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Popular Reviews

Chemical Hearts

Love is a feeling generated by chemicals in the brain, suggests Suds, the practical, science-versed older sister of Henry, in Chemical Hearts. It’s also a feeling generated by this deliciously gooey romance. If there’s room each year for one gorgeous indie teenage love movie then this is the 500 Days of Summer of 2020. Henry is the nerdy high school kid whose long-term goal is to be a writer. Shorter term his ambition stretches to editing the school paper. Dropping into his world one day like an alien from outer space is Grace, a spiky, withdrawn, slightly sneery girl who’s smart, bookish and into the love poems of Pablo Neruda. Oh dear. He’s … Read more

Steve Jobs The Lost Interview

A movie for every day of the year – a good one 20 December NeXT merges with Apple, 1996 On this day in 1996, Apple Computer Inc agreed a deal with Next Computer Inc to buy Next for $429 million, plus 1.5 million Apple shares. Next had been set up by Steve Jobs after he had been ousted in 1985 from Apple, the company he had co-founded in 1976. The deal involved the return of Jobs to Apple, which was seen as something of a second coming for Apple, whose fortunes had been languishing since Jobs had left (and before he had left too). The deal was brokered by Gil Amelio, who had … Read more

Santosh

The odd Indian eventuality of a cop’s wife taking his job if he dies in service is the driver of Santosh, documentarian Sandhya Suri’s feature debut, a fascinating and thrilling Serpico-style story of corruption, discrimination and the outsider/insider dynamic. Suri does it largely in documentary style. After a fly-on-the-wall introduction to Santosh, a widow threatened with destitution because her dead husband’s family have no interest in supporting her, we’re into the meat of the story – Santosh discovers there is a way for her to earn a living. Under the “compassionate recruitment” scheme, she is offered a faint simulacrum of her husband’s job – “lady police work” the officer interviewing her says. Once … Read more

Pitch Black

A sci-fi shocker high on SFX, low on survivors and set on a planet where the self-serving and rather motley crew of an interplanetary cruiser are forced to pitch down after some unforeseen space ructions. It turns out that they are not alone on the planet. In fact this alien world is populated by some very unpleasant flying creatures who only come out in the dark. And – guess what – there’s a ginormous eclipse of the planet’s three suns on the way. Luckily, one of the spaceship’s number is gifted with uncanny nightsight. Unluckily, he is a vicious murderer locked in the ship’s brig. So there’s an awful lot of sucking of … Read more

The Spy Who Came In from the Cold

Based on the breakthrough novel by former spy John Le Carré, shot in black and white to suggest that espionage is unglamorous, dirty work and starring a hollowed out Richard Burton, The Spy Who Came In from the Cold is as far from James Bond as it’s possible to get – further, even than Michael Caine’s Harry Palmer of the Ipcress File. Telling the story of a jaded spy who is busted to a desk job in London and then recruited by East German intelligence – or that’s what they think – it’s a bleak marvel, as redolent of the drab side of the 1960s as the smell of a wet duffel coat. Martin … Read more

Winnie the Pooh

A movie for every day of the year – a good one 18 January AA Milne born, 1882 On this day in 1882, Alan Alexander Milne was born in Hampstead, London, UK. The son of a Scottish teacher, he was educated at his father’s small public school in Kilburn, London, where one of his teachers was HG Wells. After that he attended Westminster, one of the country’s leading private schools, before going to Cambridge University on a mathematics scholarship. While there he was noticed by the humorous Punch magazine, to which he started contributing. After Cambridge he got a job at Punch and became a prolific writer, producing 18 plays and three novels. … Read more

Sibyl

Billed as a drama, Sibyl is in fact a tragic comedy, a brilliantly dry and pitiless one, Kafkaesque in its analysis of a person in self denial and also Kafkaesque in being almost opaque until that “ah-haa!” moment comes along. Director and co-writer Justine Triet, a fan of Hitchcock and Polanski, dives right in. Even before the opening credits we’ve met Sibyl, a shrink and former novelist who now wants to get back in the writing game. “Don’t do it,” boiled down, is the advice she gets from an old editor friend. But Sibyl does it anyway. Sibyl (Virginie Efira) is also a recovering alcoholic who really shouldn’t have another drink, and certainly … Read more

Argentina, 1985

In classic Hollywood triumph-over-adversity style, Argentina, 1985 deals with weighty events in a superbly accessible way as it tells the story of the lawyer who put the dictatorial Argentinian Junta on trial and saw that they got their judicial just deserts. It was a big film in Argentina, understandably, but also got nominated for an Oscar in the best international feature category – against tough competition (Eo, The Quiet Girl, Close and, most of all, All Quiet on the Western Front) – and that has to be on the strength of its writing, which is lucid and brisk, and the direction, which makes regular use of Hollywood shorthand to keep things moving. If … Read more

Secret Agent

Anyone for the fifth best British film of 1936, as voted for by the readers of the defunct Film Weekly? Secret Agent is one of a run of spy thrillers Alfred Hitchcock made in the 1930s. Sandwiched between The 39 Steps and Sabotage it’s the least compelling of the three, a misfire in many ways. There are two reasons for that, both Hitchcock’s fault. But let’s get to that later. First, you need to know that it stars John Gielgud as Edgar Brodie, a successful novelist recruited by the British secret service, given the spy moniker Ashenden (the title of the Somerset Maugham book on which the film’s based) and sent to Switzerland. … Read more

Salvo

What do solitary hitmen want? To get out. Or a normal family life. Or for the senseless killing to stop. Salvo gives us versions of all these possibilities, with masses of style and a cool, thrilling central performance by Saleh Bakri as the titular Salvo – it means “safe” in Italian, a name that can be read ironically, depending on which end of the gun you are at. Cannes liked it, and awarded it the grand prize in Critics Week in 2013, which is the one they hand out to new talent. Which situates Fabio Grassadonia and Antonio Piazza alongside Bernardo Bertolucci, Leos Carax, Wong Kar-wai, Julia Ducournau and Andrea Arnold. For its money … Read more

In the Mood for Love

Escape the tyranny of the huge flatscreen TV for an evening and surrender to a slow-moving visual feast best seen on the big screen in a darkened room with lots of people. They will mostly be holding their breath, and for a variety of reasons. The gorgeousness of Christopher Doyle’s cinematography for one, depicting 1960s Hong Kong as a kaleidoscope of butterfly blues, resinous ambers and neon reds. The unusual focus of the plot for another – on the man and woman realising that their other halves are having an affair with each other. On the losers not the winners in the game of love, in other words. And on the awful, stomach-clenching … Read more

The Old Guard

Dark hair, dark shades, dark clothes, it’s Badass Charlize Theron who turns out for The Old Guard, a superhero adventure with a mournful air and an eye on a franchise. There are four distinct Therons – the actor (Monster, In the Valley of Elah), the babe (Gringo, The Devil’s Advocate), the snark (Young Adult, Tully) and the buttkicker (Aeon Flux, Atomic Blonde). She’s good at them all but it’s the last in that list that we get here. Though at 45 Charlize isn’t bouncing out of the helicopters the way she once did. But if Tom Cruise can do it… and he’s 13 years older. Theron plays androgynously named “Andy”, head of what looks … Read more

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