Popular Reviews
Wheel of Fortune and Fantasy
More is sometimes less. Not so with Wheel of Fortune and Fantasy, three separate love stories connected by the fact that the the people in them are a bit fucked up and which together deliver more synergistic bang for your buck than the average single-plot feature. Offbeat associations are something of a theme with the films of writer/director Ryûsuke Hamaguchi, whose feature debut was all about an astronaut’s relationship with his dead wife. Yes, reader, it was a remake of Tarkovsky’s Solaris, no less – made while Hamaguchi was at college. He went on to explore human relations in films like Passion, Intimacies and Touching the Skin of Eeriness and his current film, … Read more
In My Mind
In My Mind is a close relative of one of those Nick Broomfield documentaries where, instead of making a film about his original subject, Broomfield tells the story of how he tried, but failed, to get his man or woman (see Tracking Down Maggie, about failing to get an interview with Margaret Thatcher, or Kurt and Courtney, in which he chased Courtney Love, to her increasing irritation). The person in question here is Patrick McGoohan and the film-maker is Chris Rodley, who in 1983 was sent to LA by Britain’s Channel 4 to film some interviews with McGoohan for an upcoming documentary about the cult 1960s TV series The Prisoner, which Channel 4 … Read more
Gaia
Gaia is a South African horror film. Unusual enough. An eco-horror, a survivalist horror, a myco-horror and a Freudian horror too. And somehow, in among all that, it even manages a bit of old-fashioned girl-in-a-T-shirt horror titillation, a demonstration of its limber ability to play to and against horror expectations. The supreme example of this comes early on, right after we’ve met Gabi (Monique Rothman) and Winston (Anthony Oseyemi), a pair of forestry workers far from base, punting up river in a canoe, on a mission to collect data. Having lost the drone they’re using as a tech wayfinder, they separate. Expectation one – this is a bad idea. This turns out to be … Read more
Kiss Me Deadly
Critics continue to argue over whether this is the best film noir ever made but all seem united on one point – Kiss Me Deadly is the best adaptation of one of Mickey Spillane’s Mike Hammer novels. Now 50 years old, the film opens with a scene that still packs a punch – cynical private eye Mike Hammer picks up a girl hitchhiker who is wearing only a mac. Within minutes his car has been run off the road and a brutal gang is torturing the girl before killing her. The stage is set for Hammer, one of cinema’s great anti-heroes, to become avenging angel, visiting bad men in places high and low … Read more
Mummies
“It’s for kids, innit?” a guy muttered to me as we came out of the screening for Mummies. He didn’t say it like it was a good thing, summing up in a shrug the slightly throwaway nature of this Spanish animation redubbed into English. I have no idea how good the original voice cast were, but Joe Thomas (of the TV show Inbetweeners), Eleanor Tomlinson (Poldark) and Hugh Bonneville (everywhere all at once right now but best known for Downton Abbey) are excellent as the English-language replacements. Thomas voices Thut, the Ancient Egyptian charioteer who used to be a champion but now has post-chariot-stress-disorder, and Tomlinson is Princess Nefer, the daughter of Pharaoh … Read more
The Grace of God
Now this one is a hard sell. It starts with its director, Gérald L’Ecuyer, addressing the confessional camera, telling of the 16 psychiatrists and the one doomed affair he went through to make this film. Then the film proper starts and it turns out it’s all about a young man and his tangles with psychiatrists and doomed love over a ten year period. This is followed by a whole load of shots from out of the window of a moving train. And that – confession, fiction, train window – is pretty much the mix for the whole of the film’s 70 minutes, which build towards an explanation of how and who this gay … Read more
Sisu: Road to Revenge
Old Guys R Us: Part Two – Sisu: Road to Revenge repeats the formula of the first movie, of the iron-hard old Finnish dude taking on unimaginable numbers of bad guys… and prevailing, in a vastly entertaining way. He’s John Wick in a beard, transposed back to the 1940s. First time around the enemy was the Nazis. But time has moved on for Aatami Korpi (Jorma Tommila), the war is over and the Nazis have been defeated. For Finns the result has not been entirely good. In a voiceover prologue that’s almost the entire movie’s spoken-word spend, we learn that the Soviet Union has advanced into Finland, taken a good chunk of territory … Read more
Monsters
A movie for every day of the year – a good one 1 December Military Abolition Day, Costa Rica On this day every year, the people of Costa Rica celebrate Día de la Abolición del Ejército (Military abolition day), as a reminder of the day in 1948 when President José Figueres Ferrer got rid of the country’s armed forces, in particular the standing army. Unusual in itself, this act was all the more remarkable when it is considered that Ferrer was a general who had just led an army to victory in the 44 day civil war in Costa Rica, which had been precipitated by the parliament refusing to accept that the opposition … Read more
The Matrix
Who has not seen The Matrix? It’s the Gone with the Wind and Star Wars of our era, a phantasmagoria in black leather open to multiple readings that was already being described as mind-bending and complex before it even debuted. From this distance it all seems as clear as water – Mr Anderson (Keanu Reeves), a disaffected slacker/hacker is invited to visit another plane of awareness, from which vantage point he can see that the plane he once inhabited, what he thought of as the “real” world, is in fact a construct, assembled by a computer program. Strip away the program and in the real “real world” humans are being grown in tanks … Read more
Frau im Mond aka Woman in the Moon
Fritz Lang’s scorching run of the late silent era continues with Frau im Mond. Translated variously as Woman in the Moon, Girl in the Moon and By Rocket to the Moon, it’s Lang’s second go at sci-fi. He’d made Metropolis only two years before, nearly bankrupting the Ufa studio in the process. And yet, for some reason, Ufa gave Lang his head again. The fact that Spione (aka Spies), Lang’s creation of the modern spy caper the year before, had been a massive success might have had something to do with Ufa’s readiness to be so generous. Frau im Mond is the realistic, plausible sci-fi to Metropolis‘s poetical, fantastical one, an attempt, using … Read more
Silent Night
John Woo goes John Wick in Silent Night, his first US movie in 20 years, since 2003’s Paycheck in fact. And if Wick was all about people doing creatively terrible things to each other in beautiful choreographed ways, so is Silent Night, with the added gimmick that here no one speaks. Not that they speak much in John Wick, or in any revenge movie of any sort, come to that. Charles Bronson was once the king of this sort of thing, but now Keanu rules the roost, with many jostling for some of the action. Here it’s Joel Kinnaman, playing Brian Godlock, an average sort of guy thrust onto the path of murderous … Read more
Unrest aka Unrueh
There was a real-life person called Pyotr Kropotkin, he isn’t a fantasy creation of writer/director Cyril Schäublin, who is also excavating his own family’s connection to the Swiss watch industry in Unrest (Unrueh), a film as quiet and precise as a high-end timepiece. Schäublin’s film follows the bearded Russian political radical (played here by Alexei Evstratov) as he arrives in a Swiss valley, where, he’s apparently heard, the workers are beginning to organise themselves in a loose anarcho-syndicalist fashion. There, posing as a cartographer making a map, Kropotkin stands back and observes, taking in the working relations of the late 19th century – feudal more than anything. He notices how the workers mutually … Read more
