Popular Reviews
Army of Shadows
Jean-Pierre Melville is slightly off his turf in 1969’s Army of Shadows (aka L’Armée des Ombres). No trenchcoat-wearing criminals driving American cars. Instead he gives us a slice through the activities of the French Resistance during the Second World War. Like all his late-era film, from 1966’s Le Deuxième Souffle to 1972’s Un Flic, Army of Shadows is an absolute must-see. Joseph Kessel, who wrote the original book, had been in the Resistance himself and based it on his own experiences. Melville, too, had been a member and is keen to present a nuts-and-bolts, warts-and-all portrait of the men and women who risked everything to help rid their country of the Nazi invader. … Read more
28 Years Later: The Bone Temple
28 Years and a Bit Years Later, as 28 Years Later: The Bone Temple was never going to be called. It’s the 2026 sequel to 2025’s 28 Years Later, which came 18 years after 28 Weeks Later, and it started shooting as soon as Danny Boyle had handed over to his replacement and handed the keys to the director’s mobile cabin to new arrival Nia DaCosta. It’s the second of three, so there’s one more to come, with Boyle back in charge. Be warned, this second one won’t work as a standalone, or barely. Do yourself a favour and watch 28 Years Later first – you can skip Days and Weeks, if all … Read more
They Live
“One of the forgotten masterpieces of the Hollywood Left.” Slavoj Žižek’s verdict on They Live demonstrates that even philosophers have off days. Whether Žižek had been smoking genetically re-engineered skunk or not, one thing about John Carpenter’s 1988 film is indisputable: if you want an allegory for the notion of false consciousness, you’ve found your baby. It’s an allegorical tale of a decent, hard-working all-American dude struggling to find work in an economic downturn discovering that the country is actually run by a cabal of extra-terrestrials. Keeping the populace subdued through television, advertising and so on, enables the aliens to squeeze the juice out of the planet. And then one day our hero … Read more
Requiem for a Heavyweight
There are two versions of Requiem for a Heavyweight. The original was a 1956 TV movie starring Jack Palance as the ageing, punch-drunk boxer finally hitting the existential canvas. This movie version from six years later swaps out Palance for Anthony Quinn. Ralph Nelson directed both and preferred Palance – “truer to the role” was his verdict in a letter he wrote to the press. That’s remarkable in itself, writing to the press to diss an actor. I have not seen Palance’s version but it must be pretty good to come in ahead of Quinn, who overdoes it a bit, for sure – Marlon Brando in “contender” mode crossed with Quasimodo – but … Read more
Memoria
Jessica (Tilda Swinton) is woken in the night by a bang. Memoria, a bizarre film which gets odder the longer it goes on, begins. What is the noise? Outside, in the dawn light, in a parking lot full of cars, one of the car alarms goes off, then another, and another, until all the car alarms are parping away. Gradually, one after another, they all fall silent again. Jessica visits a sound engineer called Hernan (Juan Pablo Urrego) to try and replicate the sound she heard. She visits her sister who is ill in hospital. She has a meeting at a hostel with a man who wants her to sign some papers. She’s … Read more
They Shot the Piano Player
A heartfelt attempt to save a bossa nova pianist’s name from oblivion as his peers die, They Shot the Piano also sees Javier Mariscal and Fernando Trueba collaborating again for the first time since 2009’s Chico & Rita. That was a bright, busy, noir-tinged animation aiming to lever Cuban and Latin musicians back into the history of jazz using a love story as a fulcrum. Here the project is focused on an individual, Ténorio Júnior. Though the style of animation remains the same, Mariscal and Trueba don’t need to rescue bossa nova – it’s a wave that’s continued breaking ever since 1959 rolled into 1960. The title is an allusion to Truffaut’s Shoot the … Read more
The Lesson
If Saltburn left you craving more class envy and death in a grand country house then pile your plate high with The Lesson. You also get another helping of Richard E Grant at his most brutally awful. At his best, in other words. Like Saltburn it’s the story of an outsider invited to spend some time with a very la-di-dah family. Liam (Daryl McCormack) is a very smart would-be writer taken on to act as the tutor (the film’s original title) to the son of the nation’s favourite novelist, JM Sinclair (Grant). The job: get son Bertie (Stephen McMillan), a shoegazey heap of attitude and entitlement, into Oxford. Also in residence, as Liam … Read more
Wild Strawberries
Ingmar Bergman released both Wild Strawberries and The Seventh Seal in 1957. So not one but two classics for the ages in one year from the same guy, who wasn’t very well at the time and in fact wrote the screenplay for this film in his hospital bed. Not bad going. Perhaps it’s not surprising that decay and death are the big idea, the story of a lonely old doctor on the way to pick up an honour whose ardently held and rather severe ideas about the way to live his life are challenged, even as he sits in the waiting room to Death. As he travels by car, and prompted by a … Read more
Benediction
Terence Davies struggled to raise the finance for Benediction, as he does so often with his films. There’s no multiplex demand for Emily Dickinson (subject of his last feature, 2016’s A Quiet Passion) or Edith Wharton (2000’s The House of Mirth), he’s told, and in any case the uncompromising Davies isn’t the sort of writer/director to meet audiences halfway with explication-heavy dialogue. Producers and money men take fright. And yet, every time a new Davies movie does finally make it to the screen, it turns out that there is an audience for it, the people who have some idea who this modernist poet was, or that infamous writer, or want to know more. … Read more
The Animal Kingdom
The original title of The Animal Kingdom is Le Règne Animal, because it’s a French movie. That’s why you most likely haven’t heard of it and also probably why it isn’t the global phenomenon it should be. First, let’s be clear that it’s nothing to do with Animal Kingdom, David Michôd’s superbly gnarly Australian crime drama from 2010, or its US TV spin-off, or the metaphysical experimental Irish movie of the same name. The Animal Kingdom is a beast of an entirely different colour, one that’s watched an awful lot of Steven Spielberg movies. Director Thomas Cailley borrows the mood, structures and tropes of Spielberg in playful, corny ET mode to tell the … Read more
Dr T and the Women
If, as the old joke has it, gynaecologists are always up to their elbows in work, how much more taxing would that job be if you were Richard Gere? That’s the proposition that Robert Altman lays before us in a film that’s often dismissed, his last of a line of flops that lay between Short Cuts (1993) and Gosford Park (2001). But Dr T is really worth a second look because of what Altman is doing, possibly unbeknown to his cast. Scouring Hollywood, he’s found a handful of irritating, self-obsessed and unhinged actresses and cast them just as they are – or is it more the sort of type they very often play? … Read more
Napoleon
A movie for every day of the year – a good one 18 June The battle of Waterloo, 1815 On this day in 1815, the battle of Waterloo was fought, in what is now Belgium. On one side was a French army under the command of Napoleon Bonaparte, on the other the forces of the Seventh Coalition – Austria, Prussia, Russia and the UK – but most notably Prussia and the UK, under the command of the Duke of Wellington. The battle marks the end of Napoleon’s adventure in Europe, which had seen him expand the natural borders of France into Belgium, Holland, Italy and Germany, conquer and rule another set of nations … Read more
