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Ema

The first film I saw of Pablo Larraín’s was 2008’s Tony Manero, which was about a man whose passion in life was posing as John Travolta’s character, Tony Manero, out of Saturday Night Fever. Larraín’s interest in people pretending to be something they’re not continues in Ema, which also happens to be a film pretending to be something it’s not. Even without the late gotcha moment when both Ema and the film are upended, what we have here is a mix of character study, formal experiment and genre pastiche, served up in two separate visual flavours by DP Sergio Armstrong, his usual gauzy, alienated lighting style punctuated by moments of boiling vital colour. … Read more

27 April 2015-04-27

Out in the UK This Week Birdman (Fox, cert 15) And coming right out of the sun to bag this year’s Best Picture Oscar, a director whose films had become increasingly up themselves, and a star whose career looked increasingly over, in one of the most purely enjoyable yet also intelligent films in years. It’s a reminder of the sort of film Hollywood used to produce in the 1930s, with screwball comedy clearly the inspiration for this backstage farce about a once-upon-a-time superhero actor (Michael Keaton) and his attempt to re-invent himself by acting in, producing and directing a stage performance of Raymond Carver’s What We Talk About When We Talk About Love. … Read more

Clara Sola

Capsule plot summaries can be misleading. The one for Clara Sola might say – a woman around 40 in a Costa Rica village has a sexual awakening. It’s more or less what the one on the IMDb says. And it’s not wrong, that is what happens. But the story, that’s a different thing altogether. And in fact the whole point of this debut by Nathalie Álvarez Mesén is in what isn’t being said rather than what is. The plot is straightforward but story lies scattered between the cracks, just slightly out of reach. It’s ambiguous, entirely, in almost every respect. Clara is a pretty woman and might, at her age, expect to be … Read more

Wild Strawberries

Ingmar Bergman released both Wild Strawberries and The Seventh Seal in 1957. So not one but two classics for the ages in one year from the same guy, who wasn’t very well at the time and in fact wrote the screenplay for this film in his hospital bed. Not bad going. Perhaps it’s not surprising that decay and death are the big idea, the story of a lonely old doctor on the way to pick up an honour whose ardently held and rather severe ideas about the way to live his life are challenged, even as he sits in the waiting room to Death. As he travels by car, and prompted by a … Read more

Mifune

The title is a reference to Toshiro Mifune, the Japanese director Akira Kurosawa’s favourite actor. He died as the film went into production and director Søren Kragh-Jacobsen and writer Anders Thomas Jensen came up with the title as a way of honouring him. So, no, this isn’t Japanese arthouse; it’s Danish. Which will scare a few people off, most likely. Scarier still, Mifune follows the Dogma commandments – the puritanical, ornament-free film-making style that has Hollywood-lovers reaching for their revolvers. The story is similarly bare-bones: the wife (it’s Sofie Gråbøl, later of The Killing fame) of a newly married man (Anders Berthelsen) is far from happy when she discovers his secret history – … Read more

The Woman on the Beach

The Woman on the Beach is a bit of a dog’s breakfast. Designed as a dreamy, psychological tear through the unconscious, where libido is locked in a fight with other bits of the psyche, it wound up looking like it had been in a fight with itself. After a negative preview screening, panicked director Jean Renoir took it away and cut out 30 minutes of it. After reshooting all the scenes between leads Joan Bennett and Robert Ryan, he recast the only other significant woman in it. Out went Virginia Huston and in came Nan Leslie, who plays the significantly named Eve. The result? “I produced a film which was, I think, neither … Read more

Apocalypse Now

A movie for every day of the year – a good one 3 December Joseph Conrad born, 1857 On this day in 1857, Jozéf Teodor Konrad Korzeniowski, later known as Joseph Conrad, was born in Berdichev, in what was then the Russian Empire. Conrad was the son of Polish nobility and considered himself Polish. Conrad’s father was a political campaigner against the Russian occupation of his country and his activism got him first imprisoned in Warsaw, then exiled to Vologda, 500 km north of Moscow. Conrad was home-schooled by his father, who instilled in him a love of Polish literature and Shakespeare. By 1869 both Conrad’s mother and father were dead and his … Read more

Caligula: The Ultimate Cut

Have you ever wanted to see Malcolm McDowell’s cock? Caligula: The Ultimate Cut is at least one place to find it, the movie released in 1979 marking the high water mark of the arthouse/porn crossover. The story behind the making of the film threatens to overshadow the plot of the film itself, which can be distilled as “man becomes emperor of Rome, goes mad, pays the price”, and as I’ve written about it at length once already, here’s the link if you don’t know how it goes. Briefly, the film, financed by soft-porn outfit Penthouse, was shot by Tinto Brass but was then drastically altered in post-production, with producer and Penthouse owner Bob … Read more

2000 Meters to Andriivka

The war in Ukraine cannot end well if 2000 Meters to Andriivka is anything to go by. A bulletin from the frontline during Ukraine’s counter-offensive in 2023, it paints a bleak picture of two countries at war, one of them fighting for its life, the other kicking sand in its face. (As I type in late December 2025 a lousy peace settlement is being hashed out, with the USA apparently urging Ukraine to hand chunks of the country to Russia while Ukraine’s fellow Europeans look on impotently.) The magic in this movie happens mostly in the edit suite, where all the (mostly bodycam) footage from a mission to liberate the Ukrainian village of … Read more

La Strada

The simple Italian led astray by an egotistical monster. Who could Federico Fellini have had in mind when he was making La Strada in 1954? This, according to all the books, is where Fellini the neorealist ends and Fellini the fantastical begins, in a movie about a strong man “buying” a halfwit daughter off a poor woman and then touring Italy with her as part of his act. It was Pope Francis’s favourite movie and directors as diverse as Peckinpah, Kurosawa, Konchalovsky and David Cronenberg have all sung its praises. Fascinatingly, both Bob Dylan and Kris Kristofferson have claimed it as an influence on key songs – on Hey, Mr Tambourine Man and … Read more

The Yakuza

Robert Mitchum in a martial arts movie? That was Warner Bros’ crazy idea back in the early 1970s. Riding the massive success of their collaboration with Bruce Lee and the vogue for all things chop-socky, the next logical step was never to pack a paunchy and ageing Mitchum off to Japan but Warners went ahead and did it anyway. In 1974 came the verdict – The Yakuza was a massive commercial flop. Time hasn’t done much to restore its reputation, though there are great things in it, and any opportunity to watch Mitchum is usually worth taking. After 1973’s monster hit Enter the Dragon, the race was on to get more of the … Read more

Jaws

A movie for every day of the year – a good one 18 October Moby-Dick published, 1851 On this day in 1851, Herman Melville published what is considered to be one of the great American novels, about the elemental struggle between one Captain Ahab and the whale that once bit off his leg. The story is told from the viewpoint of Ishmael, and “Call me Ishmael”, its opening sentence, has become one of the most recognised opening lines in literature. The book is based on two actual events. One took place in 1820, when a sperm whale rammed and sank the Essex, a whaler that was in hot pursuit of it. The other … Read more

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