Popular Reviews
Architecton
Victor Kossakovsky’s documentary Architecton is a poetic rumination on the building blocks of settled societies – stone in the ancient time, concrete today. What about brick, you might immediately ask? It’s been around for at least six thousand years in its baked form, and even longer if we include unbaked mud. Not a squeak, not a mention. But let’s not review the film Kossakovsky hasn’t made. Instead here we are with an impressive montage piece starting in war-destroyed Ukraine, where remarkable camera footage slo-mos down a bombed tower block, revealing lives hastily abandoned – a TV set, a sewing machine, a slab of concrete floor hanging precariously into the dwelling below. In a … Read more
Brian and Charles
Feelgood British low-budget whimsy, Brian and Charles‘s only real fault is that it’s taken the maddening decision to tell its story as a mock-doc. “Twee” – a regular criticism – could be lined up as another possible criticism, though I suspect that “fanciful” is what the naysayers really mean. In which case discard the bulk of Hollywood’s output. It started life as a short costing £500 in 2017, which British TV station Channel 4 liked and wanted to convert into a series. That never happened but C4 did put up some of the money for this film, the feature debut of director Jim Archer. Though really the film belongs to its two stars, David … Read more
Alps (aka Alpeis)
A movie for every day of the year – a good one 3 August Jesse Owens wins the 100 metres, 1936 On this day in 1936, Jesse Owens won the 100 metres at a race meeting hosted by Adolf Hitler, a man who believed the black man was inferior to the white man. It was one of four gold medals Owens won at the Berlin Olympic Games of 1936, and it put the hat on a great year for Owens. He’d set three world records in less than an hour the previous year at the Big Ten track meeting, which has since been called “the greatest 45 minutes in sport”. Hitler did not … Read more
Malignant
One word titles suggesting ugginess are a bit of a specialty for James Wan – Saw, Insidious and now Malignant, a never frightening but entirely entertaining tour of the all-you-can-eat horror buffet. The writer/producer/director piles on a whole load of stuff, then a bit more, and then more still. If nothing else, you have to admire the size of his plate. It all starts pre-credits with one of those sequences set inside some murky clinical facility where a medical team are trying to subdue someone or thing and finding themselves up against it. The thing, or whatever it is, seems to be “drinking electricity”. Hold on to that thought – and then later … Read more
Obsession aka The Hidden Room
In 1948 brilliant director Edward Dmytryk left the United States in a hurry. He’d just been sentenced to prison time for failing to testify before the House UnAmerican Activities Committee. One of the so-called Hollywood Ten, Dmytryk fled to the UK, where he made a couple of films before his passport ran out and he returned to the US to face the music, and jail. The first of those films was Obsession, released in the US as The Hidden Room. Dmytryk is best remembered for all-American movies like the Philip Marlowe mystery Murder, My Sweet (also known as Farewell My Lovely). Obsession isn’t as noirish as that in any sense but it is … Read more
The Avengers: Series 6, Episode 27 – Thingumajig
Thingumajig, a can’t-be-bothered title for an average episode that starts well – a woman carrying a skull into a small church is horrified when the organ starts playing on its own and the lights start to strobe. Meanwhile, underground, her fellow archaeologist is so wrapped up in excavating something that he doesn’t hear her shouts. Seconds later he’s dead, having been menaced by something slithering towards him. All he leaves behind is a picture of his attacker drawn in the sand – a square outline, more or less – and a curiously molten/fused torch. If it all sounds like a Doctor Who plot, that’s because it’s written by Terry Nation – creator of … Read more
Beyond the Forest
“Nobody’s as good as Bette when she’s bad!” screamed the posters for this 1949 melodrama starring, of course, Bette Davis. But bad how? The latest of a run of flops for Davis when it was released, Beyond the Forest allowed Jack Warner to offload the star who’d made him fistfuls of money for 18 years. Good riddance to you too, said Bette, who’d wanted out anyway. Or so she said. It’s a madly overcooked affair from the outset, with a rolling written introduction after the opening credits insisting that this is a grim but necessary portrait of evil and its rewards and ending with a metaphor about a “scorpion in a mad fury” … Read more
26 September 2016-09-26
Out This Week Love & Friendship (Curzon, cert U) Sly arch social observer Whit Stillman meets a very similar property in Jane Austen, in his adaptation of her novella Lady Susan – about a dangerous sexbomb widow trying to get both herself and her daughter married off to money. As with all Stillman films it is immensely talky, and Kate Beckinsale is in it too, as she was in 1998’s The Last Days of Disco, and is rather excellent as a younger, sexier weaponised version of Austen’s Mrs Bennet, mouth always on the go, eyes all over the room as she jockeys for social position. It’s a fiendishly plotted thing, all stratetic plays by … Read more
Gail Daughtry and the Celebrity Sex Pass
So here’s the set-up for Gail Daughtry and the Celebrity Sex Pass. Gail (Zoey Deutch) is a hairdresser in smalltown Kansas who’s been having a conversation with fiancé Tom (Michael Cassidy) about which celebrity each of them would like to have as their celebrity sex partner – a free pass, all just a fun fantasy. Tom has gone for Tilda Swinton. Gail, at Tom’s prompting, has gone for Jon Hamm. All harmless nonsense until the pair of them go to a book signing by Jennifer Aniston, who’s promoting a cookbook full of joyless recipes. Tom decides Aniston might also be a worthy Sex Pass partner and instantly promotes her, dumping Tilda in the process. … Read more
Identikit
Now this is a weird one. 1974’s Identikit, also known as The Driver’s Seat, and even occasionally as Psychotic, stars Elizabeth Taylor as what looks like a screen representation of her public persona – a batshit, flamboyant grande dame who we first meet in a German department store, where she is buying something garish and roundly insulting the sales assistant while doing so. Lise, it turns out, is a wanted woman. An identikit picture of her has been posted at all airports. The police are on her tail, for what we don’t know. And as she flies from Hamburg to Rome, they follow behind, questioning everyone Lise comes into contact with. Lise, for … Read more
Deadfall
Remember Eric Bana in Chopper, frightening everyone to death as Australia’s most gruesomely violent criminal, Mark “Chopper” Read? There are echoes of Bana the Bad in Deadfall, in which he plays one half of a psycho sibling pair who are heading, unwittingly as far as they and everyone else concerned can tell, for a showdown rendezvous at a Thanksgiving dinner. Deadfall isn’t half as good as Chopper, though it does give Bana a chance to show us he can still do ugly. If only writer Zach Dean and director Stefan Ruzowitzky had worked out some way of telling the other four stories they’re trying to tell with economy, leaving Bana with more screen … Read more
No Other Choice
Park Chan-wook probably hit peak cultural clout with 2003’s Oldboy. No Other Choice reminds us yet again that he’s still here, and has been knocking out good films ever since. If The Handmaiden and Decision to Leave and a clutch of others don’t quite get the coverage that Oldboy and the other two films of the “Vengeance” trilogy did, that’s more our problem than his. In fact Sympathy for Mr Vengeance, Oldboy and Lady Vengeance would better be described as the “Sympathy” trilogy, since that’s their currency. But in the crazy-busy world of the attention economy Vengeance sells and Sympathy comes across as a bit wafty, so Vengeance it is. Which brings us … Read more
