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George Anthony Morton paints himself

Master of Light

A film “by Rosa Ruth Boesten and George Anthony Morton” it says at the beginning of Master of Light. Given that Boesten is this documentary’s director and Morton its subject, that’s an unusual way of putting it. And yet. It’s the story of a former drug dealer, a man who spent his entire 20s in prison, and how he has been saved by painting. Painting, what’s more, like the Old Masters – Morton is a big fan of Rembrandt. For a black guy with a neck tattoo there’s a certain headline-catching novelty factor right there. If the neck tattoo and jail time seem to tell one story, Morton’s softly spoken manner and kind … Read more
Charles and Isha at home

The Outside Story

Brian Tyree Henry goes from second string actor to star in The Outside Story. He’s probably best known from the TV series Atlanta, which has acted as a finishing school for talents including LaKeith Stanfield and Zazie Beetz. More recently you might have seen Henry’s face in Godzilla vs. Kong, as a nerdy conspiracy theorist. Writer/director Casimir Nozowski also gets an upgrade, having made a number of New York-centric shorts and directed a reality foodie show – and you can see the influence of both in The Outside Story. After a year of various levels of lockdowns, Henry is playing a character who’ll be familiar to many, as the video editor whose laptop-based … Read more
Close up of Cagney as a gun-wielding Cody Jarrett

White Heat

1949’s White Heat features one of the most famous screen criminals, in one of the most famous gangster movies ever made. But was Arthur “Cody” Jarrett, the character James Cagney plays, sexually off the straight and narrow? A mother-loving gang leader prone to swooning headaches who can’t satisfy his wife – whatever else Cody is, he’s a strange kind of protagonist. But then this is the 1940s and Cody’s not meant to be likeable. This is the story of a smart but crazy criminal who, in the film’s opening scenes, murders four men as part of a raid on a train and then, as the law starts circling, admits to a lesser crime … Read more
Georgina Campbell in Barbarian

Barbarian

A young woman in Detroit for a job interview turns up at the Airbnb she booked online only to find that there’s there’s a man already in there. A double booking. It’s dark, it’s late and it’s raining and there’s a convention in town, so finding another place to stay is going to be a stretch. After several minutes of her wringing her hands and him shifting his weight nervously from one leg to another, he does the gallant thing – no, he doesn’t vacate and leave it to her, but he does offer her the bed. He’ll sleep on the sofa, he says. The bedroom door has a lock on it and … Read more
Turning Red's big red panda

Turning Red

In Turning Red, a hyperactive 13-year-old Toronto schoolgirl turns into a giant red panda one day – looks like a cat, but panda is what we’re told – and Pixar’s latest animated adventure swings into motion, as do thoughts about what this can all possibly mean. The girl is called Mei, she is the bookish daughter of an immigrant Chinese family and her condition comes on suddenly after Mei has been humiliated by her mother over a crush on a dopey guy who works in a local shop. Mei is becoming an adult. It’s a metaphor for a girl having her first period and becoming a woman, you’d think. Pixar seem to knock that … Read more
Honor Blackman and Edric Connor

The Avengers: Series 3, Episode 7 – The Gilded Cage

Shown on 9 November 1963, just one day after five thieves had almost nabbed a king’s ransom of jewels and gold on the streets of Manhattan –they were thwarted because the getaway driver couldn’t work the manual gears of the heisted station wagon – The Gilded Cage is all about vast amounts of gold, which, it appears, Steed and Gale are trying to steal. With a passing mention of Bretton Woods – the post-War economic order which pegged international currencies to the dollar, itself pegged to gold (hence the US Bullion Depository at Fort Knox as a common trope in this era) – it’s made clear that this isn’t just about the loot, … Read more
Joseph at work

Surge

Surge is one of those films that make a nonsense of star ratings. It’s undeniably brilliantly conceived, played and made but whether you actually want to watch it is another matter. Compelling and entertaining are not the same thing. The IMDb charmingly calls it a “thriller about a man who goes on a bold and reckless journey of self-liberation”. I’d call it an almost clinical overview of a man going into, and eventually being swamped by, psychosis. Joseph, played by Ben Whishaw, starts out OK enough, if a bit twitchy. He’s one of the security guys at London Stansted Airport who frisk you as you go through from landside to airside. It’s a … Read more
Francesco and the undead She

Dellamorte Dellamore aka Cemetery Man

First, Dellamorte Dellamore is a much better title for a movie than Cemetery Man, which is how it went out in English speaking countries in 1994. Cemetery Man suggests something slasher-inspired, maybe. Dellamorte Dellamore, and its literal translation, Of Death, Of Love, something much more gothic and weird. And that’s exactly what this mad piece of super-cultish garage grindcore is. It’s Italian, who are good at weird, and is based on the novel Dellamorte Dellamore by Tiziano Sciavi. Sciavi had based his main character in an earlier work, the comicbook Dylan Dog, on the actor Rupert Everett (specifically the listlessly upper-class Rupert Everett character in Another Country) and so when it came time … Read more
Laurie Calvert and Billy Zane

Lucid

Adam Morse’s feature debut, Lucid, is an ideas-driven supernatural drama that could almost double as an instructional video for shy boys who’d like to meet girls. In The Matrix style, it’s got a nerdy guy, Zel (Laurie Calvert) at its centre, an incel gamer whose mother (Sadie Frost) still hovers, concerned that her son isn’t getting out enough, worried that he’s never going to meet a nice girl if he doesn’t maintain normal standards of personal hygiene, even more worried that he can’t look a pretty woman in the eye without going to pieces if he’s got any interest in her at all. By night Zel has the sort of job shut-ins have … Read more
Danielle at the buffet

Shiva Baby

Shiva Baby is a failure-to-launch comedy of aspirational anxiety and adds writer/director Emma Seligman’s name to the list of 1980s-born New York(ish) women working the seam – Lena Dunham, Greta Gerwig and Desiree Akhavan. Seligman adds her own distinctive twist, though, a genre switcheroo as screwball comedy morphs into something darker and tenser, an almost Hitchcock-y vibe emerging as main focus Danielle (Rachel Sennott) works herself into terrible situations entirely of her own making. What’s more impressive is that the action takes place all on one set, inside the house where a shiva (the Jewish wake/mourning period) is taking place after the death of someone – the obligated Danielle isn’t actually sure who – … Read more
Eun-hee in class

House of Hummingbird

Why is House of Hummingbird called House of Hummingbird? I’ve got no idea, and watching this South Korean coming-of-ager hasn’t enlightened me. Can anyone help? Answers below if you can. Maybe I missed something. Odd in a way, because the film itself is as clear as day and is told in a bright, clear manner, by actors with open, honest faces, particularly Park Ji-Hu, who plays schoolgirl Eun-hee. This is her story. She’s an average kind of schoolgirl with an interest in comics and drawing. Life at home is a bit tense. Her brother bullies her a bit, her older sister is skipping out at night to see her boyfriend, mum and dad … Read more
The female agents on the way to an airplane

Female Agents

Jean-Paul Salomé, director and co-writer of Female Agents (Les Femmes de l’Ombre in the original French), got the idea for his 2008 film from an obituary. While in London in 2004 he read about Lise Villameur, who’d just died aged 98. During the Second World War she’d been an agent for the French Section of Britain’s Special Operations Executive. Parachuted into France to set up her own cell and run her own agents, Villameur was described by the folk at SOE training school as “quite imperturbable… would remain cool and collected in any situation . . . she was very much ahead of her fellow students”. That’s exactly how Sophie Marceau plays Louise … Read more

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