Popular Reviews
Doctor Strange in the Multiverse of Madness
The success of the Marvel Cinematic Universe must surprise even Marvel. Doctor Strange in the Multiverse of Madness is the 28th film in the series, the fifth of Phase Four, and with talk of folding both Deadpool and Blade into the franchise, the MCU isn’t going anywhere just yet. Have a squint at the Trivia section for this film’s entry on the IMDb – it expands to fill several multiverses. Fanboy fervour unbound. Sam Raimi is part of that success. Though his Spider-Man trilogy of 20 years ago isn’t part of the official MCU – and Blade had to an extent already shown the way – the success of three films in five … Read more
The Adventures of Robin Hood
“Only the rainbow can duplicate its brilliance” ran the tagline to the swashbuckler from 1938 which took a young Tasmanian and gave him a movie role that would define him for ever. Errol Flynn may have become a fat roué in later life but here, as Robin Hood, he is every inch the handsome, athletic, cocky, light-hearted and brave hero. The film too is full of that brio, telling a story of good v bad, true love v convenience, rich v poor, idealism v cynicism. That “brilliance”, by the way, comes from the costly and technically demanding Technicolor three-strip process, which produces colours more saturated than any subsequent process has managed. Everything – … Read more
István Szabó: Mephisto/Colonel Redl/Hanussen
A neat Blu-ray box set of some of Hungarian director István Szabó’s best – probably his best known – movies. Mephisto (1981), Colonel Redl (1985) and Hanussen (1988) all star Klaus Maria Brandauer, all three are co-written with Péter Dobai and they’re all shot by Lajos Koltai. Thematically they all deal with essentially the same issue too – personal integrity, though they come at it from different directions. To précis the plots, Mephisto is a Nazi-era tale of an actor who is “invited” to endorse the new regime in return for career success. Colonel Redl follows a traitor on his path towards sending thousands of countrymen to their deaths in the dog days … Read more
The Omen
Thirty years on, a pointless remake of the film that put quite a few bums on seats in 1976. Back then Gregory Peck was playing the American diplomat slowly realising he’s bringing up the spawn of Satan, and Lee Remick (an expert in lip-tightening panic) was the wife. This time Liev Schreiber and Julia Stiles have the dubious honour. In spite of the disaster movie craze and the example of the late career of Bette Davis, it was still quite unusual in the mid-1970s for a big star like Peck to appear in a horror movie – genre was for wimps. But the studios were realising that the likes of Jaws were changing … Read more
Alien: Romulus
A reboot and a return to basics in Alien: Romulus, in which Ridley Scott hands over the franchise to Spanish director Fede Alvarez, who returns the favour by handing producer Scott a spectacular sci-fi horror movie up with the best (ie the first two) of the series. We’re on a grungey spaceship on a timeline somewhere between the original Alien and its follow-up, Aliens, where a murderous xenomorph is working its way through Cailee Spaeny’s girlish Sigourney Weaver stand-in Rain, David Jonsson’s “synthetic” Andy, Archie Renaux’s tough, blustering Tyler, Isabela Merced’s hot and vulnerable Kay, Spike Fearn’s callow and peevish Bjorn and Aileen Wu’s practical and sexually ambiguous Navarro. It doesn’t matter why … Read more
Eagles of the Republic
I thought I spotted hints of conspiracy thriller The Parallax View in Tarik Saleh’s Eagles of the Republic, last of his so-called Cairo trilogy. So I asked AI – yes, it replied, Saleh has acknowledged the debt to Alan Pakula’s 1974 film. So satisfying when that happens… Which is to say this is a political conspiracy thriller about a man wading further and further into murky waters and losing all grip on agency and, to an increasing extent, reality. Fares Fares is again Saleh’s main man, this time around playing a fading Egyptian movie star who is asked to play Egypt’s president Abel Fattah el-Sisi in a biopic that will be produced more … Read more
News of the World
British readers wondering why Tom Hanks is starring in a film about a defunct Rupert Murdoch newspaper – fondly known as The News of the Screws, because of its interest in kiss-and-tell stories – wonder no more. This western is called News of the World because that is the name of the novel it’s based on, by American writer Paulette Jiles. Simple as. The film version is immediately reassuring on three counts. First, the look of it as it opens, honeyed light spilling from kerosene lamps in what is obviously a Western setting – props to DP Dariusz Wolski, who for a long time has been doing great work on what often turn … Read more
16 February 2015-02-16
Out in the UK This Week The Babadook (Icon, cert 15) The Babadook is a horror story about a nervous lone mum with a hyperactive and emotionally fractious six/seven-year-old child who was born the day his father died… in the car which crashed rushing his labouring wife to the hospital. If that isn’t the backstory to something psychologically intense, then what is? The Babadook has a lot going for it – the sombre production design and the creepy drawings in the book about the ghoulish Babadook that the mother ill-advisedly reads to her child as a bedtime story are just for starters. But it succeeds mostly, like all the best horror films, because it … Read more
The Return of Frank James
So The Return of Frank James it had to be, what with Frank’s brother Jesse James having died at the end of his eponymous 1939 movie. No sequel featuring hotshot outlaw Jesse being possible, how about one all about his more grounded older brother, the big sell being that Henry Fonda had been persuaded to return to the role? Boring Frank to sexy Jesse, on the face of it that’s not much of a proposition. And yet director Fritz Lang squeezes a good movie out of it, by focusing on the film’s looks. This is one of the handsomest westerns ever made. Shot in Technicolor and using locations Lang had scouted while prepping … Read more
The Tango Lesson
Sally Potter took quite a chance with her 1997 movie The Tango Lesson, by casting herself as herself in a lightly fictionalised version of her relationship with tango dancer Pablo Verón. Potter does like taking risks, though. Her previous film, Orlando, was an adaptation of Virginia Woolf’s story about a character (Tilda Swinton) who travels through history changing gender as he/she goes, and cast a man, Quentin Crisp (the self-confessed “stately homo of England”), as Queen Elizabeth I. After The Tango Lesson came Yes, in which all the dialogue was in iambic pentameter. In comparison The Tango Lesson is a restrained affair, about a film director between projects who is entranced by a … Read more
Bergman Island
French writer/director Mia Hansen-Løve genuflects before the master, Ingmar Bergman, in her playful and reverential drama set on Fårö (pronounced foe-rer, more or less), the island where Bergman wrote and shot some of his films, and which is now dedicated to promoting his legacy. In meta fashion, Chris (Vicky Krieps) and Tony are a pair of film-makers arriving on Fårö to seek inspiration for the next projects they are working on. Renting the house where Bergman once shot parts of Scenes from a Marriage, or so they (and we) are told by the woman showing them around, they get down to work, him beavering away in the bedroom, her in the mill next … Read more
Shanghai Express
A train heads from Peking to Shanghai and a woman from disgrace to redemption in 1932’s Shanghai Express, the fourth collaboration between director Josef von Sternberg and star Marlene Dietrich. Another transformation is evident, of Dietrich, from the plubby Mädchen in The Blue Angel two years before to the star who’s all cheekbones and chiselled angles. This is the film that gave us the iconic image of Dietrich toplit and eyes imploringly turned heavenward. DP Lee Garmes got the credit for it and won an Oscar for this film’s spectacular lighting but Von Sternberg did almost all of it, according to Dietrich’s biography anyway. Strangely, it doesn’t look like her film at all … Read more
