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Popular Reviews

Star Wars

A movie for every day of the year – a good one 23 March President Reagan proposes the Strategic Defense Initiative, On this day in 1983, President Reagan announced a change in the country’s defence policy. Hitherto relying on a launch-on-warning (aka fail-deadly) response to attack – Mutual Assured Destruction – the US switched to a stated position of defending the country, not attacking an enemy: the Strategic Defense Initiative. Since the previous strategy had relied on a superabundance of ballistic nuclear weapons, the idea being that even if only a small percentage got through, the damage to the other side (the Soviet Union, generally) would be so great that nobody would even … Read more

The Dark Mirror

I asked Gemini, Google’s AI thingie, what the best “abnormal psychology” film noir was, pretty certain it would say The Dark Mirror. It did. Along with In a Lonely Place and Night of the Hunter, a couple of other suggestions. In the halls of appreciation of old movies those last two get plenty of love, but for some reason 1946’s The Dark Mirror seems to have fallen by the wayside a bit. Which is unfair for all sorts of reasons. The plot is a cracker, for starters. A doctor has been murdered but the woman placed at the scene of the crime has a watertight alibi. She was elsewhere, and several witnesses can … Read more

Neil Young: Heart of Gold

Jonathan Demme’s Talking Heads film, Stop Making Sense, is one of the best concert documentaries ever made. Now he’s done the same favour for Neil Young, who was just recovering from a brain aneurysm when he delivered this two-part country set in Nashville. The title itself is something of a misnomer, or a hard sell (take your pick) since the first part of the concert is Young’s Prairie Wind album in its totality. It’s only in part two that Young gets the back catalogue out, mostly songs from Harvest, After the Gold Rush and Harvest Moon, his slight return to the acoustic-y banjo-y style of Harvest. As with Stop Making Sense Demme starts … Read more

The Reckless Moment

Melodrama lush and silk-wrapped in The Reckless Moment, a typically opulent film from Max Ophüls, billed almost inevitably as Max Opuls in the four films he made in the USA, of which this was the last. He’s best known for Lola Montes and La Ronde, and for a strange fascination with female characters whose name began with the letter L (it was Léocadie, played by Simone Signoret, in La Ronde, no prizes for guessing who it was in Lola Montes). Lucia is his L of a gal in The Reckless Moment, Joan Bennett showing what an all-rounder she was in a role that’s several rungs up the social ladder and a moral universe … Read more

Vampyr

Carl Theodor Dreyer’s Vampyr was the first psychological vampire movie, or so some of the books say. Cut to FW Murnau in the wings asking forlornly, “So what was Nosferatu?” made ten whole years earlier in 1922. How about Vampyr being the great Dreyer’s first sound movie? There is no doubt about that, even though Dreyer is working as if he’s still making a silent movie, right down to the use of intertitle cards. Really, this is a silent movie with added sound. Murnau stole the Dracula story from Bram Stoker but Dreyer bases his film on In a Glass Darkly, an earlier collection of gothic shockers by another Irish author, Sheridan Le … Read more

Brian Wilson: Long Promised Road

There are two different versions of the same guy on view in Brian Wilson: Long Promised Road, a documentary about the famous Beach Boy that tries to connect the two. And does so, unsurprisingly though nevertheless touchingly, through music. Version 1 is the Wilson of many an old YouTube clip, the maverick genius who turned the recording studio itself into a musical instrument in the mid-1960s and helped give the music of the era its claims to greatness. This Wilson is young, lively, amusing, driven and voluble, clearly the master of his realm, the writer, arranger, producer and musical director of the band he also performed with and a man who could command … Read more

The Beekeeper

Jason Statham enters the territory of John Wick, Taken and The Equalizer (feel free to add your own) with The Beekeeper, a midweight actioner marked out by spectacular fight sequences and violence that’s ingenious and gloriously brutal. He plays one of those retired guys who used to be something in the secret service. They’re never regular CIA or anything so crass, these ex-operatives, but onetime members of elite squads who can eat whole SWAT teams for breakfast, even though they’re now retired, out of shape and don’t really want to swing into action. But swing into action they must once they’ve been triggered by the death of a dog, in John Wick’s case, … Read more

Lucy and Desi

Amy Poehler’s debut documentary Lucy and Desi wants to tell the story, not unreasonably given its title, of both titan-of-TV-comedy Lucille Ball and her husband, business partner and co-star Desi Arnaz. Immediately there’s a problem. Lucy was a genuine star, Desi was not. Whatever his many talents behind the scenes, first as a musician then as a producer, they didn’t translate to the screen, and even a cursory glance at any one of Desi’s many appearances alongside his wife reveal a man who looks like he’s eager to get out of the bright lights. Not everyone can be a gifted comic actor, or wants to be. This asymmetrical twin focus is tough enough, … Read more

Titane

How to approach Titane, Julia Ducournau’s follow-up to her bold debut Raw, without entering spoiler territory? It’s not so much a story as an exercise in shock reveals, of inappropriateness and transgression, delivered in the sort of cine-literate style that gets festival juries salivating. It won the Palme D’Or at Cannes. What can be said is that it starts off soberly enough, with a man driving with his daughter in the back of the car. Alexia is humming loudly, to Dad’s irritation. She makes things worse by kicking the back of his seat. Then she unhooks her seatbelt, causing him to swivel round from the front and… disaster. Alexia winds up in hospital, … Read more

The Ice Tower

Lucile Hadžihalilović has been making films like The Ice Tower ever since her feature debut, 2004’s Innocence, an allegorical semi-fairytale in which a young Marion Cotillard played a pivotal role in a story that wasn’t about her character at all. Same here – Cotillard pivotal, playing Cristina, an actress in a very non-specific 1970s whose latest role, as Hans Christian Andersen’s Ice Queen, gets her caught up with a young runaway hiding out in the studio where the film is being shot. Mistaken for an extra, Jeanne (Clara Pacini) is gradually wound into the movie itself, into the life of Cristina and into the world of the Ice Queen. Hadžihalilović slides about between … Read more

Oh, Hi!

When is a good time to tell your girlfriend that you’re just not that into her? Oh, Hi! suggests it probably isn’t when you’re in the middle of a light bondage session and you’re handcuffed to a bed. Yup. Stoopid. That’s the scenario that director Sophie Brooks and star Molly Gordon dreamt up while they were also in something of a handcuff situation – locked down during Covid – and they work it for all its worth in this larky, darkish dramedy at its best when it takes risks. Gordon you may know from being the on/off girlfriend of main man Carmy (Jeremy Allen White) in TV show The Bear. She’s playing a … Read more

Steve Jobs The Lost Interview

A movie for every day of the year – a good one 20 December NeXT merges with Apple, 1996 On this day in 1996, Apple Computer Inc agreed a deal with Next Computer Inc to buy Next for $429 million, plus 1.5 million Apple shares. Next had been set up by Steve Jobs after he had been ousted in 1985 from Apple, the company he had co-founded in 1976. The deal involved the return of Jobs to Apple, which was seen as something of a second coming for Apple, whose fortunes had been languishing since Jobs had left (and before he had left too). The deal was brokered by Gil Amelio, who had … Read more

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