Popular Reviews
Touki Bouki
Often described as Africa’s first avant-garde film, 1973’s Touki Bouki sits at number 66 on Sight & Sound magazine’s most recent Best of All Time list, had its restoration funded by Martin Scorsese’s World Cinema Foundation and was even referenced by Jay Z and Beyoncé in the promo material for their 2018 tour (which led to an interesting discussion about cultural appropriation, especially as their tour took in not one African country). Is it any good though? Films end up on lists for all sorts of the wrong reasons – tokenism, lobbying and groupthink to name but three. The good news is that it’s as great as its reputation, a genuinely refreshing, technically … Read more
Borat: Subsequent Moviefilm
Sacha Baron Cohen retired his anti-semitic fake Kazakh TV journalist after the first Borat movie, 14 years ago, reasoning that when someone is that well known the joke – unsuspecting members of the public gulled into compromising situations – won’t work any more. So he either felt the time was right or he needed the money his most famous creation can raise – make benefit the Baron Cohen bank account – and out Borat is wheeled for what is essentially a re-run of the first film. That had a quest structure – Borat searching for Pamela Anderson – and so has this, except this time Borat is crossing the USA to meet Vice … Read more
Beau Is Afraid
Three’s a trend, so they say, and with Beau Is Afraid writer/director Ari Aster does just what his previous two films, Hereditary and Midsommar, did – he gets everyone talking. Terrible, some said. Brilliant, said others. Maybe it can be both at the same time, you could conclude, sitting right on the fence. And, fence-sitting coming naturally to some people, that is what it is – a brilliant meta-movie that simply doesn’t know when to stop and so outstays its welcome. In one of many comedy moments which seem less well advised the longer Beau Is Afraid goes on – it’s three hours long – Aster starts the action at the moment Beau … Read more
Exit 8
A man on the Tokyo subway struggles to find the exit. That’s the entire plot of Exit 8, proof that it’s not what you do it’s the way that you do it. This is a tense and atmospheric chunk of quasi-scifi, owing something if not everything to Jean-Paul Sartre’s Huis Clos, with a bit of a stylistic assist from Vincenzo Natali’s cult classic Cube. Quite how Natali got sidetracked into gun-for-hire work on TV shows rather than making more superb high-concept movies like Cube is a question for another day. Here the incredibly capable director is Genki Kawamura, whose only previous feature, A Hundred Flowers, was a tremulous tale of encroaching dementia. Here, … Read more
Cripple Creek
Cripple Creek takes place against the backdrop of the Colorado gold rush of 1892 and is a genre movie with an unusual slant, a western with a secret sauce. It’s introduced by a stern voiceover giving us chapter and verse on gold reserves in the USA, and how smugglers are undermining the American economy by spiriting bullion out of the country. Patriotic essentials duly established, the voice retreats after we’ve been introduced to Bret Ivers (George Montgomery) and Larry Galland (Jerome Courtland), a pair of secret service agents posing as gold thieves. Ivers and Galland arrive in a one horse town they reckon is at the centre of a smuggling operation and have … Read more
The Christophers
The story goes that Steven Soderbergh and Ed Solomon wrote The Christophers for Ian McKellen and Michaela Coel without having any idea if they’d do it or not. According to the IMDb trivia on this film, Soderbergh and Solomon didn’t even know McKellen and Coel, which is plausible in Coel’s case – she’s only been around a relatively short time – but surely not in McKellen’s. It’s the sort of film that Soderbergh knocks out between big projects. For every Ocean’s 13 a Kimi, for every Magic Mike a Presence – that is to say: tiny cast and crew, controlled location, films that could almost be stage plays. Here, McKellen is a fruity … Read more
Friends with Money
Having struggled to escape the long shadow of Friends, Jennifer Aniston ends up in a film with Friends in the title, playing the singleton with three married couples as chums. Nicole Holofcener’s follow-up to 2001’s Lovely & Amazing walks the same line – it’s a gentle comedy exploring human foibles. Then, families were the subject, here it’s rich people with first world problems, metrosexual tastes and lives obsessively focused on themselves. It is quite a cast – with Jennifer Aniston at its centre, playing the only one of this gang with no wealth and no love life, the only one who has to do shitty jobs for a living, including working as a … Read more
Daaaaaalí!
Surrealist film-maker makes film about surrealist artist shock. Daaaaaalí! is the result, and you wonder why Quentin Dupieux, who’s only a semi-serious surrealist really, didn’t do it before. Dupieux starts off with a bit of comedy. Judith, a nervous young reporter played by Anaïs Demoustier, stands in a corridor with the great painter’s assistant, awaiting his arrival. Here he comes, says the right-hand woman, and indeed it is the legend himself, barrelling towards them down the corridor, his signature moustache pointing skyward, his mouth working at a mile a minute as this ball of self-regard and practised eccentricity approaches them. Except he never seems quite to arrive. In a scene familiar from an … Read more
25 March 2013-03-25
DVD and Blu-ray out in the UK this week Sightseers (StudioCanal, cert 15, Blu-ray/DVD) Serial killing never looked so deliberately dowdy as it does in Ben Wheatley’s excellently funny and very British comedy about a couple (Alice Lowe and Steve Oram, who also wrote) whose tour of pencil museums and the like is interspersed with grim, impassive slaughter. Think Natural Born Killers, towing a caravan in the rain. Sightseeers – at Amazon The Hunt (Arrow, cert 15, Blu-ray/DVD) Thomas Vinterberg’s powerful 1998 drama Festen, the first of the pared-back Dogme films, examined the skeletons that rattle around in bourgeois closets and he’s at it again in this drama about a teaching assistant (Mads … Read more
6 April 2009-04-06
Out in the UK This Week Mike Leigh at the BBC (2 entertain, cert 12) Before heading off on his film career, auteur Leigh did some great stuff for TV. Here’s the pick of his 1973-84 output, including Nuts in May and Abigail’s Party, along with Leigh’s own audio commentary, intelligent interviews and a clutch of shorts. Mike Leigh at the BBC – at Amazon Twilight (Contender, cert 12) The movie adaptation of Stephenie Meyer’s Young Adult novels starts here with smart, sylphlike Kristen Stewart falling for Byronically moody vampire Robert Pattinson in a swoony and chaste romance heaving with unrequited girlish longing. Twilight – at Amazon Hansel and Gretel (Terracotta, cert 15) … Read more
As Far As I Know
At the Raindance film festival, London, UK, 27 October–6 November 2021 As Far As I Know (Legjobb tudomásom szerint in the original Hungarian) is the smart and subtle feature debut of Nándor Lörincz and Bálint Nagy, a writing/directing duo who have been working together for ten years, with a run of shorts and a couple of TV comedy series under their belt. Lörincz and Nagy are in their mid-30s and their movie is about two people they might hang out with – a smart, cosmopolitan, hipsterish couple from Budapest whose lives are about to be changed for ever by the arrival of a baby. They’re adopting, for reasons which are not initially spelled … Read more
Adaptation.
A movie for every day of the year – a good one 21 February The New Yorker launches, 1925 On this day in 1925, The New Yorker magazine was launched by Harold Ross and Jane Grant. Intended as a cosmopolitan magazine for the urban sophisticate – and those who aspired so to be – it started out as a broadly humorous publication, though quickly shifted its focus towards quality fiction and long-form journalism, though its cartoons have remained a key feature. Unafraid to be thought of as intelligent, educated and interested in a magazine world that largely pretends to the opposite, it could take its pick of a certain type of writer – … Read more
