Popular Reviews
Black Book
In some quarters the director Paul Verhoeven is now eternally infamous for Sharon Stone’s is she/isn’t she leg-crossing moment in Basic Instinct. But he came to prominence with a Second World War movie, Soldier Of Orange, in 1977. Black Book sees Verhoeven return to his native land, his native Dutch tongue and the 1939-45 war in an engrossing drama focusing on one young Jewish woman (played by the remarkable Carice van Houten), a member of the Dutch resistance who finds herself right at the heart of the Nazi war machine. It is a familiar genre but Verhoeven injects fresh elements into it – notably dark humour, lashings of nudity and a fuzzy delineation … Read more
The Beekeeper
Jason Statham enters the territory of John Wick, Taken and The Equalizer (feel free to add your own) with The Beekeeper, a midweight actioner marked out by spectacular fight sequences and violence that’s ingenious and gloriously brutal. He plays one of those retired guys who used to be something in the secret service. They’re never regular CIA or anything so crass, these ex-operatives, but onetime members of elite squads who can eat whole SWAT teams for breakfast, even though they’re now retired, out of shape and don’t really want to swing into action. But swing into action they must once they’ve been triggered by the death of a dog, in John Wick’s case, … Read more
The Three Musketeers: D’Artagnan
As handsome as its star, François Civil, The Three Musketeers: D’Artagnan was shot back-to-back with its bookend companion, The Three Musketeers: Milady, a pair of old-school spirited adventures full of flashing eyes and flashing blades. I read somewhere that it’s quite tonally different from other Musketeer movies. It didn’t seem so to me. I only recently watched its century-old predecessor, 1921’s The Three Musketeers, starring Douglas Fairbanks, and that is pretty much identical to this in storyline and feel. But then all Musketeer movies tell the same story – Alexandre Dumas’s original tale must be one of the least messed about with in moviedom. D’Artagnan, the cocksure whelp from Gascony, arrives in Paris and … Read more
6 April 2009-04-06
Out in the UK This Week Mike Leigh at the BBC (2 entertain, cert 12) Before heading off on his film career, auteur Leigh did some great stuff for TV. Here’s the pick of his 1973-84 output, including Nuts in May and Abigail’s Party, along with Leigh’s own audio commentary, intelligent interviews and a clutch of shorts. Mike Leigh at the BBC – at Amazon Twilight (Contender, cert 12) The movie adaptation of Stephenie Meyer’s Young Adult novels starts here with smart, sylphlike Kristen Stewart falling for Byronically moody vampire Robert Pattinson in a swoony and chaste romance heaving with unrequited girlish longing. Twilight – at Amazon Hansel and Gretel (Terracotta, cert 15) … Read more
Topsy-Turvy
Lovers of costume drama and light operetta are in for a treat. And so are people who can’t stand either, thanks to Mike Leigh, more usually known as a purveyor of working-class drama to the realm. Taking as its starting point the creative roadblock reached by the librettist WS Gilbert and his writing partner, the composer Arthur Sullivan, after the relative failure of their Princess Ida in 1884, Leigh’s film follows the duo as they struggle towards the rejuvenating success of The Mikado. Leigh’s masterstroke is to weave the composer/librettist’s full antler stand-off – Gilbert wanted to write an opera called The Magic Lozenge; Sullivan most definitely didn’t – with an oblique commentary on … Read more
Blue Heron
Blue Heron is largely the story of its maker, Sophy Romvari, or of her young life, as seen from a couple of decades on. How much of it is true? There’s a disclaimer up front about memory and its unreliability, so possibly not all of it. And in any case Romvari takes a couple of conceptual leaps towards the end of her debut feature that lift it into a different realm altogether – two different realms, in fact. But for the most part this is the story of a family of six from Hungary who arrive in 1990s Canada and set about assimilating – they try to speak only in English at home, … Read more
The Appointment
Fans of plotless movies will love The Appointment, an increasingly cultish British horror from 1982. The only feature by Lindsey C Vickers, it was regularly described as lost until the British Film Institute got themselves together and released it as part of their Flipside series of under-appreciated left-fielders. As to plot, it’s the title. There is an appointment a man (Edward Woodward) is suddenly being forced to keep for work purposes, ruining his plans to be at a key recital by his daughter, a promising violin player. The daughter (Samantha Weysom) is upset he won’t be there. His wife (Jane Merrow) looks on as he insists he’s got to go and as the … Read more
Where the Sidewalk Ends
Not the best Otto Preminger film but a very good example of what he was about, Where the Sidewalk Ends is a film noir directed with maximum economy that re-teams Laura‘s golden pairing of Gene Tierney and Dana Andrews, he again impassive as you like, she almost unbearably long-suffering. It’s not much of a role for her, as Laura wasn’t in fact (her character was literally dead for most of it and for the rest of it represented ideal womanhood). But for Andrews it’s a great example of his abilities inside the noir genre, where minimalism is generally the best option. No one was more minimal than Andrews. He’s Dirty Harry before Dirty … Read more
The Avengers: Series 4, Episode 8 – A Surfeit of H2O
Undoubtedly a fancy episode when it first aired in late November 1965, A Surfeit of H2O manages to be whimsical, sinister, ridiculous and ingenious all in one go, with a good belt of fine character actors to help things along. Water is what it’s about, as the title suggests, and before the title has even come up a poacher has died while out setting traps, drowned in an open field by a massive thunderstorm which appeared out of nowhere. Decent special effects being a bit more than the show can afford, when Steed (dressed in absurd Edwardian hunting gear) and Peel arrive in a Mini Moke, there’s not a drop of water to … Read more
Notre Dame on Fire
On Easter Monday 2019, at 18:17hrs, a smoke alarm goes off in the small room occupied by a security guard working at Notre-Dame cathedral in Paris. He calls the relevant functionary, who zips up to the roof to see if anything up there is burning. Nothing. The system’s always doing this, the guard is told, playing up. It’s old, it needs replacing. With the alarm still squawking, the guard calls his superior. Turn off the alarm he’s instructed. He does what he’s told. It’s his first day in a new job. So begins Notre Dame on Fire, Jean-Jacques Annaud’s film about the day when Paris’s 850-year-old cathedral caught fire and burned almost to … Read more
Armored Car Robbery
Let’s hear it for Plod. With a bit of bad luck, a dangerous dame and a drop of hubris thrown in for good measure, that’s the idea behind Armored Car Robbery. Detail, detail, detail is the USP. The villains may be smart but the cops have something the bad guys don’t have – persistence. They do not give up and in the end it’s shoe leather and blunt-force cop procedure that does for a gang who – no surprise, surely – have carried out a robbery on an armoured car. First we meet the criminal mastermind, David Purvis (William Talman), outside Chigago’s Wrigley Field baseball stadium, where he’s just put in a call to … Read more
Aporia
My dictionary defines “aporia” (from the Greek) as “an irresolvable internal contradiction or internal disjunction in a text, argument or theory”. In sci-fi movies such an internal, irresolvable contradiction – like a man who is his own father – is called a time paradox. Ironically, Aporia, a fascinating attempt to weld one aesthetic to another, bristles with internal disjunctions that are all its own. On one side a familiar, kitchen-sink weepie drama populated with relatable everyday people being put to the test. On the other a machine built by one of them capable of firing “a bullet into the past” to change the course of history. Those people are played by Judy Greer … Read more
