Popular Reviews
7 September 2015-09-07
Out This Week John Wick (Warner, cert 15) Like some kind of undead film star, Keanu Reeves manages magnificent returns every few years – Speed, The Matrix and now John Wick, a super-sleek bit of badass comic-book adaptation relying heavily on Reeves’s blank persona (no one does it better) for much of its appeal. He plays a retired hitman so frightening that, we’re shown, even incredibly hard hardmen blench when they hear he’s on the warpath – after some damn fool goes and kills the pet dog that was the only reminder of his dead wife. And that’s all you need to know about the plot. The screenplay is incredibly smart, a collection of … Read more
15 June 2015-06-15
Out This Week Cake (Warner, cert 15, Blu-ray/DVD/digital) Child actresses signal they’ve grown up by shedding their clothes; older actresses their bid for independence by shedding their makeup. So it proves with Jennifer Aniston, in a feel-my-agony performance as a woman wracked by relentless physical pain after some sort of accident (all is eventually revealed) which has reduced her to zombie-like shuffling and perma-scowling. It’s a good performance by her, and a reminder she’s only as good as her material. But this is good material, and Aniston is surrounded by actors who are up to the salt. In particular Adriana Barraza as the hired hispanic help who seems to have the share of … Read more
Reflection in a Dead Diamond
Arthouse discovers the rigours of genre in Reflection in a Dead Diamond (Reflet dans un diamant mort), a vogue-ing pastiche of Bond movies with a bit of Death in Venice. If you like the work of Hélène Cattet and Bruno Forzani, who have been doing this sort of thing for over 20 years, in films like Amer, The Strange Colour of Your Body’s Tears and Let the Corpses Tan, this will be catnip. Personally, I thought this latest feature – brilliantly assembled though it is – exposed a weak flank. They can make the richest, lushest and most referential movies possibly ever. But can they tell a good story? They would probably argue … Read more
The Phantom of the Opera
It’s something of a minor industry to make fun of Andrew Lloyd Webber. But with this film version of his stage phenomenon (billions of dollars at box offices worldwide, and counting) it looks like the musical lord is once more going to be having the last laugh. It’s a story we all know – a hideously disfugured creature, endowed with a gift for music, yearns for the love of a pretty, young singer. He tutors her and turns her into a star. But could she ever love him? It’s often said that the story is a coded version of the relationship between Lloyd Webber and his ex-wife, Sarah Brightman. Brightman was the original … Read more
A Choice of Weapons: Inspired by Gordon Parks
HBO’s documentary A Choice of Weapons: Inspired by Gordon Parks does a great service for ignoramuses (like me) who mistakenly had Parks pegged as the guy who directed Shaft and a few other films and maybe dabbled in photojournalism earlier in this life. He was so much more. Born in 1912, Gordon Parks came of age as the Depression was taking hold and by his own admission (in archive interview footage) would probably have lived the life of the career criminal/hustler if he hadn’t become fascinated by some photographs in a magazine and picked up a camera. Parks had real talent and was a hard worker and by the end of the 1930s … Read more
Mutual Appreciation
A micro-budget black-and-white indie drama, written and directed by one of its co-stars, Andrew Bujalski, who plays the college lecturer graciously helping out old school friend and budding rock musician Alan (Justin Rice) after he relocates to New York. Failing to commit, being vaguely rubbish, avoiding maturity, just sort of drifting about, that’s the over-riding atmosphere delivered by Bujalski’s bittersweet second film, after the highly influential Funny Ha Ha. His inspiration would appear to be the naturalism of early Jim Jarmusch, the awkwardness of Woody Allen, and Bujalski is keen on situations where what is not said is twice as powerful as what is. Embarrassment looms large too, inevitably, so anyone who’s ever … Read more
The Return
As you will know from reading your Homer, after his victory at the battle of Troy, the warrior king Odysseus got waylaid on his journey home to Ithaca. Instead of taking weeks, Odysseus’s voyage lasted years. There was many a mythical adventure en route. Hence, yes, the word “odyssey”. The Return picks up the story as the last section of The Odyssey did, with Odysseus finally washed up half-dead on his troubled native island. Grizzled, battle-scarred and bewildered, he is taken in by a swineherd, where he licks his wounds and mentally regroups before eventually heading off towards his palace disguised as a beggar. Surely he will re-assert himself as king? Surely things … Read more
Project Hail Mary
Dry and wry and suited to the talents of all involved, Project Hail Mary’s gets a serious attack of the cutes midway through. That apart, it’s a rip-roaring space adventure of the old school whose good bits are so good that its tweeness can be overlooked. I think. It’s an adaptation of an Andy Weir book, the guy who did The Martian, and is again deeply procedural. This time, instead of Matt Damon growing potatoes in human shit after being accidentally left behind on Mars, we have Ryan Gosling waking up on board a space ship light years away from Earth. His job is not to save his own skin but to work … Read more
Jack Johnson
A movie for every day of the year – a good one 28 September Death of Miles Davis, 1991 On this day in 1991, Miles Davis died. By his own estimation the Juilliard educated trumpeter, band leader and composer changed music “five or six times”. Whether that is true or not, he was there when bebop was being invented, and the same went for hard bop, orchestral jazz, modal jazz, jazz-rock and techno-funk, the last of which he tossed off almost as an afterthought, having come out of retirement after spending the late 1970s indulging his two addictions – drugs and sex. His 1959 album Kind of Blue is the best selling jazz … Read more
Cryptozoo
Independent, hand-drawn, adult animation is rare, as Sundance programmer Charlie Sextro said at the premiere of Cryptozoo, which puts Dash Shaw’s busy and quirky adventure in pretty much the same category as its subject matter. A cryptid, an early intertitle card informs us, is a creature whose existence is unsubstantiated, or who remains hidden. As in a cryptic crossword, you have to look beyond the surface to see what is really there. And a cryptozoo is where our hero, Lauren (voiced by Lake Bell) is employed as a kind of Indiana Jones swashbuckler, travelling the world to bring crypto-animals like the velue, the gorgon and the karzelek back to the zoo, where they’ll … Read more
Barbara
By the time Christian Petzold made Barbara in 2012, enough time had passed for his film not to be seen as just the latest in a line of Ostalgia movies (2003’s Good Bye Lenin! is a prime example). In any case the German writer and director tends to be more concerned with the problems created by freedom rather than a lack of it. Films misty-eyed for the communist era aren’t really his thing. However, Barbara does have some generous things to say about life in the German Democratic Republic (aka East Germany) wrapped up in a thriller about a woman trying to escape to the West. Barbara (Nina Hoss) is a doctor in … Read more
Swallowed
I wondered early on in Swallowed whether it was going to have an anal as well as an oral angle. I was right, it did. Some background on that speculation. Two friends, Ben and Dom. Ben is gay and handsome and about to leave his no-mark hometown to be a porn actor in LA. Dom, not quite so hot and straight, is not. He’s staying behind, where he might well, from the looks he’s giving Ben before they part, be nursing the remains of an unrequited love. As a farewell gift to Ben, Dom has arranged to make some cash to give to Ben by smuggling drugs into California. It’s easy money. All … Read more
