Popular Reviews
Quo Vadis, Aida?
Jasmila Zbanic’s powerful drama Quo Vadis, Aida?, about the Srebrenica massacre in 1995, starts with a sad irony. As the production company idents come up, and various “with the support of” and “in collaboration with” credits list all the European and international organisations involved, remember that when the events in this flm were playing out in real life actual international collaboration seemed to consist of a collective looking the other way. Ask most people, most Europeans even, what the last war in Europe was and they’ll likely refer you to Adolf Hitler. That’s to forget the Bosnian war in the aftermath of the fragmentation of Yugoslavia – familiar as a holiday destination to so … Read more
The Last Vermeer
The Last Vermeer is the true story of Han Van Meegeren, art forger extraordinaire, who knocked out old masters by the likes of Frans Hals, Pieter de Hooch and Johannes Vermeer, among others, during the Second World War and even managed to sell a “Vermeer” to Reichsmarschall Hermann Göring for a fortune. Van Meegeren was initially brought to trial in the Netherlands after the War for having sold Göring what was supposed to be a real Vermeer, as a collaborator who had facilitated the expropriation of the cultural property of the Netherlands. But when he eventually admitted that the picture was fake, those charges were dropped. However, because of the skewed logic of … Read more
Adieu les cons aka Bye Bye Morons
The French comedy Adieu Les Cons (Bye Bye Morons in English) is dedicated to Monty Python’s Terry Jones, who died while it was being made, and also features a blink-and-miss-it cameo by Terry Gilliam, another Python. Given that the film’s director, co-writer and star, Albert Dupontel, is a big fan of the British comedy troupe, you might expect this film, which did incredibly well at the César Awards (the French Oscars) to be full of Pythonesque silliness, absurdity and gentle mocking of the staid middle class. Yes… but mostly no. It stars the ever-brilliant Virginie Efira, a still centre of calm as the mayhem escalates, as Suze, a hairdresser who’s just been told that … Read more
Locke
Steven Knight’s movie track record so far: when he only writes (Dirty Pretty Things, Eastern Promises) very good; when he also directs (Hummingbird), not so good. For his latest film, Locke, he directs, and the results are enough to make you forgive Hummingbird, the misguided attempt to inject soul into Jason Statham. Because Locke is very very good indeed. And it’s so simple, a high-concept piece – perhaps what you’d expect from one of the brains behind the quiz format Who Wants to Be a Millionaire – which simply sticks a man in a car and has him drive and answer phone calls, drive and answer some more. One man, one car, some … Read more
Beyond the Visible – Hilma af Klint
Three great abstract artists died in 1944, this revelatory German documentary from 2019 tells us. Two of them haunt the gift shops of the world’s museums of modern art: Piet Mondrian and Wassily Kandinsky. The third deserves to be in there with them, according to Beyond the Visible – Hilma af Klint (Jenseits des Sichtbaren – Hilma af Klint) – which goes on to make an even bigger claim. That this obscure artist working in relative isolation in Sweden was not just one of the greats but the very first abstract artist, and so one of the major figures in 20th century painting. Piet and Wassily need to budge up. When MoMA’s Inventing Abstraction … Read more
Score
Score is another of those porn crossover movies from the “Golden Age of Pornography”, when the marginal moved into the mainstream and, for a while, it looked like attitudes to sex loosened by the cultural changes of the 1960s were about to be consolidated. Of course they did change – there’s more sex on the screen today, and more various sex, than there ever was before – and yet in mainstream movies (look at last year’s Barbie and Oppenheimer, or the big movies from any year) it’s like the Golden Age never really happened. Which makes the likes of Score doubly fascinating. Watching it now it’s obvious throughout that there’s a tension in … Read more
The Avengers: Series 6, Episode 26 – Homicide and Old Lace
An episode written by Malcolm Hulke and Terrance Dicks, and then rewritten by Brian Clemens when he returned to the series. It was Clemens who inserted the framework narrative device – Mother visiting a pair of aged aunts and spinning them yarns about legendary feats of Avengers derring-do. The Great Great Britain Crime was the original title, under producer John Bryce. Clemens renamed it Homicide and Old Lace. And the old dears are rather good fun, a pair of bloodthirsty old broads who love nothing better than a wallow in gory tales of yore, keen on Cagney-era slang (“gats”, “rods” etc) and handy with a gun – they’re ready to shoot Mother the second … Read more
Rising Phoenix
As the documentary Rising Phoenix makes clear, the rebranding of what were previously regarded as “disabled” people as a kind of army of X-Men type characters was what transformed the Paralympics. Before London 2012 the Paralympics had been a tacked-on event, the Cinderella of the Olympics. But suddenly the stadiums were full and the crowds were eager to see these remarkable people do their thing. Working like an extended version of one of those montage clips that big broadcasters like the BBC are so good at making when a big sporting event is in full roar, it’s a film of two parts. One tells the inspirational story of individual athletes and how they … Read more
Gunga Din
There’s a lot going on in Gunga Din, the high point of a certain kind of Hollywood film-making. Released in the golden era’s “annus mirabilis” of 1939, it’s an exotic, oriental white-man’s-burden kind of adventure adapted from a Rudyard Kipling story, but locked away in there something is grumbling away. All is not as it first appears. There are two main storylines, connected together by a familiar trio of bromantic soldiers – the lover (Douglas Fairbanks Jr), the joker (Cary Grant) and the fighter (Victor McLaglen) – three sergeants in Queen Victoria’s army in India sent out from their base to find out why the vital telegraph system keeps going down. It turns … Read more
Frank
Frank Sidebottom was the stage name of musician Chris Sievey, whose Frank was a cult novelty act that toured students unions etc in the UK in the 1980s and 1990s, singing chaotically shambolic versions of well known tunes (it could be Kylie, it could be the Sex Pistols) in a wheedling high-pitched determinedly uncool accent. Frank wore a gigantic papier maché head and made much of the fact that he was from the equally uncool Timperley in Cheshire. I saw him perform once, in the University of London Union, and the memory is with me still. Jon Ronson, the journalist who co-wrote the screenplay on which Lenny Abrahamson’s film is based, was the … Read more
Act of Violence
A man arrives in a small, neat town in California. It’s a bright sunny day but he’s brought a sliver of dark, noirish New York with him on the Greyhound bus. And also a gun. As he limps across the street away from the bus station, a band plays, veterans march and flags flutter. It’s Memorial Day. Joe is in town to kill an old Army buddy. Like those implacable, remorseless creatures from It Follows, Joe relentlessly pursues his victim. To the nice house in the suburbs that his quarry, war veteran Frank, helped build. Out to the lake where Frank has gone fishing. Back to his house after Frank realises he’s being … Read more
The Duellists
The Duellists is Ridley Scott’s feature debut and premiered in 1977, four years after his famous advert for Hovis bread (voted the UK’s favourite TV advert in a 2006 poll). Both are picturesque evocations of a world long gone – pre-War England, in the 45-second advert’s case, the world of post-Revolutionary France in the case of the solid 100 minutes of The Duellists. The story is a true one – about two men in Napoleon’s army who fought a series of around 30 grudge duels over 19 years. Joseph Conrad had used the facts as the basis for a novella, and Scott’s screenwriter, Gerald Vaughan-Hughes, adapts them further with his screenplay, reducing the … Read more
