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The Cast of 10 Things I Hate About You

10 Things I Hate About You

Apparently if you’re drunk enough when you say the title of this film, it sounds like, “The Taming Of The Shrew”. Whatever. When it came out in 1999 it tapped into two of the big trends in the cinema of the time: the high-school drama (Cruel Intentions, Election, Rushmore) and adaptations of the Bard (Elizabeth, Shakespeare In Love). It’s a teen tangle in Shakespeare country that manages to be both reasonably faithful (depending on how you define “reasonably” and “faithful”) to Shakespeare’s original, but not so heavy-handedly that the average audience member will nod off. It also managed to cast two hot properties of the time – Julia Stiles, who at one point seemed … Read more
Jonathan Rhys Meyers in Velvet Goldmine

Velvet Goldmine

In 1988 Todd Haynes made Superstar: The Karen Carpenter Story. In it he used Barbie and Ken dolls instead of actors to play out the tragic story of the singer with the golden voice whose anorexia eventually killed her off. Karen’s brother Richard Carpenter stamped it out of the record books, claiming Haynes didn’t have clearance to use the music. It has since resurfaced as an entry on imdb and pops up on youtube in various shitty resolutions. Haynes is in pop-music territory again with Velvet Goldmine, moving Ewan McGregor and Jonathan Rhys Meyers into 20th-century-boy poses in a story about a newspaper reporter (Christian Bale) in 1984 doing a story on the high point of glam rock more … Read more
audition

Audition

The horror film has a special use for the young female body. How often does one crescendo with some girl in a tight white T shirt – if not Jessica Biel then someone pretty similar – running endlessly, screamingly away from a scaggy male assailant with a hook/axe/chainsaw/knife? Meanwhile a man with a Steadicam aimed right at the young woman’s breasts in turn runs backwards away from her, to the nodding appreciation of the largely male audience. Audition turns the tables – a sad sack of a Japanese salaryman pretends to be a producer holding auditions for a film. In reality he’s doing try-outs for something more permanent and less well paid – … Read more
Leatherface picks up lunch in The Texas Chain Saw Massacre

The Texas Chain Saw Massacre

If each era has its own horror film, then the lucky 1970s got both The Exorcist and The Texas Chain Saw Massacre. Tacked on to the end of a Walter Matthau film for its San Francisco debut, The Texas Chain Saw Massacre drove the cheesecloth-wearing crowd to storm the lobby, demanding money back with menaces. Many people have seen the underwhelming 2003 remake, starring a then fairly unknown Jessica Biel as the scream queen in a tight white t shirt. But for sheer economical film-making – and meanness of budget – you can’t beat the original. It’s based on the true story of Ed Gein, the handyman with a penchant for graverobbing, a … Read more
cache

Hidden aka Caché

Everyone loves a form/content double whammy, when a film’s story and its method of telling correspond. It’s why Memento succeeds so well, for example, a tale about an amnesiac told in partial and unreliable flashback. How much craftier is Michael Haneke’s psychological thriller Hidden. Georges (Daniel Auteuil) and Anne (Juliette Binoche) are media professionals, members of the Parisian chattering classes, liberal right down in their DNA. What could people of such good intent have to do with the rising tide of Islamism, anti-westernism, terrorism? Why are they being blackmailed by an increasingly incriminating series of videotapes? Are they guilty of something, or innocent, as the film seems to proclaim? Haneke’s double whammy is … Read more
Mike White as Buck in Chuck & Buck

Chuck & Buck

In this small-scale, nasty and even snivelling film born in the Classmates.com/Friends Reunited era, young sleek winner Chuck (Chris Weitz) returns to his hometown and falls somehow back into the orbit of old childhood chum Buck, who in the intervening years has polished his dweebieness into something altogether needier and more pathological. Buck is a stalker in other words and, having met Chuck again, he locks on hard. Mike White plays Buck and also wrote the film. He cut his teeth on slightly squeaky TV shows about high school, such as Dawson’s Creek and Freaks and Geeks, before turning to the dark side with this twisted debut. It was a welcome breath of … Read more
Christopher Walken surveys his kingdom in King of New York

