Popular Reviews
Underworld USA
Shock, horror, probe. Sam Fuller’s Underworld USA is further proof that the former crime journalist and pulp novelist’s knack for attention-grabbing material survived the transition from the page to the screen. Fuller was a newspaper copyboy aged 12, a crime reporter aged 17, a novelist aged 23 and a screenwriter aged 26. A man in a hurry with a newspaperman’s broad-brush approach, a desire to tell a story boldly and clearly… and then move on, in the early 1960s he became particularly associated with low budget issue-driven features that were all about the lurid sell – Shock Corridor (mental illness), The Crimson Kimono (interracial relationships) and The Naked Kiss (prostitution). Underworld USA fits that … Read more
Encounter
Close Encounters? No, just Encounter, though the choice of title is deliberate. Instead of Richard Dreyfuss on the road, heading towards alien contact, Encounter offers Riz Ahmed’s Malik on the road with his two sons, heading towards something… or perhaps something else… or perhaps nothing at all. It’s all a massive tease, really, and it’s Michael Pearce doing the teasing. He was the writer and director of Beast, a similarly playful story all about innocent people who might not be innocent, strapped to a slightly sensational (if you live in Edwardian England) story about a pretty young woman (played by Jessie Buckley) of some status going all Lady Chatterley with the possibly murderous, dirty, … Read more
The Avengers: Series 5, Episode 5 – The Bird Who Knew Too Much
Even being kind The Bird Who Knew Too Much is a fairly crap episode of The Avengers, a half-hearted rewrite of an Alan Pattillo story by Brian Clemens. But it gets off to a quirky enough start – a man on the run is shot and, instead of shedding blood, gives out a little trickle of bird seed. Steed Fancies Pigeons: Peel Gets the Bird is what the irritating subhead card reads before action recommences after the credits with another one of “our” gang – a pigeon keeper (a “fancier” in the terminology) – winding up backwards in a tank of wet cement. “He was a pretty solid sort of man,” Steed later … Read more
Lapwing
Lapwing is a film set in 16th-century England with just enough background detail to get the thing moving, at which point writer Laura Turner and director Philip Stevens get busy with what they’re really about – pressure-cooker drama. The time. In 1554 the Egyptian Act made it essentially illegal to be a dark-skinned person of no fixed abode in England. It was aimed at Egyptians (as Gypsies were called). It also made it illegal to offer Egyptians help. The place. The North Sea coast, where a small group of intinerant workers are harvesting salt, bagging it up and taking it to market. As the action opens, a small gang of “Egyptians” have approached … Read more
Trenque Lauquen
Long films are often thought to have something profound to say. I’m not sure Trenque Lauquen does, unless you’re counting what it has to say about the act or art of cinema itself. Philosophically there might not be too much going on here but artistically this is a remarkable film. Cahiers du Cinéma named this as their best film of 2023. It’s four hours and 22 minutes long, before we go any further, and a detective thriller kind of thing, opening with two men searching for a woman, then flashing back to tell the story of the missing woman and one of the men, all the while alluding even further back, to a … Read more
Hannibal
This may not be the best film out this week, but it is the one that is shouting loudest. Who doesn’t want to see Anthony Hopkins return to the role of Hannibal the Cannibal after several years of haggling over his fee, which includes an agreement to make one more film featuring everyone’s favourite cultured cannibal? Hannibal’s plot sees Hopkins’s Dr Lecter returning to the USA, having been lured back from Italy by an elaborate hoax cooked up by Mason Verger (Gary Oldman), a former victim of Lecter’s, who has survived a fiendish munching and is now using Agent Clarice Starling as bait to get payback. The plot is familiar cat v mouse … Read more
Close to Home
An unusual “buddy movie” focusing on two young women conscripted into the Israeli army, where they spend their time either checking bags for bombs or asking anyone suspicious – Arabs, let’s be honest – for their ID. Shot on handheld cameras on the streets of Jerusalem, Close to Home is in most other respects firmly within the tradition of the buddy movie. In other words the girls don’t initially get on – fiery Smadar (Smadar Sayar) would rather get her hair done and ogle boys than bother decent people who are just trying to get to work. The quieter Mirit (Neama Shendar) on the other hand is a stickler for protocol. Vardit Bilu and … Read more
First Orbit
A movie for every day of the year – a good one 27 January The Outer Space Treaty signed, 1967 On this day in 1967 the USA, USSR and UK jointly signed the Outer Space Treaty, more formally known as the Treaty on Principles Governing the Activities of States in the Exploration and use of Outer Space, including the Moon and Other Celestial Bodies. It is the treaty that seeks to impose some legal, agreed structure on regions beyond our own world. It is the first move towards Space Law. Its basic tenets are that no signatory state shall place nuclear or other weapons of mass destruction into Earth orbit. It restricts the … Read more
My Old Ass
Aubrey Plaza in a film called My Old Ass looks like a case of someone getting their defence in early, but is in fact a canny repositioning of Plaza – more mouth, less sex – and another demonstration of her ability to light up a film with dark snark in a supporting role. The film actually belongs to Maisy Stella, in her first time out, playing a young Canadian woman – bit snarky, bit dark – who meets her older self after going on a mushroom trip with her friends, in a last hurrah before they all leave their home town for the next phase of their lives. Shrooms ingested, all three sit … Read more
Human Capital
First-world and real-world problems collide in Human Capital, which started life as an American novel, became an Italian movie (Il capitale umano) in 2013 and then returned to the US in 2019 for this English-language version. How best to describe all three? Bonfire of the Vanities meets The Ice Storm will about do it. In other words a broad spectrum portrait of modern life, with a narrow focus critique of the elite at its core. It starts, as Bonfire of the Vanities did, with a car accident, and then plays and replays the story from the point of view of each of the characters involved. Not the same events, exactly, but a “how … Read more
Contact
A movie for every day of the year – a good one 15 March World Contact Day Today is World Contact Day. It was declared as such by the International Flying Saucer Bureau in 1953. Since then it has used annually as an opportunity for all those interested in doing so to send a message telepathically to any extraterrestrial alien in space who might be interested in visiting earth. Not to be confused with World UFO Day (24 June or 2 July depending on who you talk to), it was originally intended by “contactees” as a way of establishing not just that entities from other worlds existed, but that they were friendly. The … Read more
Bye Bye Monkey
Translating 1978’s Ciao Maschio as Bye Bye Monkey doesn’t really help the film very much. Literally, it should be something like Farewell Machismo, and that title makes a lot more sense when you actually watch the film, whose eventual English-language title has been overwhelmed by the presence of a chimpanzee in the film. So, where to start with this one? It’s a strange movie set in New York, directed by a veteran, very talented Italian director, Marco Ferreri, with a cast of French and Italian stars. All concerned seem to be indulging themselves in what looks like late-to-the-party entry-level absurdist situationism. A bit of plot will help clarify things. In opening scenes we … Read more
