Popular Reviews
All Quiet on the Western Front
Not a remake, say the team behind 2022’s All Quiet on the Western Front, referring to the legendary 1930 movie anyone would be a fool to try and remake. More another adaptation of the book it was based on, they say, Erich Maria Remarque’s serialised novel from 1928 about the grim reality of the First World War from the average soldier’s point of view. This is true. I’ve seen both, and the 1930 version less than six months ago, so can easily see what’s different in this adaptation. Absent, for example, is the class element – they were posh boys in the 1930 film and one of their great bugbears once they’d joined … Read more
Thor: Love and Thunder
Though the Asgardian deity has appeared in other Avengers movies in the interim,Thor: Love and Thunder is the first outing for Chris Hemsworth’s caped godhead since the last standalone Thor movie, 2017’s Thor: Ragnarok. Time has moved on and we’re now in a different phase of the Marvel Cinematic Universe, one determined to bolt a “meta” onto the usual stew of tall tales, quips, dressing up, special effects and heroics. Some things have changed, but some remain the same. In textbook Thor fashion, we first meet the villain. Christian Bale plays Gorr, a grieving father driven into a frenzy when he discovers that Rapu, his liege lord/godhead, doesn’t give a stuff about his … Read more
The Queen of Versailles
A movie for every day of the year – a good one 5 June John Maynard Keynes born, 1883 On this day in the 1883, the economist John Maynard Keynes was born, in Cambridge, to an economist father and a social reformer mother. A mathematics prodigy as a child, he won a scholarship to Eton College, then went to King’s College, Cambridge, where he studied mathematics on a scholarship, graduating in 1904. After a short career as a clerk in the India Office, Keynes resigned and returned to Cambridge, where he started studying economics. By 1909 he had published his first article on economics. By 1911 he was editor of The Economic Journal. … Read more
Shame
Shame is Ingmar Bergman’s war movie. Except, being an Ingmar Bergman movie, it’s really about relationships, a marriage in trouble (probably Bergman’s own – number four was heading for the exit), and something else on top. Kriget (The War) was Bergman’s original title for it, but Skammen (literally, The Shame) is what Bergman settled on. So, not a generalised Shame but a specific instance of it. What that shame might be precisely is what Bergman will eventually reveal, but he starts out by painting a portrait of two former orchestral musicians (wife number four, Käbi Laretei, was a concert pianist) who have given it all up to live the good life, growing and selling … Read more
The Avengers: Series 2, Episode 26 – Killer Whale
Killer Whale is a queer fish, the 26th and last episode of series two being a mix of the quite bizarre and the incredibly mundane. Things get off to an eyebrow-raising start right from the off, with Steed in the process of losing 50 quid at a boxing bout as we join the action. Mrs Gale is luckier, though, managing to pick up a stray boxer during the evening and become his trainer. As you do. Joey the boxer becomes Mrs Gale’s inside man at the gym, and a bit of investigation by the two of them, they establish that there’s a link between the liniment and bandages and the more rarefied atmosphere … Read more
Reborn
A horror movie coming at the genre from three different directions, Reborn starts off in distinct tits’n’gore territory, jumps quickly into the supernatural and then eventually morphs into something altogether more psychological. Key asset is Kayleigh Gilbert, who has a big-eyed face and long physique built for the gothic. She plays the teenager who was stillborn as a baby but then got resuscitated in the hospital by a freak burst of electricity. Raised in secret by morgue attendant Ken (Chaz Bono), a creep with a fascination for the breasts of dead women, she eventually escapes aged 16 to track down her mother, faded actress Lena O’Neill (Barbara Crampton), aided by an ability to … Read more
The Avengers: Series 3, Episode 21 – Build a Better Mousetrap
Build a Better Mousetrap is a great episode of The Avengers – it’s Brian Clemens at his best, from its very Clemens-y joshing title, to his use of British eccentrics, and his mix of the venerable with the modern, the tech with the antique and the old with the young, not forgetting Clemens’s usual dabble in the sociology of class. And it gets off to a flying start, making sensible use of Mrs Gale’s penchant for leather by inserting her into a motorcycle gang, somewhat improbably. As the episode gets going, one of this gang’s number is frightening two harmless old ladies (Athene Seyler, Nora Nicholson), who retaliate by threatening to put a … Read more
My Name Is Julia Ross
There is some spectacularly bad acting in 1945’s My Name Is Julia Ross but it’s worth a look in spite of that. And at only 65 minutes, it’s not exactly an investment. To sell it a bit harder, it hums with weirdness, is very nicely directed by Joseph H Lewis, who was renowned for spinning straw into gold (or at least gold plate), and it also has some very good acting in it, too, mostly by Dame May Whitty (most famous for being the titular lady in Hitchcock’s The Lady Vanishes). George Macready, who plays her son, is pretty good too. The set-up is this: Whitty and Macready play a pair of fruitloops … Read more
Lamb
In Iceland, on a dark and stormy night near Christmas… if that sounds like the beginning of a fairytale or nativity play, prepare for Lamb, which mixes fairytale fantasticality with a bit of Christian iconography to dark Nordic effect… eventually. It’s all a bit weird and primeval, in other words, but things get off to a rather Martha Stewart-y opening as director Valdimar Jóhannsson sets his scene. A solitary house out in the Icelandic back of beyond, rustically chic, where jumper-wearing couple Ingvar (Hilmir Snær Guðnason) and Maria (Noomi Rapace) farm by day and share evenings together in companionable silence. They’re happy. Maybe. Something about the way Jóhannsson keeps cutting away to the looks in … Read more
Lucy and Desi
Amy Poehler’s debut documentary Lucy and Desi wants to tell the story, not unreasonably given its title, of both titan-of-TV-comedy Lucille Ball and her husband, business partner and co-star Desi Arnaz. Immediately there’s a problem. Lucy was a genuine star, Desi was not. Whatever his many talents behind the scenes, first as a musician then as a producer, they didn’t translate to the screen, and even a cursory glance at any one of Desi’s many appearances alongside his wife reveal a man who looks like he’s eager to get out of the bright lights. Not everyone can be a gifted comic actor, or wants to be. This asymmetrical twin focus is tough enough, … Read more
The Brooding Intensity of Michael Fassbender
Passion, power and emotional ferocity are all hallmarks of aMichael Fassbender performance. But is he just a kitten in real life? Here’s a funny thing. I’m in the audience at the New York Film Festival. On stage director Steve McQueen and actor Michael Fassbender are answering questions about the disturbing, brilliant film that’s just been shown. Shame, McQueen and Fassbender’s follow-up collaboration to the gruelling Hunger has Fassbender delivering a volcanic performance as a sex addict who’s either dialling rent-a-hooker, beating off at work or devouring porn at home. Intense, dark stuff. Someone from the floor asks Fassbender a question about the relationship between the two damaged lead characters, a brother and sister … Read more
Reflections in a Golden Eye
Like a yard sale of the junk in Tennessee Williams’s mind, Reflections in a Golden Eye is a trawl of pre-loved Southern gothic artefacts in various states of disrepair. Directed by John Huston in 1967, it was adapted from a novel by Carson McCullers – a Williams protégé. Brace yourselves. What might you expect to find at that yard sale? Elizabeth Taylor for one. A range of variable Southern accents for another. Quite possibly a manly man who is secretly gay. Excesses of booze and other narcotics. Lonely people. The repressed. People who are victims of themselves. Self-harm. Sexual transgression. Broken patriarchy. A love of animals and a disdain for humanity. In beautiful, … Read more
