. Though, when all is said and done, both are about infiltration and indoctrination when you come to think of it. One, of course, was madly successful and the other was such a clanger that they had to change its title (which is where Pier 13 came in). Whereupon it flopped all over again. It’s not hard to see why. This is anti-communist propaganda so flagrant it’s hard to swallow, in which the capitalists are the good guys – how they strive to improve the lot of the working man! … Read more
