Popular Reviews
Rabbit-Proof Fence
A movie for every day of the year – a good one 14 July Nazi eugenics law passed, 1933 On this day in 1933, in Germany, the Law for the Prevention of Genetically Diseased Offspring (Gesetz zur Verhütung erbkranken Nachwuchses) was put onto the statute books. It allowed for the compulsory sterilisation of anyone whose genetic disorders might be passed on to their children. Disorders originally included manic-depressive insanity and alcoholism, as well as more usual hereditary conditions, but were eventually widened out to include homosexuality, idleness and dissidence. Genetic health was decided in a series of courts set up expressly for the purpose, with the Nazis taking their cues from the work … Read more
Il Posto
Clear-eyed but compassionate, Il Posto is the other film by Ermanno Olmi, the one that isn’t The Tree of Wooden Clogs. Both are neo-realist to an extent and are concerned, obsessed, with the stuff of everyday life. Here, though, the focus is on the city, whereas Clogs was resolutely a tale of rural peasant life. It translates as The Job, Il Posto, and follows a young lad from the fringes of Milan, away from his traditional family and into the realm of the modern company. First he takes an aptitude test, where he’s inculcated into the world of time and motion, aptitude, the peg being created to fit the slot, rather than vice … Read more
High Wall
One for lovers of noirish movies with twisty plots, High Wall doesn’t in the end quite add up emotionally, but its serpentine bends make it an enjoyable crime thriller asking us to reconsider an open-and-shut case once any number of impediments have been thrown in the way. The opening scene – a man is driving his car with his wife in the passenger seat. She’s dead, it seems, and in a few seconds he’ll be dead too, if his plan to crash his car off a bridge succeeds. That seems to be the story anyway. His plan doesn’t quite succeed. He survives the crash and has soon been arrested. He admits to killing … Read more
Spider-Man: No Way Home
Spider-Man spun? Spider-Man: No Way Home is another gargantuan Marvel movie full of action, great power/great responsibility moments and the sort of emotion you’d expect in stories about a highly strung teenage superhero. Jon Watts is back as the director, and the writers are again Chris McKenna and Erik Sommers – all three have been behind the other webslinging adventures with “home” somewhere in the title, (2019’s Far from Home and 2017’s Homecoming, if you’re not up to speed). Fine craftsmen all. But. But. But. The suspicion lingers that this creative team knows what Marvel also obviously does – that these Spidey stories are done and don’t need doing any more, and that … Read more
Miss You, Love You
How angry would you be if your life partner suddenly died and your son sent an employee along to help with the funeral, rather than turning up himself? That is the opening position of Miss You, Love You, an unusual two-hander running largely on bile. One of life’s great joys is watching Allison Janney playing righteously angry women and there’s plenty of that going on here. Furious Diane Patterson (Janney) on one side and meekly apologetic Jamie Simms (Andrew Rannells) on the other. The grieving wife and the office assistant, she needing help at this time… just not him. And Jamie there because he’s being paid to be, he’d probably rather be anywhere … Read more
Stage Fright
When conversation turns to Alfred Hitchcock, Stage Fright doesn’t often come up. Notorious, Psycho, Strangers on a Train, The 39 Steps, North by Northwest, Vertigo and even The Birds all regularly make an appearance. Stage Fright not so much. And yet it’s a fascinating film, not least because Hitchcock tries to do something different with his formula in it. All the usual elements are here – the innocent man, mistaken identity, flat-footed cops, the mystery blonde – but he’s given everything a distorting twist, inside a movie which itself is set in a world with a distorted relationship to reality, as if all the characters in it have somehow become aware they are … Read more
The Hunt
Very much a Trump-era movie, The Hunt is the story of a gang of the “elite” going on their annual “deplorables” hunt (spot the Hillary Clinton reference), with a ragtag bunch of gagged and tied rednecks as their quarry. Interesting concept. The idea is that the elite set the rednecks running and give them something of a head start before coming after them with an intention to kill. The reference point for this sort of thing is usually Kinji Fukasaku’s 2000 bloodfest Battle Royale, though it wasn’t the first movie to present hunting as some sort of bloodsport – 1987’s The Running Man springs to mind, or going even further back there’s 1965’s The … Read more
The Retirement Plan
It’s Nicolas Cage’s turn to have a go with the very particular set of skills, in The Retirement Plan, a gonzo action comedy that’ll be familiar if you’ve seen any of the Liam Neeson outings as an all-action seeker of payback, or any of the Keanu Reeves’s incarnations as John Wick. That, apparently, was writer/director Tim Brown’s original idea – imagine John Wick finally, eventually, retired, 20 years older and living on a sunny island and being called back into action by some untoward event. The event that does it here isn’t the killing of a pet dog but the arrival on the Cayman Islands, where Matt Robbins (Cage) has been retired for … Read more
The Asphalt Jungle
“Trash,” was MGM boss Louis B Mayer’s verdict on The Asphalt Jungle when he saw it in 1950. “Ugly people doing nasty things,” he added, possibly unhappy that John Huston had borrowed from the glamour-dodging European neorealists to make what’s now considered to be one of the pre-eminent films of the 1950s. Does Mayer have a point? Not from this end of the telescope. If nothing else, Huston has been proven right by the passage of time and the respect of countless other directors. You can see plenty of The Asphalt Jungle in the work of Quentin Tarantino, for instance. It’s a heist movie, a heist-gone-wrong movie in fact, and so there’s nothing … Read more
The Avengers: Series 4, Episode 11 – Man-Eater of Surrey Green
Man-Eater of Surrey Green is the perfect Avengers episode title. Camp, corny, a bit sexy, a lot parochial, it sums up the series perfectly. And this episode, which is a mix of scientific blah blah and a lot of eccentric bombing about. Things kick off when two lab-coated scientists in love (Gillian Lewis and William Job) put their moist-eyed interchanges on hold when she suddenly hears a funny noise – it’s that 1960s mind-control noise created by someone furiously twiddling the knobs of an oscilloscope. Off she heads, in glassy-eyed “I hear and obey” fashion, to a Rolls Royce waiting to whisk her away. Steed and Peel are soon on the case of … Read more
I Wake Up Screaming
Twentieth Century-Fox didn’t do much in the way of noir. Betty Grable wasn’t much of a one for straight roles. So 1941’s I Wake Up Screaming is unusual for two reasons, not to mention a title making no sense at all. It’s a whodunit about people who are off their turf, so those deviations from the norm chime with what’s happening on screen, a murder mystery with a few wayward contenders for the killer of Vicky Lyn (Carole Landis), a girl from the wrong side of the tracks. The man who obviously didn’t do it is Frankie Christopher (Victor Mature), who we meet being sweated by the cops for the young woman’s murder. … Read more
The Long Night
The Long Night is a remake of Marcel Carné’s Le Jour Se Lève hoping to do for American audiences what Carné’s film had done for the French – wow them. It was a flop, in spite of having a good cast, a fine director and top flight technical team. In case anyone wanted to make a direct comparison, before it came out RKO took the precaution of buying up all the prints of Carné’s film and destroying them. Luckily, not absolutely all of them, so now we can enjoy the Carné original and watch it alongside the remake to work out what went wrong. I’ll just say it here – timidity is the … Read more
