Popular Reviews
The Arrival of Wang
It’s L’arrivo di Wang in its original Italian, which still sounds bizarre, though perhaps slightly less fruity than it does in English, where the title suggests… the appearance of a Tarzanogram? The genre is sci-fi, so perhaps not, but if there’s one thing that this lo-fi offering has is plenty of intrigue. From the off we’re grabbed, as is our heroine Gaia (Francesca Cuttica), a jobbing Mandarin interpreter who is picked up out of the blue from her home one morning by a shady motorcade, blindfolded and taken to a government installation where the rest of the film plays out. What the government want from her, who they want her to act as interlocutor … Read more
Natural Born Killers
Oliver Stone’s notorious film about two dim kids who kill a few people and become media celebrities takes two actors who weren’t exactly the go-to choices for crazy nutjob killer roles. Woody Harrelson was fresh from playing affable dunce Woody in Cheers and Juliette Lewis was uppermost in the mind as the daughter in Cape Fear. As it turned out the roles fit them like a second skin. As in similar gangster/road movies such as Badlands or Bonnie & Clyde, writer Quentin Tarantino and director Stone send their two fuck-ups off on a series of murders. But, unusually, they also send them off on a stylistic journey through a storm of different generic … Read more
Sleep
A woman wakes up in the night to find her husband bolt upright in bed talking in his sleep. “Someone is inside,” he says, before sparking back out again. The next day she asks him about what he said the night before. It was a line from a script I’ve been reading, her actor-husband tells her dismissively. The next night something a bit different. The husband starts scratching at his face uncontrollably while apparently asleep. The wife wakes him up and quietens him down, then she goes back to sleep and so does her husband. But in the morning his face is a mass of bloody red scratches so bad that make-up will … Read more
Nosferatu
Murnau’s 1922 silent expressionist classic is one of defining moments in movie-making. It borrowed its story wholesale from Bram Stoker’s Dracula, gave it the lightest of resprays and hoped no one would notice the theft. Bram Stoker’s widow noticed and sued for breach of copyright, won the case and had all the prints of Nosferatu destroyed. But the film refused to die, and rose from the undead. Its star, who plays Count Orlok (aka Nosferatu), is one Max Schreck, “Schreck” being the German word for terror. Maximum Terror – and you thought modern Hollywood had a lock on this sort of thing. Adding to that in terms of myth-making, it was always rumoured that … Read more
The Golden Glove
Should a serial killer movie sympathise with its killer? The Golden Glove (Der Goldene Handschuh) comes perilously close to going all-in with real-life killer Fritz Honka (Jonas Dassler), who killed four women in Hamburg between 1970 and 1974 and then hid their body parts in his attic. Grim, seedy, sleazy, disgusting, vile, the negative adjectives have piled up in discussions about this undoubtedly brilliantly made movie. I’d go for “pitiless” or “cosmically ironic”. More verbosely, it’s a cool exercise in the manipulation of the human tendency to imprint (like a duckling for the first “mamma” object it sees on hatching) suggesting the omnivorous writer/director Fatih Akin has been watching Park Chan-wook’s Vengeance trilogy … Read more
The Quiet Girl
Oh dear. There were tears before bedtime watching The Quiet Girl (An Cailín Ciúin), an Irish-language film set in the 1980s and all about a girl whose parents send her off to live with a distant cousin on a remote farm. Mother (Kate Nic Chonaonaigh) is overburdened with kids. Dad (Michael Patric) is a feckless womanising boozer, and young Cáit (Catherine Clinch), not fitting in too well at school, has become a handful. And so, without being consulted, Cáit is shipped off for the school summer holidays in what might be a dry run for something more permanent. It looks like the set-up for one of those misery memoirs à la Angela’s Ashes, … Read more
The General
Buster Keaton’s favourite of his own films got off to a poor start in 1927. A flop at the box office and poorly received by critics (“the fun is not exactly plentiful” said the New York Times), it’s now considered to be one of the greatest films ever made. Is this high ranking down more to nostalgia for a simpler time or campaigns mounted by lovers of the hair shirt? Possibly a bit of both. But strip away the nonsense and you’re still left with something remarkable. The gags, for the most part revolve around The General, the steam locomotive of which Keaton is the engineer. The most famous of these is the … Read more
Tulpan
A movie for every day of the year – a good one 31 August Princess Diana dies, 1997 On this day in 1997, Diana, Princess of Wales died in a car crash in the Pont D’Alma road tunnel in Paris. Also in the car were Henri Paul, the driver, and Dodi Fayed, her boyfriend. The accident happened after Fayed and Diana had spent the evening at the Ritz in Paris, owned by Fayed’s father, Mohamed Al-Fayed. At the end of the evening they had got into a Mercedes S280 and driven off from the rear entrance of the hotel, a decoy car having already drawn off a sizeable number of journalists by leaving … Read more
The Killing of Two Lovers
The Killing of a Two Lovers starts, unusually, with a climax, backs off quite a bit to let us work out what’s going on, before returning with another climax at the end, exactly where we’d expect one to be. It opens with two people in bed asleep. Hovering over them is a bearded man with a desperate look on his face and a gun in his hand. He hears a noise from somewhere else in the house, takes fright and climbs out the ground-floor window and makes good his escape. The two people sleep on unawares, while we head out with David, the desperate guy, and find out more about him. The film … Read more
The Doors: When You’re Strange
A movie for every day of the year – a good one 16 August Elvis Presley dies, 1977 On this day in 1977, the King of Rock’n’Roll, Elvis Presley, died, an old man culturally and physically at 42. He had been physically in a steep decline since 1973, having overdosed twice on barbiturates that year. By 1977 he was fat and so dosed with drugs that he could barely talk on stage. He was suffering from glaucoma, liver damage, an enlarged heart and an enlarged colon. On the afternoon of 16 August, Elvis’s fiancée, Ginger Alden, found him on the bathroom floor dead. A lab report found his body contained 14 drugs, ten … Read more
The Reception
The Reception is a film that seems to be heading gloriously in one direction, only to actually be heading disastrously in another. It tells the surely thorny enough story of Jeannette, a rich French-American woman (Pamela Holden Stewart) and her African-American lover Martin (Wayne Lamont Sims), who live in bucolic splendour in upstate New York, where he gains her financial patronage for his career as a (blocked) painter, in return for his companionship and quiescence about her drinking – the few glasses of red per night generally turning into a torrent. Then her daughter Sierra (Maggie Burkwit) turns up with her husband Andrew (Darien Sills-Evans) and the delicate balance is undone. It turns … Read more
Beyond the Forest
“Nobody’s as good as Bette when she’s bad!” screamed the posters for this 1949 melodrama starring, of course, Bette Davis. But bad how? The latest of a run of flops for Davis when it was released, Beyond the Forest allowed Jack Warner to offload the star who’d made him fistfuls of money for 18 years. Good riddance to you too, said Bette, who’d wanted out anyway. Or so she said. It’s a madly overcooked affair from the outset, with a rolling written introduction after the opening credits insisting that this is a grim but necessary portrait of evil and its rewards and ending with a metaphor about a “scorpion in a mad fury” … Read more
