Popular Reviews
Marry Me
Unlikely but theoretically possible, Marry Me is not to be confused with a 2011 Lucy Liu film with the same title. That said, this Marry Me doesn’t much care how familiar it looks, feels and plays. From the moment it starts to the final disappearance of the last credit, it’s recognisable right down to its genetic signature, which, put under the microscope, reads Notting Hill. So, a Somebody Girl and a Nobody Boy plot, in other words. She’s Kat, a huge global singing megastar with the hits, the Insta profile, the entourage, and he’s Charlie, a single-dad teacher trying to coach a team of “mathletes” towards an inter-school mathematics competition. She, much married, … Read more
Four Nights of a Dreamer
Often pitched as Robert Bresson’s most accessible film, Four Nights of a Dreamer (Quatre nuits d’un rêveur) is, for him, a wild ride. Not exactly pulsing with vivid event, perhaps, but by Bressonian standards highly unusual. The people in it, for example, actually act, rather than read out the words with as little emotion as possible. There is music, it’s in colour. There’s nudity… sex… heartbreak. Wind the expectations in a touch for the actual film, which follows two young people over four nights. Jacques is a whimsical poetic type who falls in love with women – women on the street – too easily. As we meet him he’s gazing longingly at one … Read more
Hot Milk
In a hot European beach resort a woman in a wheelchair seeks a crank cure for her condition with her resentful daughter along in tow. Hot Milk is a hothouse drama, a sketch of a nasty little co-dependent relationship. Will the worm turn, and if so, when? Is mother really crippled, or is this part of her way of controlling her adult daughter? Does daughter realise her mother is possibly putting it all on? As mother Rose (Fiona Shaw), with sulking Sofia (Emma Mackey) perpetually on call, consults a dubious doctor on one of the Spanish Costas, something appears to be brewing but debut director Rebecca Lenkiewicz isn’t telling us what. “What do … Read more
The Gift
Director Sam Raimi is an expert in genre-twisting. Back when he was making The Evil Dead he so overloaded his gore epic that it eventually became funny. With The Gift he takes on a genre even more arcane: the British whodunit. Then he does weird shit with it. First he transports the whole shebang to the Deep South to remove all traces of afternoon tea or warm beer. Then he gives us Cate Blanchett as a clairvoyant detective who can’t quite make out the identity of the murderer – well, it wouldn’t be much of film if she could, would it? And then, as a masterstroke, he takes a raft of famous faces … Read more
The Dead Don’t Hurt
How much of The Dead Don’t Hurt could you cut out without hurting it? Quite a bit, I’m guessing. It’s a slow and steady western, and that’s at least partly the point of it, an exercise in style and genre that could be quite a bit shorter but also a fair bit longer without changing its complexion. The story it tells is archetypal as are the characters in it. But the focus is on the woman, unusually, which brackets this alongside Kelly Reichardt’s Meek’s Cutoff, another distinct and handsome movie with a female focus. It’s directed by Viggo Mortensen, who also takes a key role (he stepped in at the last second, apparently, … Read more
Phantom Lady
A man with a spare ticket to a show invites a random woman to go with him. He’s been stood up, he explains and this is a geniune “shame to waste it” offer. She, wary of this stranger but distraught about something and needing distraction, half-heartedly agrees. No introductions, she insists, no names. To emphasise that this is no prelude to a pick-up, or beginning of a relationship, or anything of that sort. It’ll just be an evening of fun at a show. And so it is. They take a cab from the bar where they met to the Chica-Boom-Boom musical revue, where the revue’s drummer gives the mystery lady the glad eye. … Read more
Sunshine
A movie for every day of the year – a good one 15 February Galileo Galilei born, 1564 On this day in 1564, the astronomer, mathematician and physicist Galileo Galilei was born. He was most famous for advocating the Copernican view of the solar system, which put the sun at the centre and had the planets orbiting about. This was in stark contradiction of the Church view, which had the earth at the centre, and also the Tychonic system (earth at centre, sun orbiting earth, other planets orbiting the sun). Galileo was an accomplished lutenist, like his father, and also considered the priesthood before choosing the life scientific. He had studied medicine before … Read more
28 Years Later
Danny Boyle has at least gone for it in 28 Years Later, a not always exciting but relentlessly interesting capstone on the 28 trilogy. After 28 Days and Weeks Later, logically it should have been Months, but 18 years have passed since 2007 and 18 Years Later would have broken the poetics. So Years it is. So many years, in fact, that none of the cast from the first or second film have made it this far, though Danny Boyle returns to the franchise (Juan Carlos Fresnadillo directed number two) bringing a lot of behind-the-camera talent from the 2002 original with him. That includes writer Alex Garland, who reportedly borrowed the shape of … Read more
Monster
Second-rate Hirokazu Kore-eda is still first-rate moviemaking. Here’s Monster, the first film he hasn’t written himself for nearly 30 years, a mix of familiar Kore-eda themes and explorations of new fields. Yûji Sakamoto is the TV writer Kore-eda contacted to write his first Japanese-language film in several years, having gone to France for The Truth (2019) and South Korea for Broker (2022). He’d always wanted to work with Sakamoto, Kore-eda said. For his part, Sakamoto pounced at the chance, having once described Kore-eda as “the world’s best screenwriter”. No pressure then. What they came up with together is a faintly Rashomon-style re-examination of the same story from different angles. Each pass over the … Read more
Your Friends and Neighbors
Like writer/director LaBute’s In The Company of Men, his 1997 debut, Your Friends and Neighbors deals with a theme that’s current in cinema – that all men are rubbish. LaBute focuses on three self-obsessed friends, travelling further into their psyches as the film progresses. And the further he travels, the shallower the trio appear. Contemporary gents, LaBute appears to be saying, have benefited enormously from the liberalising cultural shift of the 1960s, but these days instead of being high, they’re more high and dry. For some people this film might be a bit preachy, a bit speechy, and it’s true that LaBute’s origins as a writer for the stage seem fairly evident. Perhaps the … Read more
Clemency
We’ve all seen prison dramas – the tough lives of inmates in a heartless system patrolled by brutes, policed by sadists and presided over by a martinet. Clemency isn’t that sort of film. Nor is it film-as-entertainment, be warned, but a grim and sobering look at US prison life from an unusual angle, the warden’s. Opening up with a pre-credits scene that follows an execution on death row, which ends up being a botched, messy and gruelling one, for the man who’s being killed, the people watching and the warden supervising the whole thing, the film proper then concerns itself with the preparations for the execution of another man, Anthony Woods (Aldis Hodge) … Read more
Orders to Kill
A spy movie written by people who’d been actual on-the-ground spies, Orders to Kill is a gripping thriller with an unusual focus on psychology rather than action. It’s set during wartime, in occupied France, where a member of the Resistance is suspected of selling agents down the river to the Nazis. Back in Boston, a war hero’s mother, played by silent movie legend Lilian Gish in scenes that could all be removed, is waiting for her son to return for some R&R. But her son is still in England, where he has been seconded at the last minute to go to France and assassinate the double agent. Paul Massie plays young, naive Gene … Read more