King of New York

I used to work at a magazine and would get a lot of DVDs in for review purposes. King of New York was the one that really got all my co-workers misty eyed. They started quoting lines from the script, remembering the best bit of the film, asking me if I could have the disc after I’d finished with it. No wonder. It’s a hugely influential piece of work and you can see its impact on almost every mob drama since. It was made when Christopher Walken was in his pomp, here he plays the self-styled King, a classically ruthless gang boss with a strangely benevolent streak, a man who tries, in his … Read more
Snow White sings to the bluebird in Snow White and the Seven Dwarfs

Snow White and the Seven Dwarfs

David Hand? Look at the credits and you’ll see the name down as the director, one among quite a few, depending on where you’re looking. Such is the grip of the “director as auteur” notion on modern thinking that everyone – from the IMDB down – feels obliged to list the director first, as if theirs were always the guiding hand. Which is a long-winded way of saying that Snow White is a Walt Disney film. He might not have directed any of it but he directed the people who did. And, in the days when we’re meant to marvel at the computer-generated output of Pixar and the like, how much more amazing to … Read more
Tom Cruise in Magnolia

Magnolia

Paul Thomas Anderson’s follow-up to Boogie Nights disappointed those who were hoping for more Dirk Diggler and his prosthetic schlong. At 182 minutes it also caught out those who were watching at the cinema with a beer or two inside them – knotted legs don’t make for maximum movie fun. At home with a pause button it’s pure luxury. Stylistically it’s heavily in debt to one of Anderson’s readily acknowledged influences, Robert Altman – the overlapping dialogue, the wandering camera and the faintly disengaged performances. By which I mean the actors are not all constantly presenting three-quarter profiles to camera (no, not even Tom Cruise). Yes, Tom Cruise. How often is it that … Read more
Nicole Kidman shocked in The Others

The Others

Oddly, quite a few people hated this atmospheric ghost story when it came out. It’s a tale with a twist, set just after the end of the Second World War and it’s directed by the Spaniard Alejandro Amenábar. He was a cult name back then, thanks to Tesis and Abre Los Ojos and perhaps he was a bit too out there for some tastes. Nicole Kidman plays the woman waiting for her missing husband to return from the war, a too-dutiful mother who keeps their kids locked away from the light (they’re allergic to it, she says) in a weird dark house kept functioning by a trio of servants. They, we have seen, turned up … Read more
manhattan image 2

Manhattan

Woody Allen’s 1979 magnum opus starts famously with a long montage which appears to suggest that New York is to the modern world what Paris was in the early half of the 20th century – the home of romance, intellectualism, art, sex and impossible glamour. To the sinuous jazz of Gershwin’s Rhapsody in Blue, Allen treats us to a sequence of lush black and white images such as Robert Doisneau or Henri Cartier-Bresson might have taken. And then, in the filmic equivalent of dragging the needle off the record, he appears to say ‘Hang on – the French may be mature, worldly and philosophical. But New Yorkers?’ The next 90 minutes play out … Read more
Sandra Bullock in Miss Congeniality

Miss Congeniality

Call it nominative determinism but the Kirk Douglas-dimpled Sandra Bullock is often the most bullish person in the movies she’s in. This is presumably why somebody thought she’d be ideal playing a tough cop who makes an ugly-duckling transformation in order to go undercover at a beauty pageant. It’s completely unbelievable, of course – Bullock never for a second looks less than a Hollywood A list star, even when made up to look like a dog. But who wants believable when there’s fun to be had? And so we yield to Bullock’s brilliant comic interplay with Michael Caine, as her camp coach in feminine poise (see what I mean by unbelievable), and if … Read more

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