Golem

Pernat with newspaper stuffed in his mouth

Golem is the first of Polish director Piotr Szulkin’s Apocalypse Tetralogy – as it’s sometimes called – and is also often credited as being one of the inspirations for Blade Runner. Before Ridley Scott fans start rubbing their hands together with glee, Szulkin is far less interested in entertainment than Scott. His film is bleaker, more paranoid and more obviously Kafkaesque than Blade Runner. Think Rainer Fassbinder’s Berlin Alexanderplatz meets Terry Gilliam’s Brazil rubbed all over with an oily rag heavy with swarf. It’s political too, in a coded sort of way and though set ostensibly in a destroyed society decades after an apocalyptic nuclear event, it’s clear that Szulkin has Communist Poland in … Read more